Category Archives: Interviews

Articles, Events, Interviews

Acidcorecrew Interview

Acidcorecrew are a Russian underground hardcore and breakcore crew organizing parties in St. Petersburg and most recently in Moscow. After visiting Acidcorefest.Moscowedition I decided to interview Igor (Shotgun Orchestra) to ask more about the crew and the local scene.

Who are the Acidcorecrew and how did Acidcorefest start?

Acidcorefest 10
Party people @ Acidcorefest 10 in St. Peterburg

ACIDCOREFEST and ACIDCORECREW appeared in 2007-2008 and the idea and was implemented in late 2008 as a festival of heavy electronic music. In fact, at the time we first focused on breakcore and gabba styles, but over time other styles were added as well. During the period of 2008-2016 we have organized 10 Acidcorefests in Saint-Petersburg, 1 in Moscow this year, as well as some other parties. Acidcorefest was on hiatus from 2011 until this year.
First members of ACIDCORECREW were me and Anton DistoNN. When we revived the festival in 2016 few people also joined us to help with the organization. Now ACIDCORECREW are Anton DistoNN, Mila, Slava, me and other guys who took photos, made promos and video.

The name does not seem to refer to the hardcore techno subgenre acidcore. Is there a story behind the name?

The name of the festival is not associated with the name of the style of music, it was more likely due to the fact that in the breakcore and gabba music there were a lot of acid riffs at that time.

How did the Acidcorefest.Moscowedition go in your opinion?

I think it was not quite bad. Perhaps one of the biggest festivals in recent years. However, there were some negative aspects, but these errors are considered in the future.

What has been the most memorable Acidcorefest event for you?

All. Literally. I remember every one of them, they were all unique and unforgettable.

Which international artists have visited your parties?

Techdiff (UK), Rotator (FR), Klitorix (FR/ES), M1dlet (LT), Xäcksecks (SE), Belladonnakillz (CA), C64 (CA), Kodek (LV), Gabba Front Berlin (DE), Bonehead (NL), Jensen (DE), Passenger of Shit (AU), Ars Dada (NO), Zutsuu / Teknoaidi (FI), Zeuge (BY), Gexider (BY), CJClip (BY) and Airborne Drumz (RU/DE).

How was the Russian scene before Acidcorefest started? And how did Acidcorefest influence the scene?

Acidcorefest 9
Party people enjoying speedcore @ Acidcorefest 9

Before Acidcorefest there were many other organizers in Russia like Breakcore.ru, IDM-group, Soundclash, Gromov and his parties. Almost all of these promoters either do not exist anymore or are not active. I think we can assume that ACIDCOREFEST is the biggest regular breakcore/hardcore festival in Saint P from 00’s that returned today.

What plans do you have for the future?

We always have plans, unfortunately more than opportunities, but I think in the near future we are waiting to do the next ACIDCOREFESTs in Moscow, St. Petersburg and other cities of Europe.

Tell us a bit about your hardcore/breakcore projects Shotgun Orchestra, Action Agenda and the label SickBrokenBrothers.

Shotgun Orchestra is probably my longest project and perhaps the most important to date, when viewed in the context of time. The project was started in 2003, when I made a few tracks, which became the basis of the first albums published later. Then had quite a long break until 2007, related to my service in the Russian army, and in 2007 I started to perfom with this project. At the moment I don’t give much time to this project anymore, mainly due to the activities with Action Agenda, but I promise to create a full-length album in 2017 and noisily celebrate the 10 years of the project.

Action Agenda
Action Agenda in action @ Acidcorefest.Moscowedition

Action Agenda is a new page in my music life. We are doing this project with Vyacheslav Vincent Nine. We started it in 2015, but I have great hopes for it.
SickBrokenBrothers Records is a young Russian independent record label focusing on hardcore, breakcore and crossbreed stuff. We try to publish the highest quality materials from the area of the former Soviet Union and neighboring countries, but the history of the label has only just begun.

What do you think about the Russian core scene?

Unfortunately the Russian scene is not as great as we would like it to be, but it is now in the stage of regeneration, and what it will be in a few years is difficult to predict.

What are the challenges in organizing parties in Russia?

