Tag Archives: American hardcore techno

Kryptic Corner 003: Braincrushers & E-RAYzor Interview

Article and interview by Howard “How Hard’ Grene

In July 2017, Hard Kryptic Records released the Worldwide Movement: Remix Project which featured both top name and underground artists remixing one of the most recognized tracks in Hard Kryptic: “Worldwide Movement”. Remixers like Masters of Hardcore‘s Re-Style, Swiss legends Dark Headz, Sweden’s top name Mark Frostbite aka Trinitite, Spain’s rising star SOTUI, Japan’s untouchable Kortarow, Argentina’s noisemaker Round Wave Crusher, and Dutch and American duo Hard Versions took the already crushing track and re-visioned it as their own.

The original release came out in July 2014 and was created to show how hardcore music is bigger than borders. German producers Braincrushers and E-RAYzor joined forces with US producer How Hard. An accompanying music video further showed the unified hardcore vibe with clips of hardcore events in Germany, Ukraine, Netherlands, United States, UK, and more!

I virtually sat with duo Braincrushers, which consists of brothers Oliver and David, and Ralf aka E-RAYzor after the dust settled on this explosive release to learn about them, their thoughts, on the project, and more!

Worldwide Movement: Remix Project (HKD078)

When did each of you start to create/produce music? Was hardcore the genre you start with?

BC: We started in 1995 with an old mixer and two turntable with no pitch. The mixer was Oliver’s birthday present, our dad came up with it. He played music as a young man and made his money with it. I think he wanted us to do something and tried to give an initial start. It worked just fine. The electronic music wave just came up here, it was new, cool, but not for everybody. We went crazy on hardcore music from the first second! In 1996, we played our first DJ set on a hardcore party. In the early 2000s we started to make our own music on Fruity Loops, and then Reason. Our first release came out ´07 “Little Asses” on G-Net Records.

E: I started producing hardcore with some friends using Fast Tracker in the middle of the nineties. We first only made fun tracks for ourselves, but one time we invited DJ friend of mine, and we made our first serious track. He pressed that one as a test pressing and played it in Bochum Germany at a big hardcore party. The reaction was positive, and that kept me going!

Were there any early influences on your music in the beginning? What about today?

BC: We always liked Main & Industrial. Artists from Traxtorm, Neophyte Records, Megarave, Industrial Strength, and Enzyme all influenced our music. In the very beginning, there was also Rob Gee (my ringtone is still “Ecstasy, You Got What I Need”), Lenny Dee with Microtronic, Dreamer, and Noize Suppressor.

E: My first CD was The Prodigy’s Experience, and the second was Thunderdome II, so you can say I am hardcore since the beginning! I also listened to all the 90s dancefloor stuff, hip hop like 2 Live Crew and DMX. Also, some rock and metal stuff like Linkin Park. All in all, I have a really wide taste of music. I don`t think in genres. There is good music everywhere, it just needs a drive for me, something special, recognizable.

Braincrushers

How would you each describe your styles of hardcore?

BC: We like hardcore music that goes with the times. The better the hardware and software gets, the better the tunes. We listen to and love the old classics, but when we play parties and work on our music, we want to go with times in our own way.

E: As a DJ, my style in hardcore is very diverse. I play everything from the early rave to happy hardcore, early mainstyle from the 2000s, and all the to the new stuff. Depending on the party, I can play everything from slow to fast, from old to new. As long it gets me and in a good mood I like it. I play a lot of tracks with nice melodies, but also “in ya face” tracks. For me, the mixture makes the party.

E-RAYzor

What are you using in the studio these days? Any stand-out piece of gear or instrument?

BC: Nothing special. A keyboard, Cubase, KRK Rockets and a lot of enthusiasm.

E:  I don’t have my own studio today. I prefer more visiting my friends’ studios instead, like the Braincrushers’. We can have fun together, and I’m way more creative there versus working alone.

Worldwide Movement: Remix Project is out now. What can you say about this project, and what makes it so special?

BC:  Special to us is the long history of this project. The first release came out in 2014. We started working on this track months before with Ray when he visited us. We couldn’t find suitable vocals, so we asked Howard if he could record something for us. Bit by bit, session after session, element after element, countless nights with less sleep, hurting necks, and a lot of fun, we finally completed the track. Then came the video that Howard did with all the screaming people with different origins and now, all the remixes from artists around the world. “Worldwide” is not just a cool word for the title, the release was actually made worldwide!

