Category Archives: Daybreaker

Utah Finally Gets Lucky: A Field Report from the Beehive State

When word started to spread over social media about Utah’s upcoming annual St. Patrick’s themed rave ‘Get Lucky’, the hype surrounding the event was insurmountable. Utah’s sole proprietor of electronic music, V2 Presents, had started to announce the lineup in phases. It wasn’t long after the announcement of the Disciple Tour members Barely Alive, Dodge & Fuski, and Astronaut did the company announce the arrival of Lady Faith and the Italian legend himself TECHNOBOY! At that moment, it was decided instantaneously that I would be attending this gold and green massive for the first time ever.

V2 Presents #GetLuckySLC 2016. Photos: @ballenmedia
Inside the Tent O’ Gold [Harder Stage] at V2 Presents #GetLuckySLC 2016. Photos: @ballenmedia
Immediately upon entering the The Great Saltair I had to admit that the production of this show was much higher than any other rave of V2‘s in recent memory; also, I discovered as I was rummaging hastily through the crowd that Utah finally had a rave that was actually worth the trip for out-of-state ravers! Finally, I managed to arrive at the Tent O’ Gold (the harder stage) where I remained for the rest of the night, naturally. First on, the ‘Disciple Tour’: a beautiful blend of Drum & Bass by Dodge & Fuski, Trap and two-step by the humble Astronaut and an appearance by the experimental bass music duo Barely Alive which drastically helped cushion the blow of a high priced ticket. These guys kept their sets seamless between each other that you couldn’t even tell who was on next until you looked up and noticed a different face! True heavyweight champs in their respective genres.  Then suddenly, the entire atmosphere shifted, and I couldn’t believe what I was witnessing:

V2 Presents #GetLuckySLC 2016. Photos: @ballenmedia
Technoboy making his first appearance in Salt Lake City at V2 Presents #GetLuckySLC 2016. Photos: @ballenmedia

Technoboy appeared at midnight to a tightly packed and maniac crowd (who surprisingly remained throughout the entire two hours of Hardstyle)! As he played through all the popular main stage bangers, he also played some more aggressive tracks at the end of his set (however there was no appearance of his Qlimax 2008 anthem ‘Next Dimensional World’, but that was only a minor disappointment) and that aggression was absorbed and distributed outward  by the crowd as some mosh pits were opened and people were being launched into the air. But now, it was time to make way for the “Queen Bitch of the Universe”, LADY FAITH! This stunning woman kept that same amount of energy and aggression going throughout the last hour ending on a Rawstyle note; if only I was able to remember her last track! Unfortunately, due to the time change at the 2:00 am hour, the venue had to quickly close up as it was now in violation of our local laws (shows/events may not continue past two in the morning) and due to the force out by venue security, I was unable to get an interview with either one of the stars shortly after Lady Faith’s set.

V2 Presents #GetLuckySLC 2016. Photos: @ballenmedia
The intense crowd at the Tent O’ Gold Stage. Photos: @ballenmedia

At the end of the night, however, it was empowering and reassuring to see the impact of Hardstyle on the local crowd. Utah clearly has the intense desire and passion for the harder styles and by some stroke of luck (or the right people in the right ears) V2 managed to pull through for all us (finally!). We can only hope that they were there to witness the certain impact of their workings and that this event will prompt them to bring out even more Hard acts to the Great Salt Lake.

All photos courtesy of: @ballenmedia

Fresh NYE 2015-2016 Report by Daybreaker

People from all over the country ring in the new year in a variety of  different ways.  From lighting off fireworks and banging pots and pans to shaking clackers and blowing horns; but this year, I was able to ring in the new year with Hardcore kick drums, uplifting Trance melodies and energetic Drum & Bass rhythms while being surrounded by my friends that reside all over the west coast. I don’t think there is any better way to celebrate than to do it harder, louder and more extreme than the rest of the nation!

Fresh NYE (from the Trance Stage) 2015-2016
Fresh NYE (from the Trance Stage) 2015-2016

Fresh NYE took place at the Seaport Marina Hotel and Events Center.  I found the venue to be a very positive and refreshing way to deal with masses.  Even if it may have been a little tacky and haphazard to some, it was so nice to be able to go from the event to your room in just a short distance- that way you can go as hard as possible while still being safe about it. There was a plethora of sounds to choose from: a Trance stage, a Drum & Bass stage, and a Hard Dance stage; although if you were there, you could easily tell what everyone was there for.  Suffice it to say that the Hard Dance stage was consistently packed.