The low attendance and low ticket prices. There are of course also really small parties for friends where you know all the visitors. We’ve done similar parties for many years and wanted some progress, so we wanted to make Acidcorefest something bigger and more interesting. The main challenge right now, with music in general, is that people are more interested in the image, the brands and the atmosphere. There is a real revival going on in the flourishing Russian gabba, but young gabbers are more interested in how they are dressed than what they listen to. This used to be secondary. Earlier people went to parties for the music (like to listen to good foreign visitors).

What subgenres are popular in the Russian core underground now? Are there any specific influences from abroad or interesting local developments?

As a whole I think I will not be mistaken if I say that the Russian scene is developing in parallel with the European, but with some delay. It doesn’t have some distinct differences. Only the style of dress that has appeared in recent years – many dress up as at parties in Holland in the 90’s.

Which Russian core artists would you recommend for the readers to check out?

Would not want to leave anyone out, many musicians in Russia are worthy of paying attention to, many you already know now. Those of you who are paying attention, let me draw your attention to the duo (RI) and Doc and DJ QuintaEssentia.

Thanks for the interview!

As a bonus here’s an aftermovie from Acidcorefest.Moscowedition made by Hardcore Russia TV:

Articles, Interviews

Eni – Interviewed

Eni is a Freestyle DJ from Los Angeles, CA and has played at parties such as Arizr, KTRA LA and Hardstyle Arena, and will be playing at Winterfresh Music Festival on December 3rd. Freestyle is one of the fastest growing genres and is relatively new to the American scene. With Hardstyle and Hardcore getting much of the spotlight nowadays, Eni’s Freestyle sound brings much needed fun and freedom to the party. Freestyle by definition means ‘playing without restrictions’, and Eni regularly combines Subground, Jungle Terror, Tekstyle, Jumpstyle, Hardstyle, and any other variations of the hard dance styles, mixed with classic breaks and hard trap.

I know a lot of people ask, so let’s set the record straight- is Eni your real name or is it an alias? How long have you been a DJ?

Eni is actually my real name; it’s a family name from my dad’s side. I’m actually the third- it’s on my birth certificate! I started DJing under the alias Audiofallout back in 2012-2013, but when I started a sound company under the same name people were getting confused. I also had changed my style from strictly Hardstyle to Freestyle so I decided to change my alias to fit my new style and create some separation between my company and myself. I started practicing and learning in 2009 when I bought a pair of belt drive Numark TT1700.

Can you tell us a little bit about how you got into Freestyle and about what your biggest inspirations in this style are?

I got into Freestyle basically by getting bored of just DJ’ing Hardstyle, hahahaha! For a long time I had been a die-hard fan of Hardstyle and could not get enough, but as time went on I felt things get a bit stagnant and needed some variety. I had always loved the dub-style tracks and cross genre stuff so I started to look for that kind of music more and more. I stated finding really cool crossbreed, some sweet trap influenced stuff, and things that broke down to funky house drops for a bit and I fell in love. I wanted to find the coolest most unknown hard dance and bring that up to all the people here in the states.

Eni at KTRA, LA
Eni performing at KTRA, LA

How does Freestyle tie together with your slogan “Eni Kind of Music”?

Well with Freestyle I like to play the spectrum from hard house and Jungle Terror, to Terrorcore and Speedcore… thus my slogan- playing Eni Kind of Music- nothing is off limits. I’ll mix in a lot of random hip-hop and trap influenced stuff, some Cumbia (dance music popular in Latin America), and other genres just to keep it fun and interesting.

You recently played in San Francisco, how did that go? Is the American crowd receptive to the Freestyle sound?

San Francisco was absolutely incredible!!! I had an amazing time out there. It was my first time playing in San Fran and I couldn’t have asked for a better first show. I had a great set and lots of fun. I really love the energy that the Northern California Scene has, it is very reminiscent of the feeling I used to get when I first started going to raves when I was 16. It’s very vibrant, colorful, and youthful. I also got a chance to work with J-Rod, Kriss, Keiji, Kreation, and Hauyon while I was up there. Leading to some really interesting new projects.

As you mentioned, you have a few projects going right now- you been starting to produce, collabs with other American artists, and you’ve been involved with the Hardroadz Media podcast- what can you tell us about those and what can we expect in the future? Anything else we should be watching for?

