The hour-long panel was held by IPChain (the National Coordination Center for Processing Transactions with Rights and Objects of Intellectual Property), whose ambitious task is the formation of a national blockchain-based network of Russian intellectual property objects, their associated rights, transaction records, and the facilitation of such transactions.
“The creation of a decentralized IPChain network is a necessary and indispensable stage in the development of the national intellectual property sphere,” said Andrey Krichevsky, president of IPChain. “However, when speaking about practical steps, it is important to remember that, despite the seminal nature of today’s steps to reform the sphere, we must constantly be on the move. After all, the trend of the current day – blockchain – will be replaced by newer and newer technologies and solutions. Our task is to monitor the strategic vector of global development, to foresee and anticipate technological shifts. ”
Musicoin Ambassador Joel Bevacqua addresses the St. Petersburg International Cultural Forum
In that context, panelists who contributed their solutions and viewpoints were: The Unified State System for Accounting for Research, Development and Technological Works of Civil Purpose (the state service is already one of the key components of the IPChain infrastructure), The National Register of Intellectual Property, which participates in a project initiated by the Ministry of Education and Science of the Russian Federation to create a system for storing and comparing three-dimensional models, and FormMax, a business to business solution for delivering background music,
The participants also included a number of services that could potentially use the IPChain infrastructure such as IP EXCHANGE (IPEX), an online platform that ensures the regular functioning of the organized market of intellectual property, artists societies worldwide, and the world’s first music streaming blockchain service, Musicoin.
Panelists from left, Eric Baptiste (SOCAN), Andrey Krichevsky (IPChain), Sergey Matveyev (Director of the Department of Science and Technologies of the Ministry of Education of the Russian Federation)
Though intellectual property forums tend to be sedate, this panel had its share of barely suppressed fireworks. Ivan Zasurskiy, Head of the Department of New Media and Communication Theory, Journalism Faculty of Moscow State University, referred to lawyers in the field as leeches, attorney Pavel Katkov wondered aloud if blockchain smart contracts might relegate lawyers to a secondary role in intellectual property management, and Joel Bevacqua, the ambassador for the Musicoin blockchain pointed out to the younger members of the audience that the panel they were witnessing might one day be a watershed moment in their lives.
The Russian Federation’s IPChain ended the panel with another sign that Russia intends to be a world leader in blockchain technology, as official signing agreements on strategic cooperation took place. IPChain and the largest company in the market of licensed electronic books in Russia, LitRes, signed an agreement on cooperation and interaction, and then IPChain and BankPrav.ru service – “AyBi” LLC, signed an agreement on establishing partnership relations and developing long-term mutually beneficial cooperation for the registration and monetization of intellectual property and increasing the transparency of intellectual property transactions for all market participants.
Joel Bevacqua, Musicoin Ambassador (and The Hard Data Editor) arrives at the VI St. Petersburg International Cultural Forum’s IP & Blockchain Panel
At the very end came the surprise, as IPChain’s head Andrey Krichevsky, announced IPChain’s intention to open discussions with SOCAN and Musicoin on possible cooperation pacts. Musicoin’s ambassador, Joel Bevacqua, was seen giving a “thumbs up” to the audience. How this plays out, the world will have to see, but the announcement could signify another significant step for music fans and artists not just in Russia, but the world.
Day oneOctober 30, 2017. Contemplating in a graveyard because I find myself being featured on the television show called “Now and Then” as I will write down in log my first day recalling escape 2017.
First foremost I would like to thank insomniac for the opportunity to cover this event and interview DJs. It was really the most profound experience I have had yet to date and I will re-iterate by thanking them because they really are the best party thrower’s in the world.My name is 3MiloE and this is my Escape 2017 experience.
Logged October 30th, 2017
The purpose of this project is to really capture the feeling of both the artist and the party goer. I will be updating this project daily posting photos interviews and my personal experience interviewing partygoers as well updating daily as time goes along so you can track my project and the progress of this project from beginning to end . Readers can thoroughly enjoy themselves and go through my story day by day rather than having to wait to finish the entire project. I hope you will re-live my experience, with me as I put it down in this article and capture my own experience throughout this wild weekend which was a esape 2017.
9:23 a.m. Tuesday, Halloween, October 31, 2017, my friends back yard,
Please allow me to get sidetracked for a second because the main focus of this work, is to derive meaning from this entire stream of consciousness that I experienced during Escape. Although it’s hard to describe. People think it’s about that music, people think about the drugs, people think it’s about the lights, people think it’s about dressing up. It’s really about what each individual takes away from it.
