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Articles, Interviews

Tonegenerator: Interview from Trauma: Harder Styles Tour 2016

Antonio Medina is one of the finer up-and-coming US Hardstyle producers on this tour. Represented by Denver Hard Dance, this man will finally be able to unleash his talent upon the world in such a fashion that our foreign counterparts will remember that Tonegenerator is one name to certainly pay attention to in the rise of the US Hard Dance scene.  He drops his knowledge at the Trauma Harder Styles Tour 2016 in Denver, Colorado on February 20, 2016.

What inspired your stage name?

It’s funny cause I had gotten the idea from the show 1,000 Ways to Die where some guy used a “tonegenerator” from the army to make “drug music” and ended up reaching frequencies that gave him brain hemorrhaging.

Were you a DJ first, or a producer?

I became a producer first. I got into production in 2011 and became serious about it in 2012.

How did you get into the scene?

I got into the scene when I first connected with DHD (Denver Hard Dance) and sent them my music. They liked what I had to offer!

What was the first record you ever purchased?

The first record I bought I think was Headhunterz – The Power of The Mind

Who was the biggest inspiration in the early part of your career?

My biggest inspiration was and still is Headhunterz. I was amazed at the sound design and how atmospheric the music was.

 

Tonegenerator will be on the Trauma tour! - Buy your ticket here and get a free subscription to The HARD DATA!
Tonegenerator will be on the Trauma tour! – Buy your ticket here and get a free subscription to The HARD DATA!

Would you describe your very first DJ gig?

My first gig was incredible; nervous at first, not a huge crowd, but it felt great to play the music I love.

What was your favorite party you ever played? Why?

My favorite so far is Hard Asylum, from April 2015. The atmosphere and the crowd were amazing; they really love Raw Hardstyle down there.

What was the funniest moment during any of your performances?

Funniest moment was when I did a tag team set with Audity & Deoxy; the stage split down the middle!
What important changes have you witnessed from the time you got into the scene, until now?

The amount of local people getting into Hard Dance. It has grown so much over the years that there’s more and more people coming to the shows; it’s great seeing it go from a small amount to the venue being practically full.

What are you looking forward to most on this tour? – What stop are you looking forward to most?

Getting to share the stage with the biggest names in Hardcore and Hardstyle such as Digital Punk, Partyraiser, Meccano Twins, just to name a few. And I would love to see every stop but for now looking forward to Denver, Colorado.

What made you want to start producing Raw Hardcore/Hardstyle/Rawstyle music?

Discovering Raw Hardstyle was the best thing ever. The amount of energy and aggressiveness the kicks and leads had amazed me. It made me want to try and do the same and I still continue loving it and producing it.

 

Arctus & Tonegenerator
Arctus & Tonegenerator

What is your favorite track that you have produced?

It would have to be ‘Dead Skies’. I put a lot of time and thought into the structure and sound design. I’m very proud of its outcome..

What advice would you give to up-and-coming Hardcore/Hardstyle producers?

Be confident in your work and don’t be afraid.

Have any of the artists on the Trauma tour ever inspired your work? If so, how?

I would say Digital Punk. His work is amazing and the creativity in his tracks is what makes me want to try diverse stuff in mine.

What are your top 3 tracks of all time? Why?

  1. The Machine & The Geminizers – Godcore – Its energy and driving force is pure gold.
  2. Atmozfears – Release – It’s a euphoric track but the emotion in its entirety makes you feel alive!
  3. Headhunterz – The Power Of the Mind – This will always be my favorite. Because of this track, I am where I want to be in my music career; I never would’ve thought of being in this moment if it weren’t for that track.

What was your favorite track of 2015 (that wasn’t your own)?

Of Verona – Zero Gravity (B-Front Bootleg). Everything in this track is perfect to me. From the reverb to the melody, to the kicks, the synths, the vibe and emotion. This track really stood out for me; huge sound!

Are there any exciting projects or gigs coming up that you want our readers to know about?

Yes! I have a few tracks lined up that just need some touch ups so they can be released some time soon. Also, a kick edit I made of Code Black – Predator will be given away! There are a few more gigs in the months to come but the info will be released in time; I don’t want to mention anything just yet.

What artists would you like to collaborate with that you haven’t already?

I had a few in mind: Mrotek, Arctus, The Wicked, Vigor, Qlarity, and Imperium. I would love to work with these guys in the near future.