My trip up to San Francisco inspired me with quite a bit and I have recently started working on a new collab alias with a good buddy who just moved to California from Chile. We have 2 tracks just about finished and I will be dropping the first one at Winterfresh tonight. I haven’t had enough time to really work on many solo projects but I do have a bootleg in the works. Besides that I have been working with another friend of mine as the new host and engineer for the Hardroadz Media podcast. With the podcast we try to focus mostly on American based DJs and producers. It comes down to the fact that Europe and all of their DJs are already established and set, and for the American scene to grow we need to start supporting and showing up for our homegrown talent. For this reason my friend started this podcast. Each month we feature 30 minutes of hand picked tracks and then a 30-minute guest mix. Recently we got lucky and now the show is streamed live on the Department of Hard Dance every third Wednesday of the month, as well as putting it out on SoundCloud.

Anything else you would like to tell the readers of The Hard Data?

I just want to say thank you to everyone who has given me support over these past couple of years. I have been so lucky and blessed to be surrounded by these amazing support structures. I’m very excited with my Dabscouts sponsorship and collaboration. Their designs are pretty awesome and I have been blessed to have their graphic designer and photographer at my disposal. I’m hoping to do some really cool merchandising with them coming out eventually with a fully Eni Kind Of Music clothing line.

Catch Eni at Winterfresh on December 3rd at Union Nightclub in Los Angeles- get your tickets here

Announcements, Articles, Events, Interviews

Lenny Dee – Hard Electronic Interview Series

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Techno and Hardcore pioneer Lenny Dee started Industrial Strength Records in 1991 and put New York and American Hardcore on the map, Now on the heels of the labels 25th anniversary, ISR is touring the world with a crew of hardcore artists from all over. The tour hits the US this week with stops at Union in LA Friday, November 18 and The Paper Box in Brooklyn Saturday, November 19. We got a chance to talk to a few of the artists on the lineup, including label founder Lenny Dee about the event and the history of Industrial Strength.

THD: What inspired you to start Industrial Strength records?

I was already producing a lot of music and it became a natural progression. I wanted to inspire more artists to create Hard Electronic Music and I felt this music needed a place to grow and be heard. On my travels DJing, I also went on the hunt to seek out the most hardest electronic music I could muster up. Looking back – I did.

THD: What initially attracted you to hardcore and the harder styles of dance music? What is your favorite part of hardcore music and/or the hardcore scene?

It came from within me really. There was no hard electronic music before (maybe some gothic Ebm tracks, – if you could even find them). I made sets picking odd tracks, b-sides anything and everything and played them all back to back in my sets. I’d been doing sets all around the globe since the 80s man, so all the music i produced and mixed to this point lead me down a path as i grew as a DJ and a producer and then A&R.

What I was feeling the people were feeling. It was like magic. I grew as the feeling grew. This shit was new..

I wanted to explore electronic music to the max and have made and had hits in most major styles. Creativity lead to genres of music being realized. We made the music, and then it was called something, Techno for example….we did not go in the studio to make a ‘certain style’ — it just was. I wound up and the end of the road and stayed when I hit hardcore, but I still always look at the future.

THD: What was the hardcore and harder styles scene in America like before you started ISR? How has it changed in the last 25 years?

There was nothing here in the start of the 90’s. Frankie Bones was doing some parties at that time and we had also created club nights prior to ISR. We were pushing electronic music sounds to NYC which at that time no one cared about it.

The music was not Hard Electronic though. It become the essence of what was to come for me later on, but as I think back, it was hard for the time. Bones and I really broke down doors for NYC and this Country as a whole. No one here really realizes how much Europe actually looked to us as the leaders in electronic music. We have a earned a large place in electronic music history (they might even recognize that one day ) But here we are 25 years – still kicking ass !

THD: What is your favorite subculture or sub-genre of hardcore/hardstyle that has emerged since you started playing and producing hardcore?  

I love all styles of music in fact & listen to a vast range of things. What I play is my choice. I love to be excited by the music and play it like no other. I so like crossbreed. I think its hard edge drum n bass flavor with tight Hard electronic elements really is great new addition to Hard electronic music. It furthers the expansion of both styles while forging ahead with new music ideas pushing the growth of something new, which is a good thing no matter how you look at it.

Some styles of music are more like a description not a really a style (like ‘Techno’ is a style) and are set up with simple arrangements so an amateur can play it well. I like a challenge when I play. But I try not to diss any styles, it’s whatever people dig.

THD: What is your favorite memory from your years with ISR?