The first night I spent the night interviewing the DJs but the second night I interviewed the crowd. It was interesting to find out what really makes everything tick. I’ve been part of the crowd before but I have never been behind stage I wanted to ask the artist questions I wanted to know, not necessarily what people wanted to know or the public. I like to call myself a Renaissance man of EDM, I produce, I spin, I promote, I write articles, I go to festivals and, now I interview famous DJs.
Right now it is 9:20 in the morning Halloween October 31, 2017 I have just woken up at my friends house I am having a coffee before he wakes up. I am logging in my daily time thinking about who really is my audience reading this? Should I really bring the hard data? Which I feel to some extent this festival world needs.
I am going to write the story of Escape down in this text, the feelings of the artists, the feelings of myself, feelings of the crowd. With the prime directive of answering this questions, “what did we all take away from this experience. DJs, medical staff, festival workers, party goers, the producers; all changed in some way by this experience. Did people take home something with them, that had only been discovered at Escape 2017? Do they have the feeling that I have? The feeling that artists cried when they were on stage, was the feeling that was described by general mission, and party goers and that’s the feeling I got when I was experiencing the story doing the interviews, being in the crowd, but most of all I am wondering what feeling the world or the audience will take away from this text…
Nov 2, 2017
Currently stressed about life. I really have to Now prioritize, strategize and work the hardest I’ve ever worked in my entire life. I am going to be real with you all . I am a psychology student, in the midst of his first year in my master’s program.
Now let me set the scene…”
I have recently lost my entire hard drive on my computer only a couple weeks before the festival and half way through my first session at school . And that was a Trumatic experience for me. I lost about two years worth of content on my computer including photos and all the music I have produced up until that point and my homework… Songs I had spent hours working on, lost to nothingness, save a few originals on SoundCloud. Here is my November 2nd reflection.
As my mind grows, so does my ambition and curiosity…
I have a lot of work to do, I am really stressed, but I know what I have to do and nothing can stop me from conquering my dragons! I must ride this dragon of psychology and become a master! As well as pursue my passions as an active EDM enthusiast, I feel it is my duty , to push my intellectual capacities and apply them to both my fields of research and study. One being electronic music and the other being psychology. It is my master plan, to blend the two together for my master’s thesis.
Ok Ok! I realized I have just been posting thoughts, so here is some real deal pics to satisfy you guys before I get to the juiciest part of my experience…. THE DJ INTERVIEWS…My associate and I are Dictating the interviews now!!!
Da Tweekaz love TheHardData! Thanks for reading guys!!!
November 3rd 2017,
It is the evening of November 3rd 2017 and I just witnessed a lecture by Fanny Brewster, a renowned psychologist who has a Ph.D. in Clinical Psychology and is a licensed Psychoanalyst. Her lecture was on a female Architype. I feel so connected with women, and that may sound strange coming from a man in 2017… but I truly believe, that women are underrepresented in our society.
Selfie, with Fanny Brewster!
I took my mother, as a guest, to this lecture at Pacifica, which is the University I attend for my master’s program in psychology. My time there tonight let me reflect upon how I have been thinking a lot about women lately… and the important role they play in my life. I am reflecting now, upon how important music is to me, and that there are not a lot of females in the industry. For example, I can only name two female headliners at Escape. Rezz, and of course Missk8! I feel that Rezz is channeling female power through anonymity. Rezz captures female form without giving it a physical manifestation of beauty, empowering the ideal of a woman and showing the world that a woman can headline without people acknowledging her physical appearance, the beauty lies underneath the trippy glasses. Thank you Rezz!
Similarly, empowering women is Missk8. Missk8 however, harnesses her power by shocking people with her beauty and applying it to high energy music that expresses emotions like anger and exposes aggression within people. These emotions are not often thought of as beautiful, but when Missk8 blasts her music on stage… you tend to re-evaluate things. Her beauty, and figure, has a shock, or wow factor to it. Because hard style is aggressive and angry in a lot of cases, culturally thought of as negative feelings, misunderstood, misinterpreted or misrepresented feelings, and that is not often thought of as beautiful, but Missk8 embodies the beauty that lies within the music, underneath the surface.
