There are only a handful of female hardcore producers in the game, but none more vicious and underrated than Day-Mar. Her latest release showcases the most recent experimentation of her sound with both ‘Luxury’ and ‘Sometimes’ running at 196 BPM. Of course, each track has their own feminine touch: the vocals of ‘Luxury’ being the thuggish ruggish chick, and ‘Sometimes’ being the soulful and sexy icon, but both still remain harder and edgier which gives this bad ass beauty her advantage.
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Reviews
Techno Gets Belligerent at the Madhouse!
Upon arriving, I thought I was lost: that somewhere between the caged liquor store and the tagged up strip malls, there may have once been a building in between that stood as the ground zero for hardcore parties in San Bernardino, CA. After I pulled over to the side of the road and started observing the area, I had noticed that there were security personnel outside the door to some kind of establishment. Could this be it? It can’t be. It doesn’t look like it. After waiting a little while, attempting to figure out if this location was correct, a car had pulled up with a group of kids that were all glammed out in brightly colored bracelets and necklaces; I guess this IS it: the sign says Arrowhead Elk’s Lodge #896, but behind its decaying walls the silent screams of bass lines ensued which meant that I was about to enter the Madhouse. Welcome to the hardcore underground.
The place had been transformed into a fortress of sound both inside and out. DJNC Odie and the Desert Rats took control of the outside stage while the Techno Belligerent crew established rule inside. HellNegative opened the night with Drum & Bass. It was three years ago that he had to leave us, ever since then his return has been highly anticipated, and the fact that I happened to be in town at the same time is an amazing happenstance. The rest of the night I was in utter mystery and surprise with a stacked lineup filled with names that I was unfamiliar with. I’ll say ahead of time that California is riddled with pure talent regarding the hardcore scene.
The eerie productions of Invisible Robots followed by the ruthless, cut-up Breakcore lines of Producer Snafu generated so much creative response in me and certainly the rest of the room. BC Rydah took the stage at midnight and pushed that creative boundary even further. This man has a signature sound that needs to be heard! Unless my ears deceived me, I could’ve sworn that Chicago Footwork (a guilty pleasure of mine) made it into the mixture, which yields the utmost respect for THE best breaks DJ I’ve heard in my time. Blackened speedcore was also admitted inside the Madhouse as the night grewer darker: Acid Enema! Abhorrent (vocalist and one-half of the Las Vegas based duo) performed a DJ set and live vocal session (provided in part by AngelEnemy), which was a perfect lead in for Virtue, one half of the GabberTwinz, and the ringleader himself: ARCID who closed out the night just before the sun was set to rise.
For the first time, I had experienced the mad and the macabre that I’ve only heard about from states away. And to quote the movie “Demons” (as are the radical Techno Belligerent crew and all the talent who were behind the decks): “They will make cemeteries their cathedrals and the cities will be YOUR tombs!” – Thank you to Desert Rats and Techno Belligerent crew for the memories and I can’t wait until the next one. And thank you to the dedicated crowd that showed up and supported as well! Without you directly, parties like this can’t happen!
Utah Finally Gets Lucky: A Field Report from the Beehive State
When word started to spread over social media about Utah’s upcoming annual St. Patrick’s themed rave ‘Get Lucky’, the hype surrounding the event was insurmountable. Utah’s sole proprietor of electronic music, V2 Presents, had started to announce the lineup in phases. It wasn’t long after the announcement of the Disciple Tour members Barely Alive, Dodge & Fuski, and Astronaut did the company announce the arrival of Lady Faith and the Italian legend himself TECHNOBOY! At that moment, it was decided instantaneously that I would be attending this gold and green massive for the first time ever.
