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Anyone trying to coordinate going to a show with friends knows it isn’t always easy, and this night was no exception. After much anticipation, my friends and I were finally on our way after quite a bit of drama- One friend of mine, Matt, had just spent the last 6hrs in traffic driving to my house all the way from San Diego, while my other friend, Tyler, had a mini-emergency losing his wallet (with his ID) earlier in the day, only to find it again about 20mins before coming to my house, and lastly, my friend Angel wanted us to pick him up on the way to the venue. But at last, the emotional rollercoaster of just wanting to get to the show so we could go party was over, and it was time to go! I had been looking forward to this show for months and my anticipation had built to the point where I was bursting with excitement! The night ahead promised some of the leading names in hardcore, and was to celebrate 25 Years of the Industrial Strength Records label.

Hard Electronic: 25 Year of Industrial Strength Records lineup featured artists Deadly Buda, Cik, Fiend, Rob Gee, Lenny Dee, Tymon, Unexist, The Sickest Squad and Art of Fighters. After passing through security and catching up with some friends, I walked onto the dance floor and prepared myself for the acts I had been looking forward to for months now. I was especially was excited that night to see Art of Fighters, Unexist, The Sickest Squad, Rob Gee and Lenny Dee… it was shortly after seeing the timeslots that I discovered Lenny Dee was not on the lineup. I later found out that Lenny had injured himself and his doctor did not recommend him to fly and risk further injury.

Lenny made the following statement on Facebook to his fans:

“My love goes out to the LA crew for making it happen. Respect. West Coast Kicking Ass!!! Get ready for Hard Electronic 2.0 coming in 2017. There is no stopping what can’t be stopped…”

We wish for your speedy recovery Lenny, but once I learned of your injury I knew that the night must go on as you had intended it to!

At this point, the much-awaited US appearance of Art of Fighters took to the stage. Throughout the crowded room you could see fans waving Art of Fighters and Hardcore Italia flags, and the signature Art of Fighters hardcore sound filled the room with catchy melodies and defiant lyrics. Art of Fighters set included classic tracks including ‘Nirvana of Noise’, and eventually ended with ‘Oh My Sun.’

Art of Fighters at Hard Electronic: 25 Year of Industrial Strength Records, Los Angeles

Following Art of Fighters was Unexist, who changed the atmosphere in the room from the melodies of Art of Fighters, to a much more brutal sound. If Art of Fighters set could be described as ‘energizing’, then Unexist’s set would be described as ‘aggressive.’ One such track that he played that exemplifies this aggressiveness was ‘Devil’s Son”.

As Unexist’s set ended The Sickest Squad took to the stage to bring their own unique brand of Frenchcore (they aptly nicknamed Sickcore) to the party. For me personally, I was just as excited for The Sickest Squad as much as I was for a Frenchcore act to perform, as US doesn’t get much Frenchcore. For those unfamiliar with Frenchcore, the sound is an entirely unique variation of the hardcore sound. Tracks often feature samples of odd instruments not normally heard in electronic music playing symphonic melodies, as well as chanting or rambling of lyrics, and the bass vibrates similar to how reverse bass is for Hardstyle. The Sickest Squad’s set included their classic ‘Boomshakalaka’, as well as their new track with Dr. Peacock ‘Frenchcore Family’ (Vive La Frenchcore 2016 Anthem).

Appropriately slated to close out the night with a dose of Gabber was American legend Rob Gee. Rob started his set by recognizing the Industrial Strength Label for achieving the 25-year milestone, and we all took a moment to pay respect to Lenny Dee who, even though he couldn’t be there with us in person, was certainly there in spirit. Rob opened with one of his classic gabber tracks, ‘Pollywaggachuggabonka’ and ‘Coming At You Strong’, before working in some of his newer tracks ‘Dark Universe’ and ‘Caramba!’ into his set, all while entertaining the crowd with his animated, high energy personality.

Throughout the night I was excited to see so many familiar faces, but one thing that I noticed was a definite, mature presence in the crowd as well. 25 Years of Industrial Strength Records meant that some of these people had been listing to hardcore more years than others at the party had been alive! That night I spoke to several who recounted their memories of their first shows in the 90’s held in warehouses, about their early Industrial Strength and Thunderdome vinyls, and it was interesting to hear their perspective of how the scene had grown and changed over the years. Trauma has a great ability to blend the past and the present in their shows in a really enjoyable way, and I have always respected and appreciated the origins of this scene. Ultimately, I would say the 25 years of the Industrial Strength Records was a massive success entertaining both new and old alike, and I look forward to more hardcore in the future!

Articles, RANKED!, Reviews

DJ Thera: Five Thumpin’ Tracks you gotta know!

