Tag Archives: Coone

This Interview was conducted by 3MiloE, and DJ Deadly Buda, and took place at Insomniac’s Escape: Psycho Circus 2017.

3MiloE : So, where are you from and what’s the music like where you’re from?

Coone: Like we basically grew up with EDM in Belgium, where I was born. Ah, I’d say EDM in general, not only an hard style, has been big for ages, you know. Before you guys picked it up, let’s say ten years ago, maybe more. When it got big here, everything was rock, hip-hop, you know, everything above the ground was hip-hop, everything underground was a little EDM, and now it blew up, and now we get the mainstream crowd as well, but I grew up with mainstream Hard style parties, whatever. It always has been big, as far as I’m concerned.

3MiloE: That’s cool.

Deadly Buda: Is, ah, the hard style different in Belgium the Holland?

Coone: Ah…yeah, of course. Let’s say, ah, the Netherlands are more picky, so they are a little bit more spoiled, but if they go off …like the crowd loves it, that means you are really doing a good job. Because Like I said they’re spoiled. In Belgium, guys are a little bit behind, or something like that, behind the when so, they like the little bit more commercial stuff, you need to play more bootlegs and remixes of like more famous tracks, but, ah, I love Belgium, it’s, ah, it’s my hometown, my home country, so I love it, I love the crowd. They are really energetic and enthusiastic every time a play for them, so it’s like, I’m in love with my country.

3MiloE: How did you become a DJ?

Coone: …my older brother was a DJ, so I learned being a DJ because of my brother, you know, he played records in his bedroom, and then he started playing national radio stations, that’s how I rolled into it, you know.

Deadly Buda: Oh, wow!

3MiloE: How did you come up with your DJ name?

Coone : Its, ah, its actually my real name, but it is spelled different. My real name is Koen, so Coen, actually, and I just say like, let me write it different, that’s it. It might be offending to some people, cause it’s like, in some part of Australia, over here, its like, ah, like a bad word. But, fuck it! It is never my intention you know. It’s my name! I’m sorry, my mother gave it to me, come at me if you have a problem!

3MiloE: So what animal best personifies your music?

Coone: An animal?

3MiloE: Yeah

Coone: Oh, wow, that’s…ah…. My music? I’d say, ah, dog.

3MiloE: Ok

Coone: Cause a dog can be sweet, and can be like tough as well. My hard style is, is hard, but it has sweet moments as well. And it also fits cause I love hip-hop as well, and that actually fits hip-hop as well. You know the big pit bull, DMX, (growling noise). So, I think a dog it pretty cool. Cause I’m not going to say a lion, cause that’s too tough, that’s more raw style, you know.

3MiloE: That’s awesome! So, what are you trying to convey with your music?

Coone: What do I what?

3MiloE: What’s the message you are trying to send people?

Coone: I don’t know man, I fell in love with hard style because of that energy and, like I said the roughness that it has. And I, ah, think there is too much pussy music man. I mean, like, music should have balls, like, for example, rock or gangsta hip-hop, I like that cause it has balls. What am I trying to do? Ah, I think there are parts of the world were hard style is not big, for now, and I’m trying to change that. Cause the feeling I had When I first heard hard style…I cannot be the only one that feels that way. So, I’m sure that a lot of people can relate, and could feel that way that I felt when I first hear hard style.

Deadly Buda: What country would you want to play that you haven’t played yet?

Coone: To Africa, like the continent. I’ve been to, ah…everywhere else, actually, but that is the only place. I would love to play, buts it’s like, EDM in general is, like, really small. But, ah, yeah, not to spoil you guys, but, California is doing great. I like the atmosphere and the vibe that you guys have, ah, same goes for South America, let’s say, Chile for example, Chile is doing great. And then Asia is picking up.

Deadly Buda: Have you played in China?

Coone: Yeah. Two months ago.

Deadly Buda: What was that like?

Coone: Ah, the only rave scene that is big is in Tian Zhen, and the rest is picking up, but really slow. The don’t got social media, so, so it’s hard for them to get in touch with the last hypes or whatever. For me, for my China tour, it went great. I did five shows, four of them were sold out. All the clubs are now big, like thousand plus. But, then again, for the first year I did a tour, something’s gotta give. Just like, eh, everyone. Like … what you get more of over there is bottle service clubs. Like high standard clubs. Like, its not about me, it’s not about the DJ, it’s how big your bottle of Grey Goose is. Its different, like I said, the only rave scene now I think is in (Tian Zen?). And the rest it picking up, a little bit more slow.