If there’s anything we haven’t asked, what else would you like to say to the readers of The Hard Data?

Stay tuned for my releases to come and I hope I get to see all of you at Trauma!

You can catch Tonegenerator On February 20th at the Summit Music Hall in Denver, Colorado! Buy your tickets HERE for a FREE subscription to the HARD DATA!

Articles, Interviews

DJ Vortex: Interview from Trauma: Harder Styles Tour 2016

DJ Vortex (aka Vextor) is the A&R (Artists & Repertoire) manager of STIK Records and what some people would call the true Godfather of Hardstyle. He has been DJ’ing for 20 years and producing for 15, releasing on highly respectable labels such as Tidy, Activa, Theracords, and DJ’s United (and that is only naming a few!). You can catch Vortex on the Edmonton, San Francisco, and Los Angeles dates!

What inspired your stage name?

It was actually my friends who gave me my nickname: they said I was a Vortex… of music!

How did you get into the scene?

I was a vinyl collector; my friends used to organize parties; a lot of radio stations were born; it happened all by itself.

DJ Vortex at Trauma Tour
DJ Vortex at Trauma Tour – Buy your ticket here and get a free subscription to The HARD DATA!

What was the first record you ever purchased?

I’m having a hard time remembering, but it was probably a vinyl from Pink Floyd. Techno music wasn’t born yet.

Who was your biggest inspiration in the early part of your career?

I don’t have one! I just put all of them in my “Vortex” when I produce.

Would you describe your first DJ gig?

I was so excited, like I am now before every gig.

What was your favorite party you’ve ever played? Why?

There are many, for many different reasons: sometimes for the magnitude of the party, others for the crowd or the experience I had; I love to play big festivals but also in clubs.

What important changes have you witnessed from the time you got into the scene, until now?

Basically, everything has changed. In the past you were a DJ first, and a producer second, but now they start producing and then begin to perform as a DJ but playing their own productions almost exclusively. The work of the DJ, as a researcher and discoverer of music, is disappearing.

Did you ever think you would be touring the United States? What do you think the Trauma Tour will be like?

I have already been on tour in the United States and South America, but the Trauma tour is certainly the biggest of them!

What made you want to start producing Hardcore/Hardstyle/Rawstyle music?

I just was producing the music that I liked, then at some point some people in the Netherlands began to say it was “Hardstyle”.

What is your favorite track that you have produced?

Well, I could say “Incoming”, but honestly my favorite track is always the one I’m working on right now.

DJ Vortex
DJ Vortex

What advice would you give to up and coming Hardstyle producers?

Just produce; forget the rest.

What are your top 3 favorite tracks of all time? Why?

I have too many favorite tracks, it’s impossible to choose only 3.

Are there any exciting projects you want our readers to know about?

As many already know, I also produce uptempo Hardcore under the name of Vextor.

What artists would you like to collaborate with that you haven’t already?

Ennio Morricone: the king of soundtracks; but it’s just a dream.

If there’s anything we haven’t asked, what else would you like to say to the readers of The Hard Data?

I can’t wait to meet all of you!!! 🙂

Articles, Daybreaker, Events, Reviews

Fresh NYE 2015-2016 Report by Daybreaker

People from all over the country ring in the new year in a variety of  different ways.  From lighting off fireworks and banging pots and pans to shaking clackers and blowing horns; but this year, I was able to ring in the new year with Hardcore kick drums, uplifting Trance melodies and energetic Drum & Bass rhythms while being surrounded by my friends that reside all over the west coast. I don’t think there is any better way to celebrate than to do it harder, louder and more extreme than the rest of the nation!

Fresh NYE (from the Trance Stage) 2015-2016
Fresh NYE (from the Trance Stage) 2015-2016

Fresh NYE took place at the Seaport Marina Hotel and Events Center.  I found the venue to be a very positive and refreshing way to deal with masses.  Even if it may have been a little tacky and haphazard to some, it was so nice to be able to go from the event to your room in just a short distance- that way you can go as hard as possible while still being safe about it. There was a plethora of sounds to choose from: a Trance stage, a Drum & Bass stage, and a Hard Dance stage; although if you were there, you could easily tell what everyone was there for.  Suffice it to say that the Hard Dance stage was consistently packed.

