Tag Archives: DaTweekaz

Da Tweekaz! Exclusive interview

by Deadly Buda and 3MiloE

3MiloE: Okay. Let me ask you a couple questions.

Marcus: Yes sir! I’ll be loud!

3MiloE: All right, that’s what I like to hear. Okay, my name is Milo.

(Kenth walks away from the interview for a brief moment)

Marcus: Sorry. Just me, the other guy walked away. We’re done here! All right. sorry, sorry. Yes, your name is Milo.

3MiloE: Yes, Milo. I’m a writer and promoter for the Hard Data magazine, and we’d like to ask you some questions.

Marcus: We are always open.

3MiloE: Where are you from, and what’s the music scene like where you’re from?

Marcus: Okay, we’re both from Norway. Born and raised in Oslo, the capital of Norway. The hardstyle scene in Norway is pretty non-existent. There’s one promoter, and he does his best. He makes a party called Hardstyle DNA and we made the anthem in 2010. I think that was the first anthem we ever did. It’s small, but it’s super dedicated, is all I can say.

Kenth: Everybody is super excited, every time we come over. They even talk English to us because they don’t even know we’re from Norway.  Every time we’re there, everybody is very humble and they know all the songs. Not that many people, but it’s still growing. Kind of like here, except you’ve got more bands over here.

DeadlyBuda: Wait, how’d you get discovered in Norway? How’d you end up in Holland? What the hell happened?

Kenth: When we started off, we had no connections to Holland, for example, where hardstyle was booming back in 2008. We started off just listening to stuff on YouTube and we were like, “Wow, this is really cool… definitely something that we want to do.” So, we started making music, and we got signed to an Italian label at the beginning of 2007 or 2008…probably in 2008. Then, in the end of 2009, we got contacted from a promoter from Belgium through a website called Party Flock. You guys heard of it?

3MiloE: Yes.

DeadlyBuda: Yeah.

Kenth: It’s a big Dutch website where you can check up on where you can go party, pretty much… a big forum. We got contacted through a promoter from Belgium and he said, “Hey guys, I’ve heard about you already and I want to put you on my label called Dirty Workz, and want to book you for Bassleader, like all the Belgium parties.”

( Coone shows up. and comes in on the interview.)

Coone: Are you doing an interview?

Marcus: Yeah.

Marcus: This is Coone, by the way.

(Marcus graciously interviews the DJ known as Coone)

Coone: No. I did the interview already.

(Coone referring to the interview we had done earlier that night)

Deadly Buda: Is this a new collaboration here?

Kenth: He wants to do it, but we’ll see if…

Marcus: We’ll see if he’s good enough for us.

(Everyone laughs.)

Kenth: Anyway, so we got contacted by this Belgium promoter, and we ended up having a little talk and he came to Norway and we partied for a weekend. Pretty much at the end of the weekend, he told us, “Welcome to Dirty Workz.” And that’s where the whole journey started.

Marcus: I got to say, because Dirty Workz is family. They don’t sign just anybody, they sign people who they think will fit.

Deadly Buda: So, you have to get drunk with them?

Marcus: Not necessarily. (laughs) I think we’re an exclusive for that. But, Dirty Works is a gimmick, it’s a brand. And we all represent the same thing; happiness, family, love, unity… the same as here. Here in America it’s PLUR . In Belgium, Holland we present unity, family, real friends. When we do Dirty Workz nights in Belgium and Holland, we’re all on stage having fun, showing respect and love for each other. That’s what it’s all about.

3MiloE: That is awesome. What animal best personifies your music and why?

Marcus: What animal best personas our music? I would say a bunny. It’s cute, it’s fluffy, but it fornicates like a motherfucker, meaning it spreads like wildfire. And it’s jumping up around like crazy!

Kenth: That’s pretty accurate.

Marcus: Yeah, it is. Yeah, bunny.

Deadly Buda: So, you’re mutual on this? You both said “bunny.”

Kenth: Yeah, I’m pretty cool with that.

3MiloE: That’s great. What are you trying to convey with your music?

Kenth: When we go on stage, all we want to see is happy faces. We want everyone to have a good time. When we sit in the studio, we pretty much brainstorm.  How can we make the crowd have a good time? We want to bring as much energy, as much party feeling, as much joy, and fun as we do making the music into the vibe of the party. That’s the best we can describe it.

Deadly Buda: What’s the weirdest thing that’s ever happened to you when you were mingling in the crowd?

Kenth: I signed a potato.

Marcus: But, we brought the potato. We brought this bag of potatoes.

Joel: In other words, you were signing your own potato.

Kenth: No. I signed an onion too.

Marcus: You didn’t bring the onion.

Kenth: No. I know I signed an onion. Got a lot of those weird penis grabs. (laughs)

Marcus: Penis grabs. I’ve signed a moon. We’re talking like, you know, because I’m balding as well. I admit it. I’ve signed a moon, I’ve signed butts. Weirdest things.

Kenth: Potatoes and the onions.

Marcus: Potatoes and onions. Signing potatoes and onions is not a normal thing.

DeadlyBuda: No, it’s not.

Marcus: But we do it.

DeadlyBuda: What country was that?

Marcus: Australia.

Kenth: And Sydney.

Marcus: The next year,  we brought bananas. We ate bananas on stage. It’s actually potassium. We need potassium to stay awake. It’s good.

3MiloE: What moments do you cherish the most in your careers so far as DJs?

Marcus: To be honest, going on stage and playing our songs, and to see people smile happy singing along. We’ve had people cry when they meet us. We’re just some regular guys having fun. We go in the crowd, we get drunk… we party just like the crowd. But, to see the mutual respect, the happiness that we bring. There was a terrorist attack in Norway in 2010? … ’11?