Voice 1: Yeah, that’s wonderful man, thank you….(cuts off)

Announcements, Articles, Events, Interviews

3MiloE’s Escape 2017 Experience!!! Updated Nov. 15, 2017!!!

November 15, 2017 3MiloE 12 Comments

Day one October 30, 2017. Contemplating in a graveyard because I find myself being featured on the television show called “Now and Then” as I will write down in log my first day recalling escape 2017.

First foremost I would like to thank insomniac for the opportunity to cover this event and interview DJs. It was really the most profound experience I have had yet to date and I will re-iterate by thanking them because they really are the best party thrower’s in the world.My name is 3MiloE and this is my Escape 2017 experience.

Logged October 30th, 2017

The purpose of this project is to really capture the feeling of both the artist and the party goer. I will be updating this project daily posting photos interviews and my personal experience interviewing partygoers as well updating daily as time goes along so you can track my project and the progress of this project from beginning to end . Readers can thoroughly enjoy themselves and go through my story day by day rather than having to wait to finish the entire project. I hope you will re-live my experience, with me as I put it down in this article and capture my own experience throughout this wild weekend which was a esape 2017.

9:23 a.m. Tuesday, Halloween, October 31, 2017, my friends back yard,

Please allow me to get sidetracked for a second because the main focus of this work, is to derive meaning from this entire stream of consciousness that I experienced during Escape. Although it’s hard to describe. People think it’s about that music, people think about the drugs, people think it’s about the lights, people think it’s about dressing up. It’s really about what each individual takes away from it.

The first night I spent the night interviewing the DJs but the second night I interviewed the crowd. It was interesting to find out what really makes everything tick. I’ve been part of the crowd before but I have never been behind stage I wanted to ask the artist questions I wanted to know, not necessarily what people wanted to know or the public. I like to call myself a Renaissance man of EDM, I produce, I spin, I promote, I write articles, I go to festivals and, now I interview famous DJs.

Right now it is 9:20 in the morning Halloween October 31, 2017 I have just woken up at my friends house I am having a coffee before he wakes up. I am logging in my daily time thinking about who really is my audience reading this? Should I really bring the hard data? Which I feel to some extent this festival world needs.

I am going to write the story of Escape down in this text, the feelings of the artists, the feelings of myself, feelings of the crowd. With the prime directive of answering this questions, “what did we all take away from this experience. DJs, medical staff, festival workers, party goers, the producers; all changed in some way by this experience. Did people take home something with them, that had only been discovered at Escape 2017? Do they have the feeling that I have?
The feeling that artists cried when they were on stage, was the feeling that was described by general mission, and party goers and that’s the feeling I got when I was experiencing the story doing the interviews, being in the crowd, but most of all I am wondering what feeling the world or the audience will take away from this text…

Nov 2, 2017

Currently stressed about life. I really have to Now prioritize, strategize and work the hardest I’ve ever worked in my entire life. I am going to be real with you all . I am a psychology student, in the midst of his first year in my master’s program.

Now let me set the scene…”

I have recently lost my entire hard drive on my computer only a couple weeks before the festival and half way through my first session at school . And that was a Trumatic experience for me. I lost about two years worth of content on my computer including photos and all the music I have produced up until that point and my homework… Songs I had spent hours working on, lost to nothingness, save a few originals on SoundCloud. Here is my November 2nd reflection.

As my mind grows, so does my ambition and curiosity…

I have a lot of work to do, I am really stressed, but I know what I have to do and nothing can stop me from conquering my dragons! I must ride this dragon of psychology and become a master! As well as pursue my passions as an active EDM enthusiast, I feel it is my duty , to push my intellectual capacities and apply them to both my fields of research and study. One being electronic music and the other being psychology. It is my master plan, to blend the two together for my master’s thesis.

Ok Ok! I realized I have just been posting thoughts, so here is some real deal pics to satisfy you guys before I get to the juiciest part of my experience…. THE DJ INTERVIEWS…My associate and I are Dictating the interviews now!!!

Da Tweekaz love TheHardData! Thanks for reading guys!!!