(LATEST UPDATE) November 15, 2017
Affectionately known as my “Office”
I just established my space at Pacifica Graduate Institute. I even tagged it in my social media! I affectionately call it my office. It’s a small room in the library! It’s so perfect and quiet. I recently have been reading this book called, “Addressing Cultural Complexities in Practice Third Edition Assessment Diagnosis, and Therapy, by Pamela A. Hays. I find myself using it as a tool for self-analysis and a way of recognizing biases, within myself, that would potentially prevent me from connecting empathetically with those I seek to form therapeutic relationships with.
The reason I am bringing up this literature… is because, the literature is telling me a lot about my own self-identity. When I go to a massive rave like Escape, I can see every type of person imaginable; even those previously inconceivable.
Everyone’s inhibitions were lowered, acceptance of others was heightened. This lead to a mass exchange of culture, ideas, empathy and feelings! As a result of these socially perceived barriers, that are perceptively stronger outside of a festival setting, were almost demolished, due to the ambiance of the festival. The magnitude and scale of this social exchange goes unparalleled in modern society. It takes years, sometimes lifetimes to tear down the walls of ego and judgement that lie between us and the “other”. At festivals people differ in age, sex, gender, ethnicity, social class, religious beliefs…
A party goer dresses as the pope and Jesus Christ; a strong and symbolic representation of a cultural Archetype,
economic status, regard for authority, culture, and physical attractiveness. Yet all of us were concentrated in close proximity and feeling some of the most intense feelings that some of us will have had ever experienced in our entire lives.
In life, there is racism, intolerance, prejudice, bias, privilege and misunderstanding. As a psychologist, it is my job to understand these aspects of the human psyche, and therein my own. I must be aware of all these aspects of human life in order to be sensitive and understanding with the people I interact with. And so, with this log I would like to emphasize cultural awareness and sensitivity because we are part of this world. Each culture contributes its unique sounds, adopted by electronic music. The beats, and timing differ from country to country, culture to culture, and person to person… coming from, and spreading to, all over. There are people from all over the world, representing their unique cultures, as individuals, at these festivals. Be aware that we all need to respect and honor each other. That is the premise of the readings I found in Pamela A. Hays’ book, and the theme of this log is to reflect upon your own culture, relative to everyone else’s culture, and bring about a better perspective than the days before that time of great reflection… Happy travels- 3MiloE
Following the success of The Hard Data & Musicoin Pilot Program, both entities have decided to extend the content creation aspect of the Pilot Program until at least January 31, 2018. What that means is, between now and January 31st 2018, writers, editors, photographers, artists, proofreaders and other content related jobs will be receiving Musicoin for their contributions to The Hard Data website and magazine.
In August of 2017, the Pilot Program of which this initiative is based on doubled the readership of The Hard Data, and Musicoin tripled its value in US dollars. Creative types unfamiliar with cryptocurrency were introduced to the ecosystem, and readers of The Hard Data were treated to an expanded palette of content related to their favorite music genre: hard electronic dance music.
Because the price of Musicoin tripled (though now the value has pulled back a bit) over the course of the pilot program, content rewards will be half the amount of Musicoin received previously. We hope that by the end of January 2018 Musicoins will rise again in value, and contributors can see their efforts rewarded even more so should the price jump be significant.
Payment Schedule
The Hard Data will be paying the following rates for content produced on a work-for-hire basis until January 31, 2018, no matter how high or low the price of Musicoin is compared to the US Dollar.
Online Content
1. Article Writing = 250 MC A 500 word (or more) article about some subject pertinent to hard electronic dance music, such as interviews, party reviews or previews, editorials, music reviews.
1b. NEW!!! DJ Top 10 = 100 MC A list of your 10 favorite tracks of the month, starting with #10 going down to #1. Each track must have a link to its purchase link on either musicoin.org, hardtunes.com, iTunes, Amazon (in that order of preference). If no purchase link is available, insert the download, Youtube, or streaming link. If a track has a good video, it would be good to insert that as well.
2. Photography, artwork, images = 5 MC per image. In the case of photographers, it is expected that they will be uploading multiple images to The Hard Data’s Facebook photo page. So, if 10 photos are uploaded, that would equal 50 MC. However, we expect about 50 images per event. For 50 images (or more) they would receive 250 MC (please note we are capping the payment for albums at 250 MC to prevent people from uploading mass irrelevant photos). Each time a writer or editor uses one of their photos in an article, however, the photographer or artist would receive an additional 5 MC (only until January 31, 2018, though).