I had Laurent Garnier over to my place in Brooklyn. Laurent and I go way back, so we tried to make a track in the short time we had to work. Believe it or not we made a track on my Ruff Beats label ! It was fun and unexpected, we made a simple track, but the experience was over the top to have Laurent over in in Bensonhurst Brooklyn the home of Saturday Night Fever.  We rented a house off 86th St.  next to Lenny’s Pizza – that where Travolta ate the two slices of pizza doubled up in the start of the film.

THD: What are you most excited about for the Hard Electronic 25th anniversary shows? 

I am super chuffed to celebrate that we have been here this long !  Not many can say this in the USA, especially being we created a style of music. I think we are one of (if not the) longest running Electronic labels in the USA now.

I am excited to do this party in NYC and LA. Trauma Live have been great to deal with on the West Coast and we could not have done it without them & Rave Till Dawn. And of course our crew in Brooklyn – Distort the 909 & Kontaminated Recordings – have rocked this (w/ support from Audio Havok from the east coast too). And needless to say, I couldn’t do any of it without my partner Jules who makes it all happen, incl running the ISR and our Labels etc etc.

We’ve also made ISR25 parties in Vienna (Mechanizm), Tokyo (SuperBad Midi Breaks), Glasgow (Sector Events), Fukishima (DarkRave), showcase at ‘Radikal Styles Festival in Colombia, and have a leg in Paris with Audiogenic this Dec. These collabs are exciting and the responses have been off the chain.

‘Hard Electronic’ is a night we will do more of showcasing new & established artists, from all styles of hard electronic music. One party with all different sounds to excite the brain and body in one room. We are already talking line ups for the next one (and tour coming soon too). Get ready boys n girls – the Brooklyn Monster has woken up !

Lenny will be djing both American dates alongside heavy hitters like Unexist, Art Of Fighters, The Sickest Squad, Tymon, Rob Gee and many more. In his spare time he also has been mixing an album for up and coming artist Pop Criminal.

 ISR just released ISR 100 on vinyl as well as collaborations with Akira, Mr Madness, Jason Little, Nuke, DJ Terror and many more for the 25 Years of Industrial Strength compilation coming out this December. 

Producers keep an eye out for a new studio pack to help new and seasoned producers make original hard kick drums, featuring over 300+ bass drums and 30+ ISR artist kits.

Articles, Events, Interviews

Barnyard Boogie’s 15 Years of Fun!

As told to JAB! Recently I had the opportunity to speak with one of the coolest promotors ever, Devo of ToyMaker Music, about their upcoming 15th Anniversary of Barnyard Boogie.

Devo, congratulations on your 15th Anniversary. Why do you think Barnyard Boogie is one of the longest running shows here in the US?

Thank you. Barnyard Boogie is a traditional old skool event. We offer all varieties of Electronic Music, so there is a good feel and fun atmosphere much like at a reunion. I love that dark, illegal, underground, warehouse grunge feel of early raves and I recreate that flavor into Barnyard Boogie every year.

Devo of ToyMaker Music
Devo of ToyMaker Music

How did the idea for Barnyard Boogie come about?

Back in the day I attended Backwoods Boogie, an amazing event at a state park put on by Shawn McCarty with the blessing of Billie Most. I totally looked up to Billie and his production company, Organic Grooves, and modeled Barnyard Boogie after his events. The very first one was in a large farm garage and being on a farm, “barnyard”

just seemed the logical name to use. As a show of good faith to Billie, our first slogan was, “Back from the Backwoods.”

What changes have you made at Barnyard Boogie over the years?

The biggest change has been in the equipment. Many newer dj’s now bring their own equipment, such as controllers, with them, whereas old skoolers tend to still use turntables. Barnyard Boogie is an old skool event, so many of the djs performing on turntables. Another change is that the event has

gotten bigger and bigger. We started out with one stage and eight djs in a garage and I think about fifty people came. This year we have 8 stages with over 50,000 watts of sound on each stage, over 100 djs and a whole fairground to party on, there’s even a semi-trailer

to groove in! We’re expecting over 1000 people from all over the US, from Maine to California and all points in between. Everyone ready to dance, party and have a good time from 4pm to 8am and on.

That’s over 16 hours of Electronic Music!!!