Early on in the night I experienced Driftmoon, an Uplifting Trance artist who would’ve been more suited for the midnight hour; very melodic and emotional. What an opportunity to have seen him on New Year’s Eve of all days (a sentimental holiday for myself). We got the soft stuff out the way early and I immediately picked up the pace of the night by making sure I was front and center for Machete, one of the heavy hitters for the American Drum & Bass/Junglist scene. He played very funky, mostly jungle influenced DnB which was exactly what I’ve been waiting to hear.  We do not get men like him coming through Utah, EVER, despite our once prominent, seemingly lingering

Audiofreq
Audiofreq

DnB scene. There was very little time to breathe after Machete- we only had 15 minutes to run upstairs to the Hard Dance stage to bring in the New Year with Mr. Audiofreq! Although the majority of the Hardstyle artists, including Audiofreq, were more mainstream and climactic, I was extremely impressed by his set ( when he dropped ‘Release’ by Atmozfears was that tipping point). I’m sure the majority who have seen him perform are aware that he is one great big ball of energy that continuously keeps the momentum of the crowd going; even the people outside on the deck were dancing and screaming to nearly every track that was dropped by him. He was the perfect opener for one the most respected names in the Hardcore scene to date; his rise to fame has been faster than anyone I can recall during my time: DJ MAD DOG! It is literally impossible to describe the amount of ferocity and aggression that was felt during the length of MD’s set. He played all of his own tracks (which I personally preferred because the only other time I’ve seen him

DJ Mad Dog
Mad Dog closing the Hard Dance stage. Fresh NYE.

was at Dominator back in 2013 and he played many other Italian Hardcore artists’ tracks) and there were so little breaks in his mixing that there was hardly any time to catch your breath! There was a pretty disruptive mosh pit going on the for the majority of the time, which to a lot of people was upsetting because many of them would rather have been hakken-ing, but thankfully it didn’t lead to anything more violent. During the last half hour Mad Dog brought up a surprise guest: AniMe. She closed the night with tracks that she and Mad Dog did together pitched to a higher tempo. The entire night was topped off with a bow and a stage dive from Audiofreq. Wow!

At the end of the night, it was satisfying to be able to walk a few feet to my hotel room and recover from all the alcohol and adrenaline so I could immediately start heading back home in the morning (what I do for this music, eh?). Fresh Entertainment gets a huge plus for not just bringing out one of the most top notch producers in the Hardcore scene at the moment, but having three stages, dedicated to three sounds, stacked with the most powerful members of their respected scenes. I cannot wait to see what 2016 will bring us not just from Fresh, but from the American Hard Dance scene as a whole, and already, there is so much promise when ringing in the New Year with a “Fresh” start.

 

Daybreaker

Ophidian – NightFall Angel VIP – Enzyme Records

Ophidian, as you all should know, is one the more technical Hardcore producers out there today; with his productions being so clean, and his mastering even more so. With his release of ‘Nightfall Angel VIP’, Ophidian takes us back to his older sounds with an incredible new design along with a millennium remaster of the original and a breakbeat kind of remix by IDrake (???). The tracks are best described as orchestral, cinematic and nostalgic. This release will take you back to the peak of Ophidian’s career, helping you gain an understanding as to how he’s become the most prominent name in Hardcore techno. Enjoy.

Synaptic Memories – Tripped – Invisible – Complex Systems EP

For the Industrial fans out there; this entire EP is filled with a wonderful sound design of orchestrated noise! But the track that stands out the most for me is the second track on the EP: ‘Invisible’ and it’s because of SM’s work with Tripped. Tripped has made kicks that have always had a very particular roughness to them that have made them addicting and his variations within this particular track keep your attention all the way through. Of course, I’m more prone to noisy sounds over structured melodies, and SM hits that spot on and still with plenty of drive and atmosphere, but if you like thick, distorted kicks, this track has them and hearing this one on the dance floor is more than likely to make the crowd move.

Classic Track Review: Lem-X – More Drumming – D-Boy Black Label

Originally released in 2004, and only on vinyl, Italy’s DJ Lem-X released this on a VA record to outstanding reactions. To this day, this, in my experience/opinion, is one of the hardest tracks to find from the early 2000’s, let alone to also find the words to describe this track, except that it’s hard, distorted, and catchy as all hell. Look it up, track it down, get a hold of it in some way; you’ll be so happy that you did.