This past Saturday night the much anticipated Project Z returned to the NOS Center for its second annual show. The Joint Basscon and Bassrush show gave bassheads and hardstyle fans an exciting lineup including headliners like Eptic, Borgore, Darren Styles, and a Dj Isaac classic set.
I started my Project Z expedition early to avoid the ridiculous traffic on the way to San Bernardino. I got to the venue with about 30 minutes till showtime. Perfect because I wanted to see the Los Angeles based hardstyle artists, NonToxic. They did not disappoint the couple hundred of people that decided to come in early. They even surprised the crowd with a couple of unreleased singles. Next up was another American Hardstyle act Mekanikal, who played some awesome hard trap. Followed by the always entertaining Crisis Era, who decided to jump into the crowd and start a mosh pit.
Following Crisis Era, I needed to get out of the sauna that was the Basscon stage, so I wandered around the rest of the grounds and tried to find my friends. I was really curious about the Area Z stage, I did not recognize anyone on that lineup so I want to see the up and coming talent. I was kind of disappointed though, not in the music it was actually pretty good, but disappointed in the sound system. The sound was awful, my crappy Suburu factory radio had better bass than the Area Z stage, which is sad because when Ganja White Night went on later that night I could tell the set would have been 100 times better on a main stage sound system, but thats just my opinion.
After about an hour of meeting up with people and checking out some new music, I found myself at the Bassrush tent for Midnight Tyrannosaurus b2b Oolacile. The man famous for his Rick and Morty dubstep remixes was one of the highlights of the night for me, not only for the fantastic set, but because the Bassrush was just all around better than the Basscon stage. For one it was outside, so it was exponentially cooler, and the stage production on the Bassrush stage was way better. Normally I would have made my way back to the Basscon stage because of that incredible lineup, but I decided to stay at the Bassrush stage because the Basscon stage was just way to hot. The Bassrush stage and Area Z had people I have yet to see so it worked out in my favor. I was able to see Gentleman’s Club, the UK Dub Trio whom my basshead friends have been telling me I have to see. They played Woo Boost as a tribute to Rusko, who is currently battling cancer, and hearing the whole crowd sing a long gave me chills.
The rest of my night was spent exploring around the rest of the festival. Bouncing around stage to stage, meeting new people, trying some of the food truck food, and trading Kandi. Besides the sound at Area Z and the Basscon stage being worse then the steam room at la fitness, I would definitely say this years Project Z was one for the books (hopefully next year both stages will be outside). I’m excited excited for the future of Hardstyle in America, with Basscon’s following picking up some speed who knows what going to happen! Next up for me though is Frontliner, Lady Faith and NonToxic in Fresno followed by the Basscon takeover at Escape!!😈👊🏽
The night started in a parking garage in Los Angeles just around the corner from the venue. We had gotten there early and began tailgating before eventually deciding to hit a bar for drinks (and even some pizza!). This was the first event we had been to since EDC and my friends and I speculated what the night ahead would be like. The show brought hardstyle legend Max Enforcer back to Los Angeles, as well as introduced Dr. Rude for his first US appearance and we were excited!
Upon entering the venue we decided to scope out the venue for friends, and check out both the upstairs Mainstage and the downstairs “Basement” which would be taken over by PLUR Eventz for the evening. On the Mainstage, Crime Family was warming up the crowd with a hardstyle set, playing a fun selection of tracks I wasn’t expecting like Shot of Tequila, Caramba! and WINMY. Though it was still early people were taking advantage of the open space on the dancefloor and already shuffling in the crowd.
Downstairs I was excited to see what the PLUR Eventz stage had to offer, as PLUR Eventz were some of my favorite shows with my friends when I was in my earlier rave days. As we walked in, we caught the end of Shark Bait’s set while we grabbed a drink at the bar. It was then that the hardcore gods smiled down upon us and HYN began to play, completely catching me completely off guard with a hardcore set! As The Pearly Gates and The Torment Of Triton pounded over the speakers I couldn’t help but crack a smile and haaken with the small crowd that had assembled, also spellbound by the hardcore. At the end of his set I gave HYN two thumbs up and made my way upstairs for some hardstyle.