E: In the beginning it was just a fun idea, but then we received Trinitite’s first remix from Sweden and said, “Hey, that is just too good to be not released, so what can we do?” As the title of the EP was Worldwide Movement, we thought about who we can also ask for a remix. The Darkheadz from Switzerland are good friends of mine for over 15 years. They were totally into the project, and sent their remix very quickly. Re-Style I knew from many bookings and parties where we met and I love his style since his first record so it was no question to ask him, too. In the end, I think we really have many different remixes with different styles but all of them have to touch and vibe of the original. For me it is always hard to decide which one I play the next!

Worldwide Movement (HKD060)

The original Worldwide Movement track was a collaboration between artists. Any other artists you would like to work with in the studio?

BC: Actually, every talented artist with the same enthusiasm is welcome! Main thing is to have fun and at the end of the day: good music!

Who else would you love to see remix one of your tracks?

E: For me one of the best remixers is The Viper, so that would be cool!

BC: Noize Suppressor! He is one of greatest interpreters of hardcore. He is a real artist.

Oliver/Braincrushers

From your work on Hard Kryptic, what would each be your stand out track or release?

BC: “Worldwide Movement”, “STOMP!” and “Crush on You“. Honestly, we can’t make a decision!

E: That`s easy! The original “Worldwide Movement” is the best track I ever made! It still gives me goosebumps every time I listen to it, and even play it at all parties!

Any stand out tracks from HKR besides your own tracks?

BC: The “Return of the Pit” remix by Ophidian.

E: I love all the Braincrushers releases and the Triax vinyl release, but the most outstanding track for me is the Amnesys Remix of DJ Delirium’s “Blazin’ Out Your Speaker”. This one is an absolute masterpiece in my opinion! It also was the first Hard Kryptic release I heard, so it got me into contact with the label. I pushed my favorite record store in that time to order that record because I heard it and totally fell in love.

Triax – Stronger Than Ever (HKR004)

Besides being producers, you’re also established DJs who have played in many festivals and in different countries, including the United States. What different do you see between playing in the U.S. versus in Europe?

E: I first came to New York in 2010 for Speakerfreakz. I thought I stepped out of a time machine! So many different people with wild costumes, much dedication to the music. I felt like back in the nineties in Europe when the whole rave scene began, and everything seemed to be possible. At all the parties I played in the U.S., there where all different styles of electronic music: house, drum n’ bass, hardstyle, hardcore, and even dubstep. The people were so open-minded to everything I played. I started my set with hardstyle and slowly took them to hardcore, and they loved it! It was unbelievable! I will never forget when I ended my set with the Pussyvibes mash-up of the Braincrushers at over 200 BPM, and the DJ after me started a house set at 130 BPM. In Europe that would be impossible!

Do you have any advice would you give a new DJ or producer?

E: Do it for the love of the music, not because you think it`s cool.

BC: Stick to it, don’t give up. Make it with passion.

What is upcoming for you? Any new releases or remixes in the works?

BC: We always are working on something. Stay anxious! Tracks are in the works. Hopefully another banging release on HKR!

E: Not yet, but hopefully I will find the time to get back in the studio soon to make some serious noise!

Find more information at:

Hard Kryptic Records/Hard X Music Official Website

Hard Kryptic Records/Hard X Music Facebook

Hard Kryptic Records/Hard X Music Twitter

Hard Kryptic Records/Hard X Music YouTube

Hard Kryptic Records/Hard X Music Soundcloud

Lenny Dee – Hard Electronic Interview Series

Techno and Hardcore pioneer Lenny Dee started Industrial Strength Records in 1991 and put New York and American Hardcore on the map, Now on the heels of the labels 25th anniversary, ISR is touring the world with a crew of hardcore artists from all over. The tour hits the US this week with stops at Union in LA Friday, November 18 and The Paper Box in Brooklyn Saturday, November 19. We got a chance to talk to a few of the artists on the lineup, including label founder Lenny Dee about the event and the history of Industrial Strength.

THD: What inspired you to start Industrial Strength records?