Early on in the night I experienced Driftmoon, an Uplifting Trance artist who would’ve been more suited for the midnight hour; very melodic and emotional. What an opportunity to have seen him on New Year’s Eve of all days (a sentimental holiday for myself). We got the soft stuff out the way early and I immediately picked up the pace of the night by making sure I was front and center for Machete, one of the heavy hitters for the American Drum & Bass/Junglist scene. He played very funky, mostly jungle influenced DnB which was exactly what I’ve been waiting to hear.  We do not get men like him coming through Utah, EVER, despite our once prominent, seemingly lingering

Audiofreq
Audiofreq

DnB scene. There was very little time to breathe after Machete- we only had 15 minutes to run upstairs to the Hard Dance stage to bring in the New Year with Mr. Audiofreq! Although the majority of the Hardstyle artists, including Audiofreq, were more mainstream and climactic, I was extremely impressed by his set ( when he dropped ‘Release’ by Atmozfears was that tipping point). I’m sure the majority who have seen him perform are aware that he is one great big ball of energy that continuously keeps the momentum of the crowd going; even the people outside on the deck were dancing and screaming to nearly every track that was dropped by him. He was the perfect opener for one the most respected names in the Hardcore scene to date; his rise to fame has been faster than anyone I can recall during my time: DJ MAD DOG! It is literally impossible to describe the amount of ferocity and aggression that was felt during the length of MD’s set. He played all of his own tracks (which I personally preferred because the only other time I’ve seen him

DJ Mad Dog
Mad Dog closing the Hard Dance stage. Fresh NYE.

was at Dominator back in 2013 and he played many other Italian Hardcore artists’ tracks) and there were so little breaks in his mixing that there was hardly any time to catch your breath! There was a pretty disruptive mosh pit going on the for the majority of the time, which to a lot of people was upsetting because many of them would rather have been hakken-ing, but thankfully it didn’t lead to anything more violent. During the last half hour Mad Dog brought up a surprise guest: AniMe. She closed the night with tracks that she and Mad Dog did together pitched to a higher tempo. The entire night was topped off with a bow and a stage dive from Audiofreq. Wow!

At the end of the night, it was satisfying to be able to walk a few feet to my hotel room and recover from all the alcohol and adrenaline so I could immediately start heading back home in the morning (what I do for this music, eh?). Fresh Entertainment gets a huge plus for not just bringing out one of the most top notch producers in the Hardcore scene at the moment, but having three stages, dedicated to three sounds, stacked with the most powerful members of their respected scenes. I cannot wait to see what 2016 will bring us not just from Fresh, but from the American Hard Dance scene as a whole, and already, there is so much promise when ringing in the New Year with a “Fresh” start.

 

Daybreaker

Articles, Interviews

Ron D Core Interview

If you care about the West Coast Hardcore scene, then you already know exactly who this man is and if you don’t then it’s time to start paying attention to him. Ron D Core is a 25 year vinyl veteran spinning since 1986 and is the owner and creator of the last record store standing: Dr. Freecloud’s! I caught up with Ron after the madness of TR-99’s Trauma that took place on the 15th of August  to hear his thoughts on the turn out and what will be next for LA and the Hardcore scene. 100% vinyl, 100% Hardcore!

How did you feel about the turnout of Trauma last night?

R:    Actually, better than I expected. It was a good reassurance that the Hardcore scene has a chance to come back. It was definitely a big gamble going into this party. I give Kari a lot of credit for taking that risk and putting the show on. It’s not easy; it’s not cheap, especially for Hardcore. It’s an ageing crowd but it takes a lot to get everybody out and actually attract some amount of people. It was nice to see.

Do you feel like the scene needs to go through a revival or do you think it’s already there?

R:    I think it does need a revival because the younger crowd is always going to be there regardless, but with the older crowd, the problem is that not everyone can get out. Because they’re busy with their career, kids, no time…. You have to appeal to a younger crowd. It needs that evolution, and it needs some new blood either way.  I think last night did that. There were a lot of older people and we did see a lot of younger people as well. It looks promising knowing that they were there. Hopefully what they saw they liked. I’m hoping that they weren’t scared away. Some of the crowd might have been all PLUR and they think Hardcore might be too aggressive… but I think there’s a certain element there that probably appreciated it.  With all hopes, they were impressed enough where they’ll come back and plant the seeds for the next generation.