I walked into the now packed mainstage to see Max Enforcer and E-Life playing, and it was nothing but bangers from the beginning of his set to the end. He dropped some epic dancefloor bangers including Runaway (U & I Frontliner Remix), Lost in Paradise, Mellow, Mosh Pit (Headhunterz Remix), Rocked Up, Imaginary, and even FTS! In addition to these, he made sure to drop some fresh tracks that are exploding in today’s hardstyle scene, like Armin Van Buuren vs Vini Vici Feat. Hilight Tribe – Great Spirit (Wildstylez remix), D-Block & S-te-Fan – Angels & Demons, and he even played an exclusive remix of Art of Fighters, Synthax & Xcite – Creatures of the Night , which he later told me is unreleased and he only drops it during his sets. “I like to keep some tracks to myself instead of releasing them,” he said, “it makes it a special moment that you can only experience by seeing me play.” I also mentioned to him that one of the reasons I really enjoyed his set was because it was a great mix of the whole spectrum of hardstyle, to which he replied “I don’t tend to follow the trends of ‘euphoric’ or ‘raw’… I just like to play the music that I like and it gives the set my personal
Max Enforcer and E-Life brought amazing hardstyle energy to Los Angeles
style.” Spoken like a true legend, he played what he wanted and the result was unbeatable. I hope to see him again very soon and I hope this message reaches other aspiring DJs out there to not follow the trend of the scene, but to be true to yourself!
While I caught up with Max Enforcer and E-Life, we witnessed Dr. Rude’s first US appearance unfolding on the stage beside us. Dr. Rude’s style is very unique in that he too plays the spectrum of hard dance music, but with a bit of a freestyle flair with tracks like Gaan Met Die Banaan, Welcome To The Zoo, and Ghettoblaster. It was when he played Kalavela Shot me Down that I was reminded of the first time Dr. Rude grabbed my attention on a Hard With Style podcast.
Dr. Rude’s first US appearance
Other tracks that stood out to me from his set included Zatox & Le Shuuk – Basswall, and what night of Hardstyle would be complete without Digital Nation or the Darude – Sandstorm (Sub Sonik Remix)?! For his first US appearance I can tell that Dr. Rude will definitely be back. The energy that he brought kept the crowd dancing from beginning to end.
Please rise! The Congress of the Kickdrum is now in session! As this year’s Gabberfest Anthem proudly announced, it was a full-on convention of misfits, dreamers and instigators drawn to a single flashpoint of action: rocking hardcore for 2 days straight under the unforgiving Las Vegas June sun. Temperatures of over 111 degrees bathed this year’s dedicated attendees at what is becoming America’s default meet-up of the harder styles.
We woke up Saturday morning after spending the previous night at EDC. Not only were we tired and sore from dancing all night in the heat, but we were hungry! We elected to start the day off at the Belagio buffet to fuel up and pre-game with their bottomless cocktails! After a solid hour of eating and drinking as much as we could, it was time to head to the fest.Walking up the the Hard Hat Lounge where the event is held, you can hear the warlike assault of the baselines from several blocks away.
The Hard Data DJ Team
Foreign dignitaries this year were Phoenix, Epidemic and Rohdan from Australia. The HARD DATA was well represented this year as “the official” HARD DATA Team of Lostboy, Mindcontroller and Deadly Buda turned the heat up outside and inside on both stages Saturday.
In addition, American hardcore legend Rob GEE headlined the event, bringing his twenty-plus years of gabber expertise to the table to inspire young and old alike. His set spanned from old classics, like “Army of Hardcore” to his newer material like the recently new and improved version of “Hard Sweetcore.” GEE was an integral part of the very first Gabberfest, and it was great to see him return to give the gabbers a kick drum to live on.