Immediately upon entering the The Great Saltair I had to admit that the production of this show was much higher than any other rave of V2‘s in recent memory; also, I discovered as I was rummaging hastily through the crowd that Utah finally had a rave that was actually worth the trip for out-of-state ravers! Finally, I managed to arrive at the Tent O’ Gold (the harder stage) where I remained for the rest of the night, naturally. First on, the ‘Disciple Tour’: a beautiful blend of Drum & Bass by Dodge & Fuski, Trap and two-step by the humble Astronaut and an appearance by the experimental bass music duo Barely Alive which drastically helped cushion the blow of a high priced ticket. These guys kept their sets seamless between each other that you couldn’t even tell who was on next until you looked up and noticed a different face! True heavyweight champs in their respective genres. Then suddenly, the entire atmosphere shifted, and I couldn’t believe what I was witnessing:
Technoboy appeared at midnight to a tightly packed and maniac crowd (who surprisingly remained throughout the entire two hours of Hardstyle)! As he played through all the popular main stage bangers, he also played some more aggressive tracks at the end of his set (however there was no appearance of his Qlimax 2008 anthem ‘Next Dimensional World’, but that was only a minor disappointment) and that aggression was absorbed and distributed outward by the crowd as some mosh pits were opened and people were being launched into the air. But now, it was time to make way for the “Queen Bitch of the Universe”, LADY FAITH! This stunning woman kept that same amount of energy and aggression going throughout the last hour ending on a Rawstyle note; if only I was able to remember her last track! Unfortunately, due to the time change at the 2:00 am hour, the venue had to quickly close up as it was now in violation of our local laws (shows/events may not continue past two in the morning) and due to the force out by venue security, I was unable to get an interview with either one of the stars shortly after Lady Faith’s set.
At the end of the night, however, it was empowering and reassuring to see the impact of Hardstyle on the local crowd. Utah clearly has the intense desire and passion for the harder styles and by some stroke of luck (or the right people in the right ears) V2 managed to pull through for all us (finally!). We can only hope that they were there to witness the certain impact of their workings and that this event will prompt them to bring out even more Hard acts to the Great Salt Lake.
All photos courtesy of: @ballenmedia
Field Report 8: BASSCON WASTELAND DAY 1
Word of Hardstyle’s imminent demise was brutally thumped to the ground and drowned in the Pacific last night as 4000+ squeezed into Los Angeles’ Hollywood Palladium for day 1 of Basscon’s Wasteland. A battery of lasers that would make Luke Skywalker and the Rebel Forces proud, combined with a sound system louder than Thor’s hammer lit up Sunset Boulevard and screamed the news.
The night started with Max Enforcer. As some of you may know, Max Enforcer is Evil Activities’ Hardstyle alias, so it’s no wonder that his set in particular was heavy hitting right off the bat, even if he played, and we guiltily sung along to, “Lost in Paradise.”
Audiotricz followed this up by maintaining the euphoria with all of their biggest tracks that are known to tug at the heartstrings, including the implementation of the very popular “Release” by Atmozfears, a track that even the raw kids can’t ignore.
D-Block & S-Te-Fan was a particular highlight of the night because they were playing a lot of their older tracks which might feature their best sound design (Sound of the Thunder, Music Made Addict etc.). Opening with their track “Higher” set the mood for one the most emotional sets that could be remembered in recent memory.
Isaac got the crowd in a frenzy, veering from euphoric to raw in a perfect balance. He started out his set with some crazy Zelda samples that sounded absolutely insane on the massive Basscon sound system. Every track that followed seemed to be instilled in the minds of the crowd. Then, he even brought out every promoter’s best friend, Leo Corson, to grab the mic and remind the Southern California faithful why we love all bitches!
We took a little break and sauntered out to the smoking area where we even spotted controversial man-of-the-hour Kari Lambou holding court on the smoking patio! And not far away, Fresh Entertainment’s Sherief Zakher was showing off his new tattoos to DJ Mindcontroller and his posse.
We also spotted Kriss Erickson of Lucky Rabbit Photography who came down from NorCal to witness the spectacle. West coast party regular Giovanny Garcia made his requisite appearance (even though he was spotted at the last minute). He literally has been spotted at every Hard Dance show on the west coast! And of course Las Vegas true-believer Matthew Levin deserves a mention because no one has the amount of dedication to this scene that this man does and he is THE man that everyone looks forward to seeing when they attend harder events. Our photographer Marvelous Mike Ortiz was making the rounds snapping most of the flix you see on this page. Watch out for some of his upcoming video productions by-the-way!
Finally rested, we witnessed possibly the best set of the night: Audiofreq and Code Black’s reunion of Bioweapon. They played a lot of tracks from what is considered by many to be the golden era of hardstyle (2008-2010). They had a perfect blend of old and new, and they also incorporated some raw tracks. Finally getting to hear E-Force’s “Seven” in a live setting was a defining moment for our man DJ Daybreaker who could be seen bopping in the crowd. Even more evidence of this, there was a moment were these two really got the crowd bouncing off the walls when they dropped a slowed-down Hardcore track, DJ Mad Dog & Tommyknocker’s DJ Tool 1.