November 2, 2016 Media Team

Pieter Heijnen, known for the fans as DJ Thera, is a raw hardstyle DJ and producer. He is also the founder of the famous label Theracords. Son of a musician, he started playing several instruments at an early age, but as he said it himself, he was too stubborn to play in a band, and his musical taste always aimed towards electronic music, so it was only natural that he would become a DJ.

His tracks are known for being unique and positive, and his art has established a brand new sound design in the rawstyle world. It’s powerful, melodic, hard and energetic, a combination bound to be successful.

From Canada to Australia, and even Russia, DJ Thera has performed pretty much everywhere in the last few years, proving that a diverse set of sounds in raw hardstyle never hurts. His popularity has been growing since his first album release and it doesn’t look like it’s going to change anytime soon, given the huge fan-base he has created for himself all over the world.

Check out these thumpin’ DJ Thera tracks:

The Paranormal:

A mix between raw hardstyle and trance, this track is a perfect description of DJ Thera’s musical style. This combination of sounds has been called “the new era of hardstyle” by more than one specialist, and we can see why. It’s new, it’s fresh, but most of all, it’s perfect for raving!

It’s a Fine Day:

This collaboration with Yuna-X shows how open minded DJ Thera can be with his musical creations. The sounds here are at the same time fast and soft, creating a perfect harmony.

The Alliance:

Another collaboration that went extremely well for DJ Thera! Dark sounds and mysterious vibes, we can imagine this being played in a masked rave.

Desolation:

Be ready to headbang like a madman, because this is what this track will do to you! The storytelling in it is great, but what’s better is the crazy strong beat that is definitely not for the faint of heart!

Hate Society:

If you’re feeling rebellious, then this is the track for you! This song is for the freaks, the odd ones, the outsiders and the alien ones. It’s a cry of rebellion, a literal “F***you” to a society that doesn’t accept difference.

DJ Thera is a strong artist, with years and years of experience behind him. But more than that, he’s a visionary who knew that to be a good producer, you have to think outside the box and be unique.

To know more about DJ Thera, look up his Facebook page:

https://www.facebook.com/DjTheraOfficial/

Or… go to his upcoming show Dec. 3, 2016 in Los Angeles, WINTERFRESH MUSIC FESTIVAL!

Articles, Events, Reviews

Minnesota Hard Dance says This is Halloween

October 30, 2016 DJ Deadly Buda 1 Comment

Last night, Minnesota Hard Dance lit up the Twin Cities with ripping, cutting edge electronic music stuffed into an old school format. Ostensibly, the excuse was Halloween, though half these partyers looked liked they dressed in costume almost every weekend anyway. A wide assortment of rave flavors could be sampled last night, hardcore (by yours truly), drum and bass, Psytrance, sub-ground, techno, happy hardcore, hardstyle… I’m missing a few here, but trust me, between the two rooms you had ear candy waiting for you at anytime.

Though taking place on a Saturday, “This is Halloween” was the name of the party, just to help attendees plan their circadian rhythms accordingly. This was important because magnetic musical artists would be making marks on memories until 5:00 am. As I had a flight the next day, all logical sense of responsibility told me that I should leave shortly after I played. I made the critical, we can’t really call it an “error” because I was the better for it, but I stepped into the middle of DJ Darkmatter’s (not to be confused with L.A.’s Darkmatter Soundsystem) psy-trance set and it was off-the-hook! I cancelled my ride to the hotel and proceeded to bug out to the early morning, sleep-be-damned!

It occurred to me that for the underground to thrive, a wide mixtures of styles is not only more interesting, but necessary. It was a well-attended event, but with all the parties going on the Halloween weekend, its in everyone’s interest in the rave scene to merge the styles because in the current commercial climate only the really big more commercial parties can specialize on a consistent basis. The great thing about this party is that the crowd seemed to appreciate all the styles, too. There was rarely any drop off at either of the sound stages.

So if you were at “This is Halloween” last night, I congratulate you! I bet there was no place in the Twin Cities last night that was as supportive of good music, on shredding sound systems, and with an embrace of the creativity we need to thrive. Big ups to Minnesota Hard Dance for another great party!

Photo by Rad Timmah

Articles, Events, Reviews

Darkmatter 15 Year Anniversary

October 8, 2016 Media Team

Editors Note* This article got lost in all the shuffle over the last few months! Darkmatter is having a show tonight, Oct. 8 2016. Make sure to check it out. As you will read below, its always a good time!