November 3^rd 2017,

It is the evening of November 3^rd 2017 and I just witnessed a lecture by Fanny Brewster, a renowned psychologist who has a Ph.D. in Clinical Psychology and is a licensed Psychoanalyst. Her lecture was on a female Architype. I feel so connected with women, and that may sound strange coming from a man in 2017… but I truly believe, that women are underrepresented in our society.

I took my mother, as a guest, to this lecture at Pacifica, which is the University I attend for my master’s program in psychology. My time there tonight let me reflect upon how I have been thinking a lot about women lately… and the important role they play in my life. I am reflecting now, upon how important music is to me, and that there are not a lot of females in the industry. For example, I can only name two female headliners at Escape. Rezz, and of course Missk8! I feel that Rezz is channeling female power through anonymity. Rezz captures female form without giving it a physical manifestation of beauty, empowering the ideal of a woman and showing the world that a woman can headline without people acknowledging her physical appearance, the beauty lies underneath the trippy glasses. Thank you Rezz!

Similarly, empowering women is Missk8. Missk8 however, harnesses her power by shocking people with her beauty and applying it to high energy music that expresses emotions like anger and exposes aggression within people. These emotions are not often thought of as beautiful, but when Missk8 blasts her music on stage… you tend to re-evaluate things. Her beauty, and figure, has a shock, or wow factor to it. Because hard style is aggressive and angry in a lot of cases, culturally thought of as negative feelings, misunderstood, misinterpreted or misrepresented feelings, and that is not often thought of as beautiful, but Missk8 embodies the beauty that lies within the music, underneath the surface.

(LATEST UPDATE) November 15, 2017

I just established my space at Pacifica Graduate Institute. I even tagged it in my social media! I affectionately call it my office. It’s a small room in the library! It’s so perfect and quiet. I recently have been reading this book called, “Addressing Cultural Complexities in Practice Third Edition Assessment Diagnosis, and Therapy, by Pamela A. Hays. I find myself using it as a tool for self-analysis and a way of recognizing biases, within myself, that would potentially prevent me from connecting empathetically with those I seek to form therapeutic relationships with.

The reason I am bringing up this literature… is because, the literature is telling me a lot about my own self-identity. When I go to a massive rave like Escape, I can see every type of person imaginable; even those previously inconceivable.

Everyone’s inhibitions were lowered, acceptance of others was heightened. This lead to a mass exchange of culture, ideas, empathy and feelings! As a result of these socially perceived barriers, that are perceptively stronger outside of a festival setting, were almost demolished, due to the ambiance of the festival. The magnitude and scale of this social exchange goes unparalleled in modern society. It takes years, sometimes lifetimes to tear down the walls of ego and judgement that lie between us and the “other”. At festivals people differ in age, sex, gender, ethnicity, social class, religious beliefs…

A party goer dresses as the pope and Jesus Christ; a strong and symbolic representation of a cultural Archetype,

economic status, regard for authority, culture, and physical attractiveness. Yet all of us were concentrated in close proximity and feeling some of the most intense feelings that some of us will have had ever experienced in our entire lives.

In life, there is racism, intolerance, prejudice, bias, privilege and misunderstanding. As a psychologist, it is my job to understand these aspects of the human psyche, and therein my own. I must be aware of all these aspects of human life in order to be sensitive and understanding with the people I interact with. And so, with this log I would like to emphasize cultural awareness and sensitivity because we are part of this world. Each culture contributes its unique sounds, adopted by electronic music. The beats, and timing differ from country to country, culture to culture, and person to person… coming from, and spreading to, all over. There are people from all over the world, representing their unique cultures, as individuals, at these festivals. Be aware that we all need to respect and honor each other. That is the premise of the readings I found in Pamela A. Hays’ book, and the theme of this log is to reflect upon your own culture, relative to everyone else’s culture, and bring about a better perspective than the days before that time of great reflection… Happy travels- 3MiloE

I never wore color until after Escape 2017

Articles, Reviews

Escape: Psycho Circus 2017 Early Report: Less Twerking at Basscon Stage than others, thank goodness.

October 28, 2017 DJ Deadly Buda

Insomniac’s Escape line-up this year featured the Basscon stage. Ok, that makes sense. Unbelievably, in years past that has not been the case. But how can you have Halloween without scary hardcore techno and hardstyle I ask you? So fittingly, The Hard Data was out in full force Friday bringing you the goods. We got excellent interviews last night with Angerfist and Miss K8, Coone, DJ Isaac, Pulsatorz, Crisis Era and Da Tweekaz just for starters. You can look forward to those interviews hitting the print mag and online in the next week.

