Regain is the key player in the latest wave of raw up-and-comers. Pushing the boundaries with his rock/metal influences he’s created a harder design for the raw and continues to show how important his role is that even artists like Warface want to collaborate! Continuously picking up the pace (Rawstyle was being produced at 155 BPM but now 158 is becoming standard), both of these artists combine their talents to create ‘Wakin’ Up’, out now on End of Line Recordings. It’s no wonder raw is taking over when you hear that aggression being pumped through sound systems of 70,000 + watts. You’ll know what I mean when you hear this one.
All posts by Daybreaker
Tymon – Rituals of Distortion: Chapter 1 – Track Review
Released last month as the 100th release for New York based hardcore record label Industrial Strength Records, industrial demon Tymon has put out what I consider so far as THE best hardcore release of 2016. Slow, eerie, crunchy, everything that the Aussie has become famous for is featured in this three-track release. ‘Crunch Time’ is the top track (you’ll notice right away), but both ‘Fade to Black’ and ‘Instakill’, which both feature a slower kick and a simpler sound design, are still produced and mastered with the upmost quality! And the fact that this is released as a “chapter 1”, I certainly hope this means that another release from this man is coming up in the near future, perhaps just as astounding.
Day-Mar – Luxury – Track Review
There are only a handful of female hardcore producers in the game, but none more vicious and underrated than Day-Mar. Her latest release showcases the most recent experimentation of her sound with both ‘Luxury’ and ‘Sometimes’ running at 196 BPM. Of course, each track has their own feminine touch: the vocals of ‘Luxury’ being the thuggish ruggish chick, and ‘Sometimes’ being the soulful and sexy icon, but both still remain harder and edgier which gives this bad ass beauty her advantage.
Techno Gets Belligerent at the Madhouse!
Upon arriving, I thought I was lost: that somewhere between the caged liquor store and the tagged up strip malls, there may have once been a building in between that stood as the ground zero for hardcore parties in San Bernardino, CA. After I pulled over to the side of the road and started observing the area, I had noticed that there were security personnel outside the door to some kind of establishment. Could this be it? It can’t be. It doesn’t look like it. After waiting a little while, attempting to figure out if this location was correct, a car had pulled up with a group of kids that were all glammed out in brightly colored bracelets and necklaces; I guess this IS it: the sign says Arrowhead Elk’s Lodge #896, but behind its decaying walls the silent screams of bass lines ensued which meant that I was about to enter the Madhouse. Welcome to the hardcore underground.
The place had been transformed into a fortress of sound both inside and out. DJNC Odie and the Desert Rats took control of the outside stage while the Techno Belligerent crew established rule inside. HellNegative opened the night with Drum & Bass. It was three years ago that he had to leave us, ever since then his return has been highly anticipated, and the fact that I happened to be in town at the same time is an amazing happenstance. The rest of the night I was in utter mystery and surprise with a stacked lineup filled with names that I was unfamiliar with. I’ll say ahead of time that California is riddled with pure talent regarding the hardcore scene.
The eerie productions of Invisible Robots followed by the ruthless, cut-up Breakcore lines of Producer Snafu generated so much creative response in me and certainly the rest of the room. BC Rydah took the stage at midnight and pushed that creative boundary even further. This man has a signature sound that needs to be heard! Unless my ears deceived me, I could’ve sworn that Chicago Footwork (a guilty pleasure of mine) made it into the mixture, which yields the utmost respect for THE best breaks DJ I’ve heard in my time. Blackened speedcore was also admitted inside the Madhouse as the night grewer darker: Acid Enema! Abhorrent (vocalist and one-half of the Las Vegas based duo) performed a DJ set and live vocal session (provided in part by AngelEnemy), which was a perfect lead in for Virtue, one half of the GabberTwinz, and the ringleader himself: ARCID who closed out the night just before the sun was set to rise.
For the first time, I had experienced the mad and the macabre that I’ve only heard about from states away. And to quote the movie “Demons” (as are the radical Techno Belligerent crew and all the talent who were behind the decks): “They will make cemeteries their cathedrals and the cities will be YOUR tombs!” – Thank you to Desert Rats and Techno Belligerent crew for the memories and I can’t wait until the next one. And thank you to the dedicated crowd that showed up and supported as well! Without you directly, parties like this can’t happen!
LA Weekly’s Mention of Trauma is a HUGE Victory for Hardcore!
How quickly we are rising! This week we have seen the tremendous reach that ‘Trauma: Harder Styles Tour’ has had all across the U.S. by having DJ Deadly Buda’s article on the subject approved and published onto the LA Weekly’s website!
http://www.laweekly.com/music/how-i-raved-again-on-americas-largest-hard-dance-tour-6727727
Buda’s recount of ALL seven stops of America’s hardest electronic tour to date captures the trials and tribulations that were experienced throughout his journey all while simultaneously immersing the reader into all of the excitement and adrenaline one may have only been able to feel by attending (now times those feelings by seven!).
Having this amount of publicity on a such a national and prestigious forum shows all of us (ravers and non-ravers alike) that Hardcore can’t, and will never, DIE!
You can read all about the madness RIGHT HERE and please show your support in any way by reading, sharing, and/or leaving a comment on LA Weekly’s thread.