The White Ape overseeing the festivities
Frequent contributors to the magazine rocked the line-up as well, as Flap Jack, M27 and Seppuku each rocked fierce vinyl sets, Vigor rocked rawstyle, CAP devastated the tour bus stage with all his own tracks, Arcid coordinated the Techno Belligerent stage and The White Ape presided over the entirety of the festivities.
But, that’s just the list of usual suspects, a who’s who of hardcore from around the country was there too. Not one bad set the entire weekend. It was thick from beginning to end! Eni, Energy Alleul, Metal Jesus, Inspektor Gadjet, Gabber Twinz, How Hard, Lauren Valentine, Symtek and System Malfunction kept brought the energy to the crowd even in the unforgiving heat.
By Sunday morning it was clear that the heat was taking it’s toll on the crowd’s energy, but with the Hardcore blasting everyone gave it their all and I have spoken with had a blast! (At one point during the event it got so loud the speakers at the inside stage!) It was 100% on this year, nothing can beat the energy you get when you combine hardcore and a crowds of dedicated fans. That being said, important changes could be in the works for next years Gabberfest, and rumors of its move to a different time of year was a “hot” topic of conversation. At over 100 degrees each day, Gabberfest has been more like an endurance test sometimes, than an actual good-time rave. The waterguns, tents, mister and pools help, but eventually one must migrate to the air-conditioning or risk passing out. In addition, the event falls on EDC weekend which seems to prevent some people from coming, as the hotel ticket prices in Vegas can be particularly expensive, and it seems that many Gabberfest attendees do not attend EDC. So, part of the congress this year was openly debating a radical shift in time for the event. What do you think? What would be the best time of year for Gabberfest, and why? Let us know your thoughts in the comments section!
It was once again that time of year to head into the desert for America’s largest rave, and most importantly for The Hard Data crew, the largest hard dance lineup of the year in one place. EDC 2017 seemed this year to be “by ravers, for ravers.” Though the attendance this year was not as big as last year’s, it frankly was just the right amount of people to have a really good time for all the money that one might spend going to EDC. The line-ups on all the stages were solid and one was constantly confronted with the dilemma of “who do I want to see more?” as there were great acts constantly. The Basscon lineup, however, was stacked with some of the largest names in the hard dance business and featured something for everyone. Euphoric DJs like Wasted Penguinz and Da Tweekaz, to legendary names like Isaac, Brannan Heart and D-Block & S-Te-Fan, to rawstyle pioneers like Radical Redemption and Gunz For Hire. Plus! Hardcore every night by masters Angerfist, Mad Dog and AniMe, and Miss K8!
DAY 1, June 16, 2017 A.D.
EDC – Basscon Wasteland 2017
This EDC may have been the hottest one on record, with temperatures remaining in the 90 degrees plus range even at the blackest of night. Fortunately, there was no shortage of free, filtered water to take the edge off the heat. We knew we would spend the majority of our weekend at Basscon, but being that there is so many things to see and do at EDC we agreed that we would explore the rest of the fest that weekend as well. Walking into the festival on Friday night, however, our excitement overshadowed the extreme heat and we were untroubled as we made our way through the grounds to get our first peek at the Basscon Wasteland stage. We were immediately greeted with the pulsing vibrations of Hardstyle basslines hitting our bodies and it was as though the speakers surrounded us and the music enveloped our bodies. The stage was set to resemble ancient Egyptian ruins, and its centerpiece featured a massive scarab beetle or an Egyptian-bird of some sort that generated all sort of hieroglyphs, but it was in the “Wasteland.” Like, somehow in the dystopian future there is a resurgence of Ancient Egypt. The stage stood over the crowd with its wings outstretched and was packed with pyrotechnics, lasers and LED screens flashing colorful lightshows at the audience.