Getting to the site early is always a treat. You can walk around without stress and the vibe is nice. Since it opened at 4pm, it was daylight out and we got to get a good look at what Insomniac did with the NOS Events Center this year. It is super decked-out! The past events at NOS lately have mostly centered on the two big indoor areas, but here, they erected tents for the different brands, had a haunted maze, carnival rides… it’s the best I’ve seen the NOS look in a while.

There’s a good crowd here but not so packed it is annoying. One thing that occurs to me as an old school raver going back to the early 90s, is that Insomniac’s Events, even though owned by Live Nation, still retain that old school feel that I used to get playing at big chaos events in Victorville or wherever. All it is is more polished and professional. Say what you want about Insomniac but if anyone is going to represent the true rave vibe nationwide, they are the ones to do it. As an old schooler, I can logically see the history and how it all leads up to today. So, yes, Insomniac buys ads in THD, and we’re therefore a little biased, but I stand by my statement here and I don’t think many can challenge it even considering my bias.

Now getting back to the present… Escape is about Halloween, but frankly the raver crowd looks mostly the same as usual except most have put fake blood on themselves in strategic areas. We bopped around most areas Friday night and knocked out the aforementioned interviews in between dancing at the Basscon stage. Angerfist and Miss K8 knocked it out! Angerfist was playing a lot of his new tracks and there were some frenchcore flavored ones that ripped! Also the interviews this time were really good as you will read in the future. For whatever reason, the artists really brought up some good, interesting info last night.

One thing I noticed this event was that there is way less twerking at the Basscon stage than others. Thank you! I have to say, that I feel kind of sorry for especially the girls doing this. I mean, seeing them bend over and rub their butts on guys and think it’s a dance is pretty gross. And I don’t admire the guys on the receiving end either. I mean, do you really want your girlfriend rotating her butt for all to see? If she does that for you, dude, you probably aren’t the only one. It just looks full-on sad. I know most of these girls think its popular and a “thing to do” but in the end result it makes you look like more of animal than a person with feelings and aspirations. I know its probably not going anywhere soon, but it was nice to see less twerking at the Basscon stage.

Since its 95 degrees in the day, I can’t blame anyone for wearing no more than a bathing suit to these festivals, but you know the rave scene traditionally has been an “Escape” from mainstream culture and never really embraced the over-sexed to the point of exhaustion bent of mainstream culture. Hopefully we will see that feeling come back, because if we are all just concentrating on what’s down below, we can get distracted from rising higher, and really fulfilling our potential. I’m not saying be a prude, but it is the love of our culture that truly brings us together in a positive manner so that we can form truly satisfying relationships.

So now I’m going back into the festival. This is Deadly Buda reminding you, “The rhythm is life and death!”

Escape: Psycho Circus 2017 Early Report: Less Twerking at Basscon Stage than others, thank goodness.

Getting to the site early is always a treat. You can walk around without stress and the vibe is nice. Since it opened at 4pm, it was daylight out and we got to get a good look at what Insomniac did with the NOS Events Center this year. It is super decked-out! The past events at NOS lately have mostly centered on the two big indoor areas, but here, they erected tents for the different brands, had a haunted maze, carnival rides… it’s the best I’ve seen the NOS look in a while.

So now I’m going back into the festival. This is Deadly Buda reminding you, “The rhythm is life and death!”

Articles, Events, Reviews

Meanwhile in Qanada – Blackout Festival AB

January 26, 2017 Leti Lopez 2 Comments

It was a very exciting weekend in Alberta for the Hardstyle family! The return of Blackout festival by Boodang shocked fans with a star studded lineup, performing in two cities back to back. Union hall in Edmonton and Flames Central in Calgary dressed up in all black (and a little orange) to welcome some truly legendary names and celebrate the harder styles.

Friday night at Union Hall started off showcasing some local talent, with Pandamonium warming up the decks for what was gonna be one of the most heated nights I can remember. First headliner hitting the stage was Lady Faith. The sexy Hardstyle diva herself delivered a high energy hour full of bangers, setting the tone for what was coming up. I couldn’t help but fan girl a little bit, she’s much more gorgeous in person, and such a sweetheart!