The night culminated with the reveal of who exactly were the “Notorious Two.” It is Lady Faith and the Pitcher’s new raw-oriented project. The response from the crowd at their tougher sounding tracks was strong and evidence that the SoCal hardstyle junkies are currently looking for more aggressive tracks, and that seemed pretty evident the entire night.
Night two is on the horizon and if the crowd wanted it hard, they are gonna get it. After witnessing Digital Punk in his USA debut on the Trauma Tour, the thought of him crushing on the Basscon system has us giddy like school girls riding unicorns. So get yourself sorted tonight and get ready!
While you’re out tonight, do yourself a favor and pick up a copy of The HARD DATA as you exit the Palladium! We, along with faithful Utah hardstyle trooper Jesse Murdock will be at the ready to pass them to you! To those that don’t know, The HARD DATA is the only physical magazine in America dedicated to the harder styles of EDM. Not only is it great to read on the ride home, but when you want to remember this time, do you really think you’re going to peruse your saved web browser bookmarks from like 10 phones forward in time… or break out a shoe box hidden in your closet full of kandi, flyers, accessories, and The Hard Data? ‘Nuff said! Until next time, this is Deadly Buda and Daybreaker reminding you: The rhythm is life and death!
Field Report 7: Trauma Live’s Harder Styles Tour 2016: Brooklyn
The final stop of Trauma’s Harder Styles Tour touched down in Brooklyn Saturday night. As anticipated, the venue was packed with attendees bouncing off the walls. Right off the bat is was amazing to see Lenny Dee and Rob Gee on their home turf, in the borough that made them worldwide names. Rob Gee played his greatest set on the entire tour, and frankly it might have been the single most uplifting and inspiring set –of all sets—on the tour. Rob Gee has always had something special with audiences, but Saturday night in particular he hit a resonant melody with the audience who were 100% in sync with his hardcore vibe.
But, I’m getting ahead of myself, literally. Yours truly got to open up the night, and thankfully the sound-system was 100% on point, and there was already a crowd ready to rock. I got a chance to bust out some of my favorite tracks from the Next Cyclone label, which are rarely played, and the crowd was well into it. I also got to spin on 4 decks at once, an infrequent pleasure at hardcore shows where oftentimes we are lucky to even be using modern CD-Js!
After I did my stuff, Reactor and Pulsators hit the decks and rocked the crowd with some hardstyle, leading up to the night’s headliner, DJ Stefanie. Basically, she tore it up, showing the USA why she is a big favorite in Europe and even showcased one of her latest tracks. I had the pleasure of filming her live feed on Facebook for the first half hour too. Most of her set it could be seen worldwide!
Next up was Lenny Dee. As always, it’s a pleasure to see Lenny Dee rocking it in his own backyard. The tough industrial sounds had the ravers rocking to and fro. Hardcore historians know that Lenny Dee might be considered the original hardcore DJ of which we know in the modern era, and to see him in his element, where the sounds were heard that would later inspire the world, was truly moving. He was followed by his frequent partner-in-cacophony, Rob Gee.
Satronica then hit the decks and continued the holiday of hardcore that had taken over Brooklyn’s legendary club Verboten, leading to up-and-coming, Tim Shopp, who did double duty on the main stage and the second room, keeping the crowd busy the entire night. Tim tore the cap off a shaken pop-bottle of speedcore madness that drove the crowd wild, giving a sneak preview of the coming wave of American Hardcore.
Initially looking back on the tour at this early stage of reflection, I think there were tremendous gains made for the American hardcore EDM/Techno scene. Whereas the crowds were not sell-outs, they were decent and more importantly, everyone had a great, and sometimes life changing time. Dealing with music so much on an everyday basis, we music insiders often lose track of how important finding that new sound is to the concert goer… as we count the beans and talk the numbers. Sure, it’s an aspect that cannot be ignored, but ultimately life is remembered in experiences, and Trauma Live made sure to give people an experience they’ll never forget, and I can’t wait to see what happens to this scene next.