Upon our arrival, TNT (aka Technoboy ‘N’ Tuneboy) had just wrapped up their set of their signature Italian hardstyle, complete with anthemic melodies and reverse-bass basslines, and it was then Atmozfears’ timeslot. While we have had the chance to see Atmozfears in the past, this weekend we wanted to make sure to make his set a priority. Atmozfears’ music career has been on the fast lane in recent years and so it was no surprise that his set delivered a diverse and entertaining mix of some of hardstyle’s biggest tracks including Noisecontrollers new track Spirit of Hardstyle and his iconic track with Code Black, Accelerate. Towards the end of his set, it was time for a water refill and explore other parts of the festival before D-Block and S-Te-Fan came on.
EDC 2017 Main stage – Kinetic Field
We elected to check out Astrix at the Dreamstate’s Quantum Valley stage for some psytrance. Trance has a history with Hardstyle music and it was fun to experience a different perspective of the ravers and to groove to their music. We then circled back through Kinetic Field and gawked at the incredible mainstage, featuring a goddess with her arms outstretched and two giant owls on either side of her. It was incredible to see the amazing artistry and meaning Insomniac had put into this concept and it translated well.
Quantum Valley blasted out the sick lasers all weekend.
We then made our way back to the Basscon stage and Atmozfears wrapped up his set and it was time for D-Block and S-Te-Fan. Brandon’s bud from Boston, Matt had never seen D-Block and S-Te-Fan and he was very excited, and for good reason… that set was packed with incredible tracks from beginning to end! One of their favorite tracks (that was unfortunately was absent from their set, however) was Sound of the Thunder. Hopefully we will get the chance to hear them play it at a future show. In addition, it was during their set, that the main firework show enveloped the festival grounds. The fireworks and the classic tracks D-Block and S-Te-Fan were playing reminded us of the reason we fell in love with Hardstyle in the first place. As D-Block and S-Te-Fan finished their set we agreed that it was time for more water and to explore more of the festival before coming back to Basscon for the end of Code Black, and of course then… Angerfist!
Darkness descends on the Wasteland as Angerfist takes the stage.
We made our way through the thick crowd getting down to Zomboy at Basspod. Then, decided to check out the harder side of techno at the Neon Garden, where we caught Nicole Moudaber b2b with Chris Liebing, since recently Brandon has been getting into techno to supplement his hardcore addiction. While their set was not quite as hard as schrantz, the dark techno sound was a nice change of pace from what we are used to hearing. After that short break we made it back to Basscon in time to watch the end of Code Black’s set, and then it was time for Angerfist! It was at the moment the hardcore started that we saw something INCREDIBLE happen – the crowd poured into the Basscon stage.
Angerfist – EDC 2017
It was packed from shoulder to shoulder for hardcore! In classic Angerfist fashion, he started the crowd up with chant and repeat “when I say ANGER you say FIST…” and from there, the surprises kept coming. Miss K8 joined Angerfist on stage briefly as they played Masters of Hardcore and Dominator anthems. Then, unexpectedly, MC Villain got on the mic and reminded everyone that we were witnessing the number one hardcore DJ in the world. EDC night 1 closed with an explosion of adrenaline and at the end of Angerfist’s set we headed back to our hotel to recharge our batteries for the day we had ahead of us.
DAY 2, June 17, 2017 A.D.
It was buffets like this that put us into digestion shock, finally getting some well needed sleep.
Saturday we woke up with a hunger that needed tamed. Matt and Brandon elected to meet with their friend Miguel at the hotel buffet and fuel our bodies for the day ahead. From the buffet we left to Gabberfest, a hardcore festival off the strip that is held every year during EDC weekend. DJ Deadly Buda, Mindcontroller and Lost Boy were scheduled to play at Gabberfest as The Hard Data DJ team, so we went to rock out in the 100+ degree weather. Then, we made our way back to the hotel to get ready for EDC night 2.
Our ride fell through for Day 2, so we began weighing our options between the Park and Ride, or taking an Uber as we walked back into the hotel to get changed. It was at this time that an EDC miracle happened for us.