Do you feel like there are enough supporters in terms of artists, production crews, and people? What do you feel is the most significant aspect of the LA Hardcore scene right now?

R:    It boils down to the artists themselves. DJs, the producers; the DJs are actually making the music. That’s really the starting point; the production, the producers, the promoters, they’ve come and gone. We’ve had really high turnover, so to speak, in that respect. There are a lot of us that used to do parties, us included, but they didn’t continue to do parties, the main reason being you don’t make enough money to roll over to the second party. It’s done at such a small scale, in a club or bar, or the risk is low so it’s easier to do those kinds of shows.  Even though it remained, Hardcore stayed small in that respect because of the fact that it was more affordable-easier to do.  Unlike last night, which is kind of like a fluke to see a lot of money get poured in.  For us it’s like a Holy Grail fell in our lap to get someone what was willing to put that kind of money into a party.  The last 10 years or so the hardcore scene’s been very stagnant because of that.  If we’re all realistic we would realize that we could do one show where 3 or 4 of us put it on together and each chip in a few hundred dollars, we can all DJ for free.  We got our DJs lined up; all we just need now is a sound guy and lighting guy. We’ve kept it on the cheap for so many years, and that, in a sense, has kept it down. With all that said, it is really all about the producers, the DJs. As long as they’re still producing music and putting it out, that’s going to be the most important key.  Without the newer music coming out, you can only go so far with playing classics and doing revival parties.  The new sounds have to be there with the emphasis of Hardcore. As long as that’s moving forward, that will be good help for the future of the scene.

Ron D Core, owner of the last record store standing: Dr.
Ron D Core on the main stage at TR-99’s Trauma.

What do you think is going to be the hardest aspect of getting the younger generation involved? Do you feel parties like last night could be a good history lesson for them?

R:    Last night was a history lesson. It’s funny because the newer crowd that is into Hardcore, or think they’re into hardcore, they assume Hardstyle is Hardcore. Without knowing the history of where it all came from they don’t realize that almost all the new Hardstyle you’re hearing, over half of it’s been made by Hardcore guys that strictly made Hardcore in the past, or are still making Hardcore as well. Most of these guys are Hardcore guys. All that Hardstyle and slower BPM [Hard] stuff, that’s all they know, so last night gave them a good little rewind.  They may realize this is music from the past that evolved and turned into Hardstyle. At the end of the day they’re going to realize that Hardcore has come from much deeper roots. All the way back to 1994, in my opinion, was the start of the entire Hardcore scene.  That’s going to help because I’ve seen people fall in love with Hardcore for many reasons. It appeals to a lot of people.

What do you think is going to be next for the Hardcore scene in general?

R:    I’ve already seen the pattern. Hardcore has a very predictable pattern.  The Hardstyle today, we used to call it Nu-style. The first time the scene crashed when everything got so fast, the Dutch guys made everything slow down. They were calling it Nu-style. Nu-style, Hardstyle, it’s all the same thing. As they get tired and start to run out of ideas, they’re going to want to hear their stuff pick up speed. It’s going to get more aggressive and a lot faster.  So, in a sense, Hardstyle is like the beginning of getting things back to where it should be. That crowd will eventually catch up to where we’ve always been.

Are there any big plans coming up? Do you guys have any ideas just as big as Trauma?

R:    I know Kari’s already offered to do our next party. He wants to get this scene in a big way. Before his party was even done, he’d already approached us about other ones. If we get that going, I wouldn’t mind reviving some of old hardcore shows we did. Maybe bring back our old MegaBlast or our 13 parties we did.

Dr. Freecloud’s is located on 18960 Brookhurst St in Fountain Valley, CA.

Ron D. Core on Facebook: https://www.facebook.com/Ron-D-Core-127421727272048/?fref=ts

Dr. Freecloud’s on Facebook: https://www.facebook.com/drfreecloudsrecordshoppe/

Featured Image Photo by Peter Vincent

Articles, Interviews

DJ Chosen Few Interview

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Chosen Few is best known for his key role in the creation of Mokum Records. Ever since 1993 this man has been at the forefront of the origins of Hardcore playing every major event such as Thunderdome, May Day, Nightmare in Rotterdam etc. This interview will help you understand the importance of this man and the importance that the Early Hardcore sound still has on the scene today.

What were your thoughts on last night? How did it go for you?