Writers or content creators that insert their own, legally compliant fair-use or copyright cleared photos will also receive 5 MC per photo. Please note, never use a photo on http://theharddata.com unless it is one of our photographers, or is copyright cleared.
3. Article editing/proofreading = 50 MC The editor confirms that the article is formatted correctly, hyperlinks work, and spelling and grammar errors are non-existent. For a 500 word or more article, or Top 10, the reward is 50 MC.
4. Article sharing = 250 MC Meaning: Sharing an individual article published on http://theharddata.com. Shares must be relevant in their venue. We currently define a payable “share” as one or a combination of the following:
a. 30 shares on Facebook (such as groups, event pages, or pages you manage) b. an Instagram photo (or several) with a total of 30 different hashtags c. several Twitter tweets with a total of 30 different hashtags d. 10 Forum posts with a link to the article. You should be an active member of the forums you post to. e. 30 relevant Steemit.com comments with links to the article. f. 30 links in Reddit Subgroups. g. If there are other venues you would like to promote on, please tell us about it and we will try to accommodate and come to an agreement with you on proper compensation. For example, we don’t have much penetration on Pinterest or Snapchat right now, so we are open to proposals in those and other social media venues.
So, an example of a “combination share” would be: a person shared an article to 15 different Facebook groups, made an Instagram post with 10 hashtags, and made 10 Twitter tweets each with 2 hashtags. This would qualify for 250 MC, just as a straight 30 Facebook shares would.
5. Share checking = 50 MC The share checker makes sure that the person about to receive a sharing reward made good links and wasn’t spammy.
Content Schedule
For the months of September 2017-January 2018, The Hard Data aims to publish and share an average of 20 different content items (articles, top 10s, photo albums) per month. If you would like to be a contributor for The Hard Data, please get in touch with us and tell us what you want to contribute, and when you plan to do it. Though we have a solid stable of writers and photographers, the increased content schedule is opening more content slots that will need filled.
Requirements
1. You must post the article or photo album yourself, after your register for an account on http://theharddata.com or we give you access to one of our social media pages. We use WordPress as a platform, if you are unfamiliar with it, we will teach you how to use it. 2. You must have a musicoin.org account, so that we may send you MC. If you don’t have one already, signup here:
He was stage-diving at raves before it was cool. Or safe. He’s blasted tracks around the globe and September 8 straight to your dome! Ladies and gents, let’s give it up for DJ Delirium! Here’s a little more from the man to make sure you’re in Brooklyn September 8th to hear him throw down…
Are you from Jersey?
I’m from Jersey. I am soooo influenced by my geographical location that I wrote a track about it.
How’d you get your name?
I was looking through the dictionary one day and I stumbled across the word Delirium. I was not quite sure of the meaning and after reading it I immediately felt that this was the perfect artist name for me and my Hardcore productions.
Delirium appears at Hard Electronic Sept. 8, 2017
What are you giving the crowd?
I am trying to get the dance floor in a frenzy! The more energy. the better!! =] I like to play tracks that are hard but still have a party vibe. I play many different styles of Hardcore & Hard Dance Music: Old School Techno, Early Rave, Happy Hardcore, Hardcore, Dutch Freestyle, Subgroud. My tempo ranges between 130 BPM – 200 BPM. I like to scratch a lot and do tricks to give the crowd a little more energy. I really spend a lot of time trying to find tracks that I think are going to really get the dance floor going!
What moment do you cherish the most so far in your career?
I have been producing and releasing underground music for 26 years and already performed on some major events like Dominator, Thunderdome, Mysteryland, Defqon.1, EDC – Vegas, Ground Zero, played all over the USA, Holland, Germany, Belgium, Italy, Spain, Switzerland, Russia, Canada, and even Hungary.
BUT, one of my biggest moments of my career was performing at my first Thunderdome event in Leeuwarden, Holland on April 20th, 1996.This was my first performance to a crowd of 20,000 people and I really rocked the house! People still talk about my set and my performance that night! It went so well that I decided to do a stage drive at the end of my performance. Unfortunately, the stage dive did not turn out too good and the people were in shock and did not even try to catch me!
What specifically are you planning to give to the audience at Hard Electronic?
I will be filled with positive energy and many new tracks! One special surprise is a brand new remix from Tommyknocker of DJ Delirium & Buzz Fuzz – Immortality! I also plan to play some new stuff from my label with Satronica & John Bas, Kontaminated Recordings. Which, by the way, please help support our brand and label!