If you’re Uber doesn’t look like this, don’t take it!
We were walking through the hotel lobby and we bumped into a young couple who were dressed in war paint and rave gear, they were clearly on their way to EDC as well. After a short conversation with them we mentioned our predicament and they didn’t even hesitate to offer us a ride with them. Our ride with Caesar and Sarah was pleasant and it reminded me what raving is all about: taking care of one another, a core principle that tends to get lost in today’s scene. It was nice to meet and bond with likeminded individuals and we will forever be grateful to their generosity.
We thanked our new friends and walked into Night 2 of EDC. We made it to the Basscon stage just in time to catch Italian rebel, Zatox, throw down some bangers, along with his friend and MC Dave Revan before it was time for the legend, DJ Isaac, to take the stage. As I enjoyed the show, Matt and I met up with some other friends of ours in the crowd, Dan and Sandy, and we came came up with a game-plan on how to explore some other parts of the festival. We had all seen Isaac and Frontliner multiple times and decided that we would go to Cosmic Meadow to check out Porter Robinson, and come back to Basscon for the end of Frontliner’s set before Gunz For Hire. As we walked towards Cosmic Meadow the crowd got thick with people, it was clear that Porter Robinson was “the place to be” and we decided to head to the top of the bleachers for his set.
Cosmic Meadow – EDC 2017
From the front of the stage, to the top of the bleachers thousands of people had gathered for the amazing production of anime-themed and static Technicolor visuals of the stage, and Porter’s melodic electro pop house music. It reminded us of the size of the crowds I’ve experienced at European festivals and it made us wonder if there would ever be a following like this for hardstyle and hardcore, or if the music we loved would remain so separated from the mainstream to ever be accessable to the American audience.
Was this the new security at EDC this year? No! It was a traveling glitch music car!
We wrapped up our rest break and made our way back to Basscon for the end of Frontliner’s set before it was time for DJ Ran-D and Adaro’s live act, Gunz For Hire where they unleashed their new performance on the crowd – codename: Armed and Dangerous. Their set included several classic Gunz For Hire tracks like Kings of the Underground, Executioner Style, No Mercy, and Bolivia, and even treated us to some new music like Welcome to Deathrow and Pussy Lover. Gunz For Hire closed out their set and the onslaught of rawstyle continued with Radical Redemption. Radical’s set was probably my favorite Hardstyle set of the weekend, featuring rough rawstyle and he even ended his set with a blistering hardcore section to a manic crowd, including his track with Destructive Tendencies – Bring us Some. By the end of Radical’s set we were ready for another break and decided to check out Oliver Heldens at Circuit Grounds, the last stage we hadn’t been to yet for the weekend.
Circuit Grounds – EDC 2017
We sat off to the side of the stage and even laid back to rest, along with a dozen or so other tired ravers. EDC has had its share of casualties from the extreme heat over the years and it was reassuring to see security and Ground Control personnel come up to us to make sure that we were ok, and even offered us bottles of water. With as many people that were there it proved to me that they genuinely do their best to make sure everyone has a good time while trying to keep everyone there safe.
EDC 2017’s Chill-Out area
We left our rest area and made our way back to Basscon through the chill-out area by all the vendors. We made it back in time to catch the end of Toneshifterz before closing out night 2 with Dj Mad Dog b2b with DJ AniMe. Their set showcased their unique Hardcore Italia sound and featured some of their signature tracks including Dog Fight and Cracks – the crowd was loving it! After discussing with amongst ourselves we came to the conclusion that Basscon Area has the hottest babes at EDC hands down. Our friend Matt even went as far as to say that some of those ladies could out-hakken himself and even the dexterous and limber writing crew at THD. We left the festival at sunrise and made our way back to the hotel to rest up for Day 2 of Gabberfest and Night 3 of EDC.
DAY 3, June 18, 2017 A.D.