Yep. (Smile) I feel a true rave is one where you can see the sunrise come up. In fact, one of our first Barnyard Boogies was held in an actual wooden barnhouse. As the sun rose in the morning you could see the golden rays of light slowly peak through the cracks between the wooden boards, lighting up the djs as they continued to play. It was pretty amazing.

As ToyMaker Music you’ve been promoting since 1996, what is it that motivates you to keep going?

For me it has always been my love for the music and the people. When I was younger I listened to hip hop and was really impressed by the people I saw doing tricks on the turntables. Later when I was older in high school, I’d sneak out of the house and go to parties at the local university. It was there that I saw those same turntables with djs spinning Electronic Music and I was hooked. Nowdays when someone comes up to me and says, “Hey, I was at your show and had an awesome time”, then I know I’m doing a great thing and I’m psyched to start planning for the next show. I’d like to say a big thank you to all those involved, that special someone, who inspires me to “just be me”, Bleep, my head coordinators, and the over 40 volunteers we have this year. We couldn’t do it without you!

ToyMaker Music Productions
ToyMaker Music Productions

I have often wondered why you hold Barnyard Boogie in November, seems a cold time of year to be on a farm in Illinois.

(Laughs) Since Barnyard Boogie started it has taken place on a farm, where we use neighboring fields for parking. Because of this, we have to wait until the crops are taken out in the Fall. At first, this was purely a logistical decision, now it has become a tradition. Barnyard Boogie fills the calendar gap between Halloween and Christmas raves. November is a traditional time of giving thanks and having the event out in the fields, in a sense, is our way as ravers of saying thanks to mother-nature in a very up close and personal and way. Plus I get to wear my cowboy hat. (Laughs) This year we will also be donating to cancer research along with hosting our annual food drive for the local food pantry.

As far as keeping warm, our 15th Anniversary slogan is “We’re gonna get your bodies MOOving!” To help us accomplish this we have invited djs like Hyperactive, Forest Green, Jen Mas, Miss K FunkTM and Alfonz Delamota. The stages are also all indoors, we’ve got some great vendors, amazing acts and of course the ToyMaker mascot teddy bears.

That sounds really awesome, DevoTM. Thanks for talking with us and we wish you all the best for ToyMaker Music’s 15th Anniversary of Barnyard Boogie coming up on November 12th in Amoy, IL.

Details and tickets can be found at

www.toymakermusic.org

www.facebook.com/events/782339618572621/?ti=as.

Announcements, Articles, Interviews

Satroniq – Hard Electronic Interview Series

In preparation for the upcoming celebration of Industrial Strength Records’ 25th anniversary at the Paper Box in Brooklyn, we’re talking to some of the artists on the lineup. Today we spoke with Satroniq about his history with ISR and what to expect from him on November 19th. Catch him spinning with Delirium in the second room alongside Kontaminated and Audio Havok artists.

HD: How long have you been working with Industrial Strength?

My first solo release on ISR was in 2007. Little known fact: I also did a lot of album covers for ISR around that time and website work.
 

HD: What is your favorite memory working with ISR?

The early ISR parties at CBGB’s were really cool because I get to say I played at CBGB’s! Being a huge fan of punk, this was a great moment for me to stand on the same stage as The Ramones (even if I was dj’ing instead of rocking in a band). 
 
 HD:What initially attracted you to Hardcore and the harder styles? what has kept you coming back to produce and mix and perform?
It was like the new punk rock. Anyone with a laptop could take/steal/mash/screw/chop any sounds up into an aggressive maelstrom. These days the production has gone way up but I always feel like there could be some surprises coming down the pike. 
 

HD: What do you think sets American Hardcore apart from other styles and scenes? What do you enjoy about performing at shows in New York City?

The American hardcore scene has some real die-hard fans who are more appreciative when we get top caliber acts here as it’s not something you see in the States every day. I live in New York city so I love seeing my peers jamming out to the harder styles that I love! 
 

HD: Do you have anything special planned for the ISR 25 anniversary party?  

I’m going to be doing something a lot of people haven’t heard yet. I will be doing a Satroniq set rather than Satronica. I have been focused recently on a new record label that works very closely with ISR to explore the harder sounds of edm that don’t quite fit into the “hardcore” category. Think subground, freestyle, and rawstyle.

Satroniq has a new collaboration with Delirium out now on their label Kontaminated Recordings, check it out here.