When Audiofreq took the stage, I was expecting to hear a lot of tracks from his new album, Audiology. And THANK SAM he didn’t disappoint. His set was loaded with classics and new beats, featuring a lot of his new tracks and closing his performance with Audio God (my personal favourite from his album). It was an earth-shattering brutal hardcore banger that left me wired up and soooooooo ready for the final act of that night.

Celebrating 15 years of being True Hardstyle Legends, Tuneboy and Technoboy, “TNT” were ready to bring the house down. And DID THEY EVER! Listening to their repertoire makes you realize how much these men have contributed-and still do, to the rich history of our scene. The crowd couldn’t stop singing along to every track, and the energy continued to build up throughout the show. Nobody wanted to go home! I had the privilege of standing behind them through their set, and got to appreciate their old school style of mixing with CDs. No pre recorded bullshit for the kings of Hardstyle! Watching them flip through their folders looking for the next track was so fun and exciting. The way they feed of each other’s energy on stage, joking around and kicking each other’s butt between songs, shows how unique and timeless their friendship and partnership is. May they continue to bless us with their talent and banging beats for as long as they shall live, PLEASE!

After the night was done, all four of the headliners were happy to stay and meet fans, take a million pictures and sign a million flags. Always with a big smile and showing appreciation for everyone that was there to celebrate them. Which, as a fan, always means the world to me. So once again THANK YOU for taking the time to show us how much we mean to you.

A Hardstyle fan once said, if you’re not hurting the next day, you didn’t go hard enough. But we couldn’t afford the luxury of a recovery day, because we had to be up for the drive to Calgary for the biggest show of the year. Another triple headliner, this time Atmozfears, Brennan Heart, and Coone. That’s any Hardstyle lovers wet dream right there, and it was happening Saturday night at Flames Central; or as Brennan Heart called it “The theatre of Hardstyle”

Brennan Heart, hardstyle, iamhardstyle — Photo Credit – Brennan Heart’s Facebook

It was my first time at that venue, so I was very impressed when I saw the size of it, and being a sold out show, it was expected to get rowdy. With Atmozfears euphoric style, it wasn’t long until we were all sweating, bearing huge smiles on our faces. Even though he played for an hour and ten minutes, it felt like five minutes to me. Maybe because I was so excited to finally see him again, time flies when you’re having fun. And that we did!

The highlight of the night, for me, was Brennan Heart. The IAMHARDSTYLE king never lets me down. Absolutely incredible set, all our favourite sing alongs, new music, collabs with everyone, different styles, and incredible energy. The man knows how to make the crowd lose their shit every five minutes, and he’s not afraid to do it. I will for ever front row every one of his shows anytime he’s here, because no one delivers a high energy experience more than he does.

hardstyle, iamhardstyle, brennan heart, Flames Central, Qanada — Brennan Heart at Flames Central – Photo Credit: Shane Moseley

Just when you thought you couldn’t keep going any harder, Coone came out, celebrating Ten years with Dirty Workz, and utterly destroyed Flames. The crowd went insane track after track. I saw a few people crying when he told us he wanted to play us a song about his daughter, and everyone was singing along to Faye. It was a very emotional end to a weekend every Hardstyle fan in Alberta will remember for ever.

Coone at Flames Central – Photo Credit Josh Murray photography

The drive home back to Edmonton was pretty quiet, and two days later we’re still hurting. Couldn’t be happier to say, we gave this weekend our all and we can’t wait to do it again.

Leti Lopez.

Articles, Interviews

MC Sik-Wit-It: The Interview

April 26, 2016 Daybreaker

MC Sik-Wit-It is shaping up to become the future voice of American hardstyle. Having already done songs with international sensations Nightfall, Coone, The Pitcher, Mekanikal and Drone, being an MC isn’t just about the voice, it’s about the message that they can convey to us that we may not be able to convey ourselves. Sik-With-It was brought in to Vegas for the Apocalypto show and I had the honor of sitting down with him briefly before he had to rush on stage to work his magic during Frontliner’s set.

It’s great that we’re able to bring out so many hard artists in general for the American scene, but rarely do we get to actually focus on the MCs themselves. What brought you into MCing? What made you decide that this is your thing?