Sunday afternoon we spend another day in the 100+ degree weather at Gabberfest and decided to hit the buffet again to fuel up. Apparently, we hit the buffet a little too hard and fell deep into a food-coma in the hotel room. By the time we woke up it was time to head to EDC and we got there around midnight where it was a toasty 90 degrees. We arrived at the Basscon stage to see the end of Noisecontrollers’ set and just in time for Da Tweekaz with MC D on the mic. Their unique style of goofy melodies was refreshing and even saw Villain in the crowd enjoying himself. During their set, Da Tweekaz even gave a special preview of their new happy-hardcore-influenced “Tweekacore” sound, which they would play at Defqon 1 the following weekend.
The last hurrah for the Basspod? Bassrush Massive was off the hook this year.
Following Da Tweekaz, it was time to a break and grab a cocktail. As we picked up our spiked Electric Lemonade we decided to watch Basscon from a different perspective headed to the chillout area to watch Brennan Heart’s set livestreamed on the LED TV screens. Brennan Heart had the crowd bumping non-stop, and it was only from the perspective of overhead cameras that we could truly appreciate as a whole the bouncing crowd from end to end of the area. While watching we made conversation with others who gathered by the LED TV screen and met a man, Steve, who had traveled all the way from Scotland. We have visited EDC many times before so it was refreshing to get the perspective of someone who had travel internationally. While we talked we “somehow” got on the subject of hardcore. Apparently, there is a big hardcore scene in Scotland. One of Brandon’s pals, Bass Destruction, plays hardcore in Scotland and Steve said he had been to some of the Twisted Darkside parties he had played at! Apparently, it’s a very a small world and I made a mental note that I would have to visit sometime and party with them both.
Deadly Buda shows off the mega-Kandi Ryan Payne PLURRED him in the middle of the Wasteland arena. We made Buda promise to keep it on “stun” all weekend.
We said our farewells to Steve and made our way back to Basscon for Wildstylez and MC Villain. Wildstylez’s set was loaded with a lot of classic tracks and it was a trip down Hardstyle-memory-lane all over again. Lastly, Villain reminded us that Wildstylez was half of Project One (Headhunterz and Wildstylez) and it gave me hope that one day we would be able to witness Project one for ourselves here in the US. After we made some noise “for the very, very, very last time”, (as urged by Villain) for Wildstylez, we closed out the weekend with the goddess of hardcore herself, Miss K8, who showed no mercy. Her track selection proved to be particularly brutal for a crowd of people who had been raving for 3 days straight in the desert heat. This did not stop anyone from making the most of their final moments of the festival and we witnessed the people dancing themselves to exhaustion at sunrise in 95 degree heat!
More scenes from the Wasteland. EDC Basscon 2017
Our weekend consisted of exploring the amazing sights and sounds of the festival, and while we spent most of our time at the Basscon stage, of course, the weekend was nothing short of incredible! The lineup consisted of some of the biggest names in the business and there was more hardcore at EDC this year than any of recent memory, the faithful being treated to Angerfist, Miss K8, Mad Dog and AniMe. Insomniac’s continued dedication to grow the Basscon scene is leading to higher quality production and larger crowds that ever before, and we look forward to what the future has in store for us!
By Brandon “CabZ” Caballero, Joel “Deadly Buda” Bevacqua, Alvaro “Seppuku” Manjarrez, and Matt “Matty Muscles” from Mass.
“Hard Electronic” is an umbrella musical term that encompasses several electronic dance music genres and sub-genres generated since the early 1990’s from the “rave” subculture of music. In general, the word “hard” refers to a darker, distorted soundscape, and, or, a soundscape which is initially “hard to listen to”, “baroque”, abstract, or complicated. Examples of EDM subgenres classified within “Hard Electronic” are: hardcore techno, drum and bass, hardstyle, rawstyle, psytrance, jungle, crossbreed, Detroit Techno, acid techno, splittercore, speedcore, intelligent dance music, tekno, hard trance, happy hardcore, trance, hard trap, trap and breakcore, though there are many more.