By Christina Ruiz

Darkmatters 15 year anniversary party was a mixup of musical styles, delivered in a way that only a Darkmatter party can. If you are not familiar with Darkmatter, we pity you. A staple in the Los Angeles underground, their parties are the kind of parties that you can take a person who has no understanding or knowledge of electronic music and know that they will have a meaningful experience saturated with extreme beats and seasoned OG’s. Despite being part of a sorely missed and dying breed of party, they have stayed true to the underground flavor and feel, remaining a long lasting beacon in a sea of EDM that has overtaken the scene. Attending a Darkmatter is something that just remains in your memory long after the ringing in the ears dissipates and the underground smell of sweat and cigarettes in your shirt gets washed off.
True to their long history of delivering solid events, their 15year anniversary edition delivered a night in true form for them with a lineup including Darkmatter alumni and some newer faces and sounds. The night started with Skrill, sadly I missed this set but arrived to catch the tail end of Standox. Composed of veterans Wet Mango and WMX, they delivered a solid set that had the early crowd bobbing their heads in unified agreement-they delivered some heavy hitting beats with an energy that was palpable. Next was Diskore, who never ceases to amaze with the precision that he delivers every single set with. Succeeding on deck was Bambule, who brought a change of pace with an ambient noise set that permeated your ear drums and transported you to dark and beautiful place, not for the faint of heart. Deadly Buda closed out the party with a rare set that included classics from the early 90’s giving the crowd a dose of nostalgia and the party a change of pace. I found myself bouncing around like a teenager again as he dropped cut after cut of pure rave goodness.
All in all, the night was a representation of what an amazing job Darkmatter has done and will continue to do for this-joining new and old and simply delivering a solid event were all are welcome. Attending their events over the years has provided some amazing experiences, and I found myself saying once again…..like so many times before…..well done Darkmatter…..well done.

Darkmatter October 8, 2016 — Darkmatter’s latest show looks to be great too! Check it out tonight!

Articles, Events, Reviews

Acidcorefest.Moscowedition – Report by Teknoaidi

October 8, 2016 Tuomas Kinnunen 1 Comment

Living in Finland, on the north-east edge of the EU, I have the chance to travel to my eastern neighbour Russia easily and I have been doing so since 2010 playing gigs there in various places. Acidcorefest.Moscowedition was held between 23rd and 24th of September and it was my second gig in Moscow. Acidcorefest has its roots in Russia’s culture capital St. Petersburg and the concept was now visiting in the country’s business capital.

Contrary to what the name suggests, these fests have very little to do with the acidcore subgenre itself. The fests are more like a celebration of the diverse underground hardcore techno styles and breakcore and speedcore representing both local talents as well as interesting international artists. The mainstream hardcore scene hasn’t been completely excluded from the equation either, but what became clear to me from the very beginning was that this party was not going to limit itself in terms of speed and intensity.

The party venue was Aglomerat Club, a building that used to be a cinema in the Soviet times and had been recently refurbished into a techno club. The interior was like an abandoned warehouse, so the event definitely had the feel of a proper underground rave. I initially thought that the event would be split between 2 nights, but it was actually a 15 hour party from 9PM till 1PM! 46 artists and dj’s were on the lineup for 2 dancefloors: Acid Blood, which was the main stage, and Acid Jam, the “chillout”.

Since my first visits in the country I have noticed that Russians like their core music fast and this night was no exception as people went totally mad from the chaotic distorted breaks and bassdrums starting to run around the dancefloor. Mashup style hardcore and breakcore seemed to be especially popular, but many dj’s also played more darker tones of crossbreed, dnb as well as more minimal, but very effective oldschool sounding hardcore. So I said that the Acid Jam dancefloor was the chillout, and it kind of was when jungle and hardtek dj’s were playing, but many times I would enter there and intense as fuck breakcore and hardcore comparable to the main stage was blasted there as well.

Definite crowd favorites of the evening were the hardcore/breakcore artists Klitorix from Spain and M1dlet from Lithuania, whom I especially remember of his speedcore releases in the past. Local favorites were especially the Action Agenda duo and the metal, core and dnb fusing Sa†an, who has received wider international fame in recent years for his music and shows. A more bizarre local speciality and exception of the night was XS Project, a duo producing pumping house and hard bass – styles popular among squatting Slavs in tracksuits. For me personally, the most interesting set of the night was by Quinta Essentia who delivered straightforward, relentless and at times quite hypnotic hardcore beats. After her Extremest, a touring artist from Scotland, played some mashupcore madness of varying tempos. There were still survivors left when it was my turn to play my shamancore music as Teknoaidi before 8 in the morning. The shamancore shaking rituals went down very well and the crowd demanded me to play some extra.

It was a pleasure meeting many old and new people, fellow international artists from Europe and I was also surprised to meet Jüps from as far away as Seattle who was travelling and visiting parties in Europe and Russia. It was unfortunate that the party could have had more visitors.. Gotta give the organizers lots of respect for taking the risk to put this party together! In a time where the powers that be are creating apparent divisions between people, music is a great way to step out of the geopolitical games and bond us together.