Just when you thought you knew about everything that happened at EDC this year, we bring you the most overlooked, but perhaps most exciting development that happened under everyone’s nose. Fortunately, former Earache USA whirlwind and now ANOMIEdia’s CEO, Jim Welch, was on hand to give us the eyewitness account of what went down.

It was a big year for the harder styles at Insomniac’s Electric Daisy Carnival. A stocked hardstyle line-up and a closing set on the Basscon: Wasteland stage by hardcore power Angerfist attested to the magnetic draw of the hard electronic. But there was another significant disruption of the status quo that went practically unnoticed even by the tea-leaf readers and crystal ball gazers who make a career out of divining Insomniac’s next moves…

Calliope was the Greek Muse of heroic poetry, and puttering along the Las Vegas Motor Speedway’s terra firma on EDC Day 2 was the apt-named Kalliope Art Car. This otherwise cute and unassuming converted bus actually packs a 70,000 watt sound system, and this night carried three old school legends that have steadfastly dedicated themselves to furthering the art of the rave. These heroes have continued to promote new and underground music ceaselessly for decades and were seemingly snuck into the party in the dead of night… a portent of things to come? I speak in order of appearance, Lenny Dee, Rob Gee, and Frankie Bones.

Despite the old school credibility all three of these artists bring to the table and their bona fide historical significance to the American rave scene going back to the early 1990’s, they have been surprisingly absent from the larger American festivals. In some ways, it might be because they still have never slowed down. Each has in his own way, like true artists, continued to pursue their art. So, they didn’t really fit into EDC’s usual “old school” area, the Upside Down Room, and were still a little too edgy for Basscon or Bassrush. Enter: Kalliope! and kudos to Insomniac for figuring out how to bring these guys to the attention of a new breed of ravers.

That said, I, like many of you, was stuck in the massive traffic jam that night and missed this part of the rave I wanted to hear and see most. As most of us didn’t have the privilege of following the Art Cart, we have tried our best to recreate the experience for you. Check out Jim Welch’s recount, and we’ve posted a re-creation of Lenny Dee’s set that he made for us. Frankie Bones actually managed to record his set, and we hope to get something from Rob Gee soon. At the end is my interview with Frankie Bones preceding the fateful night. Enjoy and look to the midnight horizon!