The term “hard electronic” was coined by Lenny Dee, owner of Industrial Strength Records and a pioneer in hardcore techno, hard techno, and other early rave music. His feeling was that an umbrella term was needed to encompass all the stylistic derivations that emerged from hardcore techno, (for example: gabber, happy hardcore, breakcore, and trance), while simultaneously recognizing the “hardcore” variations predominant in the UK in the early 90’s and their offspring. For example: hardcore breakbeat, jungle, drum and bass, grime, speed garage and dubstep.
In 2015, Industrial Strength Records started a sub-label called “Hard Electronic” featuring music that was in the 128-150 beats-per-minute range, and sounding much like a heavily distorted re-thinking of the techno-trance genres, occasionally punctuated by sound effects reminiscent of early rave music. In essence, it seems that the earliest ideation of the label was to reclaim the lower bpm-ranges previously abandoned by the various hard electronic sub-genres. The label has yet to be widely promoted but its output thus far occupies an interesting space in the overall electronic dance music market.
I’ll be playing a hard electronic set at 9 P.M. sharp at Arizr! May 12, 2017 techno edition. For those curious to hear hard electronic on a big system, this is it!
As a DJ that routinely plays hardcore techno and hardstyle, the bpm range in my performances range from about 150-230 bpm. In general, only the young or young-at-heart, literally, can keep up with these speeds. The market is such that I am generally only booked to play these speeds. I don’t really mind, of course, but one thing I believe missing from the current EDM/rave market is the idea of the “build-up.” This may sound strange, as plenty of modern EDM tracks contain “build-ups” and “drops” within their composition. What I mean is a more natural musical build-up through the course of a night. In the glory days of the early rave scene, a rave’s dj line-up was generally programmed so that the music started slow, got faster, reached a peak, and then slowed back down towards the end of the night.
As the various rave sub-genres splintered, they each seemed to occupy definite BPM ranges that were quite tight and unchanging. The problem with this is that the crowd never seems to get properly “warmed up.” The faster hardcore techno suffered the most from this I believe, because in the older paradigm people knew to save their energy for the peak, and a mainstream audience could be comfortably introduced to the faster speeds at the same time.
The music on the “Hard Electronic” label, while only occupying a sliver of the overall soundscape encompassed in the term “hard electronic” brings some valuable tools to the hard electronic DJ’s tool kit. Because the music is slower, it can be more easily embraced by an older audience. It is easier to dance to for any age, really, and could easily be at home in a club playing traditional techno, trance or house music. For the “hardcore” crowd who demands a darker and more abstract soundscape in general, the HE tracks provide a nice warm-up to the night, and expand the sonic palette for artist and dancer alike, while clearly drawing a path to the more extreme music on the horizon, if desired.
At the Trauma One-Year Anniversary party in Los Angeles, I opened a 2 hour set with one hour of tracks from the H.E. label. The crowd reaction was one of extreme curiosity from young and old alike. A few people came up on stage to see the playlist, though one or two hard-heads were taken aback by the slower speeds. Nonetheless, the tracks bridged great as I eventually sped up to about 175 beats-per-minute in the second hour and had the crowd bouncing off the walls. There was a tangible sense of comfort the crowd had that had long been missing from hardcore shows. Basically the idea of “warming the crowd up” seemed to eventually effect a really nice atmosphere for the rest of the night. Granted, the hardcore crowd won’t remember any fireworks from this part of your show necessarily, but you’re laying out a great foundation for the rest of your night. For an older or more mainstream crowd however, some of the H.E. tracks might be considered real “bangers” and bring some fresh sounds to the night whilst still maintaining a club’s overall musical parameters.
So without further ado, here is a mix of Hard Electronic (the label) tracks I spun at ARIZR! a couple months ago. Enjoy!
Also, Friday, May 12, 2017 I’m going to warm up the crowd with a little hard electronic at the Techno Edition of ARIZR! Be There!