I was already producing a lot of music and it became a natural progression. I wanted to inspire more artists to create Hard Electronic Music and I felt this music needed a place to grow and be heard. On my travels DJing, I also went on the hunt to seek out the most hardest electronic music I could muster up. Looking back – I did.

THD: What initially attracted you to hardcore and the harder styles of dance music? What is your favorite part of hardcore music and/or the hardcore scene?

It came from within me really. There was no hard electronic music before (maybe some gothic Ebm tracks, – if you could even find them). I made sets picking odd tracks, b-sides anything and everything and played them all back to back in my sets. I’d been doing sets all around the globe since the 80s man, so all the music i produced and mixed to this point lead me down a path as i grew as a DJ and a producer and then A&R.

What I was feeling the people were feeling. It was like magic. I grew as the feeling grew. This shit was new..

I wanted to explore electronic music to the max and have made and had hits in most major styles. Creativity lead to genres of music being realized. We made the music, and then it was called something, Techno for example….we did not go in the studio to make a ‘certain style’ — it just was. I wound up and the end of the road and stayed when I hit hardcore, but I still always look at the future.

THD: What was the hardcore and harder styles scene in America like before you started ISR? How has it changed in the last 25 years?

There was nothing here in the start of the 90’s. Frankie Bones was doing some parties at that time and we had also created club nights prior to ISR. We were pushing electronic music sounds to NYC which at that time no one cared about it.

The music was not Hard Electronic though. It become the essence of what was to come for me later on, but as I think back, it was hard for the time. Bones and I really broke down doors for NYC and this Country as a whole. No one here really realizes how much Europe actually looked to us as the leaders in electronic music. We have a earned a large place in electronic music history (they might even recognize that one day ) But here we are 25 years – still kicking ass !

THD: What is your favorite subculture or sub-genre of hardcore/hardstyle that has emerged since you started playing and producing hardcore?  

I love all styles of music in fact & listen to a vast range of things. What I play is my choice. I love to be excited by the music and play it like no other. I so like crossbreed. I think its hard edge drum n bass flavor with tight Hard electronic elements really is great new addition to Hard electronic music. It furthers the expansion of both styles while forging ahead with new music ideas pushing the growth of something new, which is a good thing no matter how you look at it.

Some styles of music are more like a description not a really a style (like ‘Techno’ is a style) and are set up with simple arrangements so an amateur can play it well. I like a challenge when I play. But I try not to diss any styles, it’s whatever people dig.

THD: What is your favorite memory from your years with ISR?

I had Laurent Garnier over to my place in Brooklyn. Laurent and I go way back, so we tried to make a track in the short time we had to work. Believe it or not we made a track on my Ruff Beats label ! It was fun and unexpected, we made a simple track, but the experience was over the top to have Laurent over in in Bensonhurst Brooklyn the home of Saturday Night Fever.  We rented a house off 86th St.  next to Lenny’s Pizza – that where Travolta ate the two slices of pizza doubled up in the start of the film.

THD: What are you most excited about for the Hard Electronic 25th anniversary shows? 

I am super chuffed to celebrate that we have been here this long !  Not many can say this in the USA, especially being we created a style of music. I think we are one of (if not the) longest running Electronic labels in the USA now.

I am excited to do this party in NYC and LA. Trauma Live have been great to deal with on the West Coast and we could not have done it without them & Rave Till Dawn. And of course our crew in Brooklyn – Distort the 909 & Kontaminated Recordings – have rocked this (w/ support from Audio Havok from the east coast too). And needless to say, I couldn’t do any of it without my partner Jules who makes it all happen, incl running the ISR and our Labels etc etc.

We’ve also made ISR25 parties in Vienna (Mechanizm), Tokyo (SuperBad Midi Breaks), Glasgow (Sector Events), Fukishima (DarkRave), showcase at ‘Radikal Styles Festival in Colombia, and have a leg in Paris with Audiogenic this Dec. These collabs are exciting and the responses have been off the chain.

‘Hard Electronic’ is a night we will do more of showcasing new & established artists, from all styles of hard electronic music. One party with all different sounds to excite the brain and body in one room. We are already talking line ups for the next one (and tour coming soon too). Get ready boys n girls – the Brooklyn Monster has woken up !

