It’s always a wonderful little pick-me-up when I see that E-Force has released a new track, especially because this one is featuring a long time Hardstyle veteran, Luna. The track is lighter as compared to other tracks by E-Force, but Luna offers a wonderful synth design behind the aggressive chugs of E-Force’s kicks which makes this release a dance-floor banger without a doubt.
Typhoon is my favorite producer to have been discovered by Zatox when the Italian legend started his Unite record label. It’s actually been close to two years since Typhoon has released anything new and so what a better way to break back into the scene then to collaborate with another artist rapidly climbing the ranks like Regain. Of course, the result is something along the lines of a hailstorm of bullets! You can hear both artists hand in the making of the kick (super crunchy with a hefty amount of low end) and the anti-climax makes the entire atmosphere blackened and angry.
The Las Vegas based blackened speed metal duo is back at it after ten long years, this time in a stunning and massive 16 track digipack via Sawblade Records (limited cassette version as well)! This release features incredible sound design incorporating guitars and vocals along with drum machines and sequencers to blend hardcore techno elements with black/speed metal as well as featuring some noise pumping remixes from artists all across the world!
Most notable tracks on the release are the title track ‘Misanthropic Visions’, Hymn of the Godless (Novokain Remix) and Eviscerating God (Tragedies from Hell Remix). Each one of these tracks shows the listener in its clearest form the powerful blend of hardcore techno and black metal. Although this sound is not for everyone, the work done by members Abhorrent (vocals and programming) and Noth (guitars and bass) show the ingenuity and passion that these two have for music as a whole.
You can catch Acid Enema in Seattle, WA at the Highline Bar on June 9th, and at the American Gabberfest Jun 18th-19th at the Hard Hat Lounge in Las Vegas, NV!
As if we needed any more evidence that hard dance music is taking over in 2016; Frontliner was set to headline Apocalypto this last Saturday at Vinyl in the Hard Rock Hotel & Casino and the event SOLD OUT! “I couldn’t be happier to see hard dance thriving in Las Vegas!” says Matthew Levin, who gave all of his ambition in making sure of this outcome. What was most exciting was showing up about an hour before the show, absorbed by the empty room, witnessing the amount of prep that it takes up to the very last minute to make sure an event like this goes off without a hitch, then suddenly: show time! And watching that once empty room fill to the brim in a matter of minutes like a pilsner beer glass.
The night started off with local Vegas vets Joji (who spins a hard dance monthly at the Phoenix Bar to 100+[people]), Jack Spaidz – who is to psytrance what System Malfunction is to hardcore [in Vegas], and Kung Pow – my second favorite act of the night – a multi-genre DJ who can make anything sound incredible, together or separate. Arriving early is very important, because believe it or not, you’re missing out on a lot of pure talent, and since I’ve been witness to this it makes me feel that Vegas DJs are vastly overlooked.
Frontliner took the stage to a thunderous roar and conducted an interactive set filled with popular antics to interact with the crowd. It was a fun, uplifting set, and if you know this artist well, even his euphoric tracks have a certain roughness to them. As he moves from ‘Shivers’, to the Defqon.1 anthem ‘No Guts, No Glory’, Frontliner never dampens the energy he creates. But there is still one question that remains… who were those guys in the masks?
This night, we also witnessed the debut of a new Las Vegas tag team: RVLTN Black! Two insane, rowdy rough boys who unleashed rawstyle/uptempo hardcore to the crowd in a quickfire blitzkrieg. They even dropped American terrorcore producer Tim Shopp’s track “Terror Squad”, at which point the taller member of the duo grabbed the mic from the MC and yelled “when this track drops, someone fucking bleeds!” Of course, it was inevitable that a mosh pit was to ensue, and with an ear to ear grin, I couldn’t help but take part. What a show!
A huge thank you goes out to Matthew Levin and the entire Ravealation crew for making this event possible and for making the trip from Utah well worth it. Las Vegas has a seriously dedicated crowd to the harder styles so make sure that they stay well fed and nurtured.
Last night, American hardcore/speedcore DJs and black/death metal bands joined forces in Las Vegas, NV to reinforce the powers of the underground in an outstanding way. Since we were in the city of sin, bands Demesic and Dead Reckoning were certain to make an appearance and our headliner Acid Enema performed as their live duo (Noth on guitars, Abhorrent on the mic and programming), which is what I’ve been waiting for since Gabberfest 2015!
The night was held together by Los Angeles’s Speedcore Militia members Slyten and Arcid as well as Las Vegas’s own DJLD and HellNegative! The live acts were a lot of fun and refreshing to the standard line up/transitions that we are used to seeing at raves and also shows the support and cooperation we have across the spectrum of American music groups and collectives. “I want to keep pushing boundaries.” says Acid Enema’s front-man Abhorrent. “I want to continue expanding interest into more metal influenced hardcore and speedcore, also as a way to open new ears and generate interest in the hardcore sound; combining musical tastes may do just that!” HellNegative feels the same way about the combination, saying, “By booking hardcore alongside other genres, we have a chance to introduce our music to a completely different demographic. And thanks to last night’s show, we’ve converted a few metal heads into speedcore and breakcore fans.”
There seems to be a theme going on here, as Noth also mentions that unity is a key aspect for the growth and continuation the American hardcore scene. “There is a lot of dissonance between genres and shows like these bring fans of both styles together and could maybe even cultivate a love for something new.”
There’s still plenty of evidence that the American hardcore scene is alive and thriving, even in these dive-y little bars like the Bradley which dedicated members will flock to so that we can catch up on the latest happenings and events that are coming up in the near future. You are bound to meet the right people and to make the right connections in this underworld and for Las Vegas, there isn’t a better way to get your fix than its plethora of diversity in a city where you may never run into the same person twice.
Dedicated to the harder sound of electronic dance music.