CF:     Last night was pure energy. Most of it came straight from the crowd… it was epic.

Are you familiar with the American Hardcore scene? Do you think that we have potential?

CF:    Yeah, of course.  I don’t know how it works to hire a venue out here, but I think that’s your big problem at the moment- the ages, if it [the venue] has a bar or not, if it’s 21+ or 16+, since the drinking age is higher.  Because [in Holland] we have everything, we don’t have many rules. They say it’s zero tolerance, no drugs, but there are so many drugs in the parties. I think people are more responsible in Holland because you can get it everywhere. People know how to use it. There are always people around saying, “Hey, you’ve had enough now.”

What do you think we can do to make our scene better?

CF:    Keep doing parties. In the end it will be bigger, bigger, bigger.  People going to the venues hear it and they tell their friends. It’s fucking great-the atmosphere, everything.  The music is something else. They hated all others, you know, but, like yesterday, the vibe was so great. The people were so friendly and hyped. In Holland you have big parties and people fly from across the whole world for them. I think if they go on and it grows bigger, eventually the people are going to say, “Oh! I’m saving money to go to America for a party.”

Maybe one day we’ll have festival season out here, and people will start coming here for shows!

CF:     Yeah and you take a holiday and the parties with it. I hope that will be happening out here. Go [to America] for holiday, go to the parties.  Why not?!

Talk again about your origins when you first started playing.

CF:    I started when I was about 14. I was in a small club for after school stuff; you could play pool or play darts or whatever, and there were turntables. I saw DJs playing records and then press stop to play the next record. I was like, “Okay, if I play this record, why not play another record in the one that is already playing… maybe if you play it together it sounds better.”, without even knowing there were real DJs mixing from the USA- that’s where the DJs started.

How did you get your start in Hardcore?

CF:    This guy from Mokum records called me.  I sent him a demo tape and it’s not working- I never get any record out.  Then I get a call asking me to make a record that had to beat Rotterdam.  I was like, “Wow, this guy’s asking ME to make a harder record”!  Rotterdam Records was already big at the time.  “Let’s start a new label called Mokum Records”, he said.  Mokum is a Yiddish word for Amsterdam.  I said, “Yeah, of course.” I made a record and it was harder than Rotterdam records. I got my first record deal on my birthday in 1993. That was funny; I was so proud.  I showed it to my parents. “It’s a record deal!”, then I kept making music.  Then I got a copy of a mix of Holland’s top 40 and I was number 23. I was like, “What?!  With a gabber record?!” Then Rotterdam Records was like, “What the fuck?” They responded, making harder records, because it’s Neophyte you know. Then fuck it, I couldn’t make a harder record, it was too fast.  But I think I’ve done some contribution for the layering for Hardcore to get over the Neophyte sound. Rotterdam and Amsterdam; it was like a big fight. I think this battle was good to get the Hardcore where it is now- the speed, the hardness, the layers…

How does it feel to know that the early sounds are still alive and well?

CF:    I think it’s good, because it’s still the best time in Hardcore; it’s the best period. The sounds are original and for the young kids they are going to listen and hear a lot of the first sounds and how it’s built. It’s really difficult music to make; if you listen to it you’ll hear how difficult it is.  The new stuff is a completely different story. The quality is so high on the sequencers.  In the early days it was just one channel and you put everything up- the gain, the distortion, and you had a kick. But with the sound quality now you have to build your kick with eight, nine layers, all effects on every layer.

With these early stages showing up at Dominator, and Decibel, the early styles have their own stage; do you think it’s important for the new kids to learn about this sound?

CF:    Yes, of course. If they don’t know the sounds then they get to know them. They love it anyway.  You had the early hardcore but later on it was getting a little bit slower. From that came these crazy guys making a track that people called Hardstyle.

But it leads in the same direction.

CF:    Yeah. Hardstyle is all the styles, it’s slower, it’s made with the same intention, but for a different crowd, maybe older people [laughs]. And now it’s young and old people, they love Hardstyle. I know I like my Early Hardcore. I like newer mainstream. I like all artists’ styles. It’s very difficult. If I make a record now it’s still influenced from the 90s. It becomes your signature.

It’s cool to actually have that. To see how you guys haven’t forgotten about the early ages. You guys don’t let that go away.

CF:    It’s what makes Holland; it’s what put us on the map.