I used to work on hip hop a lot of my teenage years into my twenties. When I moved back out [to Los Angeles], I didn’t really know anybody to work on music with, so I dropped it for a little bit. My friends, Bass Breakers, they’re local to L.A. introduced me to hardstyle. I started doing it more and more and started to come up with vocals and stuff and they just put me on. After we parted our ways, I got in contact with The Pitcher. From there, it’s just been a gradual, if not a swift, build.

MC-Sik-Wit-It right before his performance at Apocalypto.

What makes an MC significant? What role are you playing in the hard dance scene?

At the risk of sounding corny, I like speaking to people. I’m a person with words. I feel that other people, whether sometimes when you’re drunk and you’re trying to tell your friend how much you love a song or how much you love an artist, you just can’t find the words. I feel like I try in my best way to find the words that people are trying to say, especially with the song I did with Coone. I wrote that when I first started listening to hardstyle because it gave me a feeling that no other music had. I was absolutely in love with hip hop. I heard hardstyle and once it got to my heart, it never left. It’s been a solid rock ever since. I really think that me doing what I can do, I can help others feel the same way or be able to express themselves in the same way.

How did you get your stage name?

I got it after my first time trying to glove! Afterwards the guy said, “That was sick with it.”, and it stuck. It was later that I adapted better spelling for it.

What is the best experience, what is the best show rather, that you have participated in so far?

The first two Apocalypto shows, and also Nocturnal because it was a huge crowd, and I had a huge amount of interaction. I love performing with Lady Faith. She’s such an amazing person, DJ, artist, everything. The first Apocalypto I performed with her [Lady Faith], The Pitcher, and Darksiderz. The second one was Adrenalize and Tuneboy. Me and Adrenalize did a sit down. It was my first sit down I’ve ever done as an MC. It went off without a hitch. It was so much fun. I’m actually glad to be performing here as well with Ravealation Black. It makes me feel so welcome. It is such a cool feeling to actually have a place where I know I can go back to and perform.

What do you feel is going on in the American scene right now that’s prevalent? Why are we significant in terms of the hard dance scene? What are the biggest things that you see in our scene right now that actually makes us recognizable, that makes us significant in the hard dance scene?

I think it’s the hunger and the drive, for the most part. Some artists, they do still have that European flavor, but they also bring a new flavor. There’s a lot of trap, there’s a lot of dubstep, house, hard house, what not. A lot of them incorporate that in it, whether it is the BPM or the sounds. We’re giving, in my opinion a brand new flavor to it all. It may not be acceptable to the world, but it’s our own for sure; we’re not trying to copy it, we’re trying to embrace it.

Being involved in the European scene and the American scene respectively, how do you feel that the American hard dance scene needs to progress themselves in order to become anywhere close to our counterparts? What are the differences that you see that needs to be taken care of for us to progress further in our scene?

Well, just like a good friend of mine, Leo Corson just said in an interview recently; he finally said something that I think literally everybody in America’s wanted to say, and it’s that we need to stop fighting and being little bitches about everything. I’ve wanted to say it for a long time and I’ve been known to be a shit talker myself. I try to hold back in certain situations so people don’t get easily offended, which everybody in the world is at this time. We all just need to actually be friends. You don’t even have to be friends. You just need to be cordial enough to understand that somebody enjoys something just as much as you do. It may not be the same type of something, but it’s still the same something. I’m guilty myself. I’ve talked plenty of shit throughout the past, even when I wasn’t making music. Being guilty of it, I finally see it as I get older. We need to stop complaining. To me, this is why other countries look at us like we’re spoiled little kids. Especially in California where I’m from, we get everything but we still cry and bitch about what we get. Supporting U.S. acts at this point is what’s more important. I do support foreign, but we need to support local acts just as much.

What’s next for MC Sik-Wit-It? Do you have any upcoming collaborations?

TNT did a little preview video with Zatox and the iPod, when he fell on his face (laughs), that’s the next track of mine coming out with them and Dave Revan.

Is there anything you want to say in your own words to the fans/readers?

Thank you so so much for all the love and support you all have given me. Hardstyle fans are such dedicated and energetic people and I can’t imagine anything that even comes close to performing for all of you. I’m where I’m at, not only because of the artists that have given me the chance, but also because of all of you. I’m forever grateful for every one of you. And be on the lookout for some huge collaborations and Sik-Wit-It merchandise in the not so distant future!