Lenny will be djing both American dates alongside heavy hitters like Unexist, Art Of Fighters, The Sickest Squad, Tymon, Rob Gee and many more. In his spare time he also has been mixing an album for up and coming artist Pop Criminal.

 ISR just released ISR 100 on vinyl as well as collaborations with Akira, Mr Madness, Jason Little, Nuke, DJ Terror and many more for the 25 Years of Industrial Strength compilation coming out this December. 

Producers keep an eye out for a new studio pack to help new and seasoned producers make original hard kick drums, featuring over 300+ bass drums and 30+ ISR artist kits.

Field Report 7: Trauma Live’s Harder Styles Tour 2016: Brooklyn

The final stop of Trauma’s Harder Styles Tour touched down in Brooklyn Saturday night. As anticipated, the venue was packed with attendees bouncing off the walls. Right off the bat is was amazing to see Lenny Dee and Rob Gee on their home turf, in the borough that made them worldwide names. Rob Gee played his greatest set on the entire tour, and frankly it might have been the single most uplifting and inspiring set –of all sets—on the tour. Rob Gee has always had something special with audiences, but Saturday night in particular he hit a resonant melody with the audience who were 100% in sync with his hardcore vibe.

Dj Deadly Buda at Trauma Harder Styles Tour 2016: Brooklyn
DJ Deadly Buda at Trauma Harder Styles Tour 2016: Brooklyn

But, I’m getting ahead of myself, literally. Yours truly got to open up the night, and thankfully the sound-system was 100% on point, and there was already a crowd ready to rock. I got a chance to bust out some of my favorite tracks from the Next Cyclone label, which are rarely played, and the crowd was well into it. I also got to spin on 4 decks at once, an infrequent pleasure at hardcore shows where oftentimes we are lucky to even be using modern CD-Js!

DJ Stefanie at Trauma Harder Styles Tour 2016: Brooklyn
DJ Stefanie at Trauma Harder Styles Tour 2016: Brooklyn

After I did my stuff, Reactor and Pulsators hit the decks and rocked the crowd with some hardstyle, leading up to the night’s headliner, DJ Stefanie. Basically, she tore it up, showing the USA why she is a big favorite in Europe and even showcased one of her latest tracks. I had the pleasure of filming her live feed on Facebook for the first half hour too. Most of her set it could be seen worldwide!

Lenny Dee at Trauma Harder Styles Tour 2016: Brooklyn
Lenny Dee at Trauma Harder Styles Tour 2016: Brooklyn

Next up was Lenny Dee. As always, it’s a pleasure to see Lenny Dee rocking it in his own backyard. The tough industrial sounds had the ravers rocking to and fro. Hardcore historians know that Lenny Dee might be considered the original hardcore DJ of which we know in the modern era, and to see him in his element, where the sounds were heard that would later inspire the world, was truly moving. He was followed by his frequent partner-in-cacophony, Rob Gee.

Tim Shopp at Trauma Harder Styles Tour 2016: Brooklyn
Tim Shopp at Trauma Harder Styles Tour 2016: Brooklyn

Satronica then hit the decks and continued the holiday of hardcore that had taken over Brooklyn’s legendary club Verboten, leading to up-and-coming, Tim Shopp, who did double duty on the main stage and the second room, keeping the crowd busy the entire night. Tim tore the cap off a shaken pop-bottle of speedcore madness that drove the crowd wild, giving a sneak preview of the coming wave of American Hardcore.

Rob Gee at Trauma Harder Styles Tour 2016: Brooklyn
Rob Gee at Trauma Harder Styles Tour 2016: Brooklyn

Initially looking back on the tour at this early stage of reflection, I think there were tremendous gains made for the American hardcore EDM/Techno scene. Whereas the crowds were not sell-outs, they were decent and more importantly, everyone had a great, and sometimes life changing time. Dealing with music so much on an everyday basis, we music insiders often lose track of how important finding that new sound is to the concert goer… as we count the beans and talk the numbers. Sure, it’s an aspect that cannot be ignored, but ultimately life is remembered in experiences, and Trauma Live made sure to give people an experience they’ll never forget, and I can’t wait to see what happens to this scene next.

DJ Stefanie and Lenny Dee at Trauma Harder Styles Tour 2016: Brooklyn
DJ Stefanie and Lenny Dee at Trauma Harder Styles Tour 2016: Brooklyn

Trauma Field Report 6: Pittsburgh PA

I was born in Pittsburgh, DJed my first rave in Pittsburgh, and when asked where I am from I always want to say Pittsburgh, even if I haven’t had a mailing address there in decades. So it was with keen anticipation that I looked forward to the Pittsburgh edition of the Trauma Harder Styles Tour 2016, and it lived up to the hype in my subconscious.

Meccano Twins at Trauma Live's Harder Styles Tour 2016: Pittsburgh
Meccano Twins at Trauma Live’s Harder Styles Tour 2016: Pittsburgh

Every stop on the tour has its unique flavor, and the stop in the Steel City could be best described as one of child-like enthusiasm and fun. Being the least populated city on the tour, that was reflected in the attendance, however, for those that made it out in the 20 degree Fahrenheit cold, it was a life changing and transformative event that most will recognize a few years from now, and one that I see now, simply based on my past experience in this realm.

Tommyknocker at Trauma Live's Harder Styles Tour 2016: Pittsburgh
Tommyknocker at Trauma Live’s Harder Styles Tour 2016: Pittsburgh

There was a crowd of old and new last night. There were a few attendees, such as Dario Kenning, who attended Pittsburgh’s first rave on December 13, 1991, the Psychotronic Slack Rave. Dan Mross and Colby Newton, veterans of the Turbo Zen days, were also in attendance. They were joined by a new breed of ravers, getting a taste of hardcore for the first time, or at least the first time live.

In fact, that was the interesting thing, all along the tour. In the early rave days, we were introducing a hodge-podge of music to the crowd, blending it together and making something new. Hardcore EDM, or techno if you like, harkens back to that pivotal moment in rave history. It was the point where the ravers made their own sound. That sound is an alternative sound to the mainstream, so that in many ways the evolution of hardcore is unrecognized in the mainstream, and why it feels so fresh and exciting when the curious party-goer stumbles upon it, or searches and finally finds it. It feels different when you are there, and you know it.

I started off the night playing some new tracks created by Subterranean and Nickolai, remixes of my old “Playing Echoes in Your Head” EP from 1996, a 20 year old record that still sounds fresh today, and now even fresher with the updates. I was followed by Buzz Fuzz, SRB, Meccano Twins and then Tommyknocker. Tommyknocker really knocked it out of the park last night, his set was spot on, tight and driving. No disrespect to myself, SRB, Buzz and Meccano, we all played nice sets, but the crowd finally arrived during Tommy’s set and he made sure they got their money’s worth once they stepped on the dance floor. Up next was the crowd favorite, hardstyle heroine, DJ Stefanie. She had the crowd bopping away, and was probably the most popular last night.

Dr. Peacock at Trauma Live's Harder Styles Tour 2016: Pittsburgh
Dr. Peacock at Trauma Live’s Harder Styles Tour 2016: Pittsburgh
MC RTSier of Rotterdam Terror Corps at Trauma Live's Harder Styles Tour 2016: Pittsburgh
MC RTSier of Rotterdam Terror Corps at Trauma Live’s Harder Styles Tour 2016: Pittsburgh

Dr. Peacock was up next, and played what might have been his best set on the tour so far. I didn’t think he could surpass the Denver show, but his sweet melodies and international flavor really enraptured the crowd last night. I might be tempted to say he had my favorite set of the night, but it would be a close coin-flip between all the stars. Let’s put it this way: last night I started to understand what all the buzz was about Dr. Peacock. He’s doing something different, and the crowd is getting into it.

Rotterdam Terror Corps assaulted the stage next with their trademarked brand of chaos. Huge kick drums, terror noises, scary make-up and gabber strippers whipped the crowd into a frenzy. Then, as has been the tradition on the tour, Rob Gee wrapped up the show with his recent tracks, and then ended with a classic, “Ecstacy, You Got What I Need,” which is coming up on its 20 year anniversary. Apparently there is going to be a number of remixes coming out this year by top hardcore artists. The icing on the cake was when Rob made sure to do a final encore for the fans.

I hurried up to the door, and passed out the last few copies of The HARD DATA, and then kicked it with some of my homies from back in the day. Next up, the home of USA hardcore, Brooklyn, NYC. Until then, remember…

The rhythm is life and death!

-Deadly Buda