Kenth: ’11.

Marcus: ’11. We wanted to dedicate out set to them. We made a song called “Become”.  The whole track is about how the world is evolving and what we’ve become in the world. We play this track in Norway, and a lot of the victims’ friends were in the crowd. They were crying, and I was crying on stage. I will never ever forget that. I had sunglasses on, and they couldn’t see I was crying, but tears were just running down. I couldn’t stop. I’m getting emotional talking about it.

Kenth: I just want to add one thing: what makes this job so precious is when you get messages or you meet fans that they’re in a really rough patch in their life, and they’ve considered ending everything. They say that our music has helped them get through some of their toughest times, and that is so touching. Because we’re just sitting in the studio having fun, making music, and we don’t really realize how big of an impact our music has on certain individuals. And it’s …

Marcus: It’s unreal.

Kenth: It’s unreal, and it’s so heartwarming to hear people like that.

Marcus: To hear that we save lives, we save souls with having fun, and spreading the joyness, the happiness… it’s unreal.

Kenth: Yes.

Marcus: It’s incredible.

3MiloE: Wow. That answer was amazing. So, where do you see yourselves in a year from now?

Kenth: In a year from now, we’re hopefully going to have a little break. We’re going to be chilling on the beaches of Hawaii.

Marcus: But, we won’t because it’s 10 years of Tweekaz. So, we’re actually aiming for a big year next year. I’ll probably be bald because of all the stress. I’ll be bald in Hawaii, okay?  Let’s just say that.

Kenth: I guess they want us to be sipping on Mai Thais in Hawaii, hopefully, but that’s not going to be story in the end.

Marcus: Wer’e going to have a luau.

3MiloE: Is there anything else you’d like to say?

Marcus: To the U.S. fans?

Kenth: Sure. Well, the thing is… like Marcus just said.  We’re going to be celebrating 10 years of our career next year. So, you better be on the fucking look out for Da Tweekaz because we’re bringing shows, and we’re not talking ordinary shows, we’re talking specific special shows to every single country that we love playing in. So, we’re going to be bringing Tweekacore, and we’re going to be bringing one hell of a fun show, right?

Marcus: And some Jäger.

Kenth: And some Jägermeister. So, be on the look out because Da Tweekaz are not one, we’re not retiring, and we’re not going anywhere.

Marcus: Sometimes I wish we did, but…

Kenth: No, we’re still here, and we’re going to keep on rocking til’ we hit the grave.

Marcus: Yeah. And we’ll do some special contest next year as well. Some special meet and greet, some special giveaways, so be aware.

3MiloE: Can I join?

Marcus: Yeah, of course.

Marcus Nordli with 3MiloE

Kenth: You may.

 

 

 

3MiloE’s Escape 2017 Experience!!! Updated Nov. 15, 2017!!!

 

Day one  October 30, 2017. Contemplating in a graveyard because I find myself being featured on the television show called “Now and Then” as I will write down in log my first day recalling escape 2017.

First foremost I would like to thank insomniac for the opportunity to cover this event and interview DJs. It was really the most profound experience I have had yet to date and I will re-iterate by thanking them because they really are the best party thrower’s in the world.My name is 3MiloE and this is my Escape 2017 experience.


Logged October 30th, 2017

The purpose of this project is to really capture the feeling of both the artist and the party goer. I will be updating this project daily posting photos interviews and my personal experience interviewing partygoers as well updating daily as time goes along so you can track my project and the progress of this project from beginning to end . Readers can thoroughly enjoy themselves and go through my story day by day rather than having to wait to finish the entire project. I hope you will re-live my experience, with me as I put it down in this article and capture my own experience throughout this wild weekend which was a esape 2017.

 

9:23 a.m. Tuesday, Halloween, October 31, 2017, my friends back yard,

Please allow me to get sidetracked for a second because the main focus of this work, is to derive meaning from this entire stream of consciousness that I experienced during Escape. Although it’s hard to describe. People think it’s about that music, people think about the drugs, people think it’s about the lights, people think it’s about dressing up. It’s really about what each individual takes away from it.

The first night I spent the night interviewing the DJs but the second night I interviewed the crowd. It was interesting to find out what really makes everything tick. I’ve been part of the crowd before but I have never been behind stage I wanted to ask the artist questions I wanted to know, not necessarily what people wanted to know or the public. I like to call myself a Renaissance man of EDM, I produce, I spin, I promote, I write articles, I go to festivals and, now I interview famous DJs.

Right now it is 9:20 in the morning Halloween October 31, 2017 I have just woken up at my friends house I am having a coffee before he wakes up. I am logging in my daily time thinking about who really is my audience reading this? Should I really bring the hard data? Which I feel to some extent this festival world needs.

I am going to write the story of Escape down in this text, the feelings of the artists, the feelings of myself, feelings of the crowd. With the prime directive of answering this questions, “what did we all take away from this experience.  DJs, medical staff, festival workers, party goers, the producers; all changed in some way by this experience. Did people take home something with them, that had only been discovered at Escape 2017? Do they have the feeling that I have?
The feeling that artists cried when they were on stage, was the feeling that was described by general mission, and party goers and that’s the feeling I got when I was experiencing the story doing the interviews, being in the crowd, but most of all I am wondering what feeling the world or the audience will take away from this text…

Nov 2, 2017

Currently stressed about life. I really have to Now  prioritize, strategize and work the hardest I’ve ever worked in my entire life. I am going to be real with you all . I am a psychology student, in the midst of his first year in my master’s program.

Now let me set the scene…”

I have recently lost my entire hard drive on my computer only a couple weeks before the festival and half way through my first session at school . And that was a Trumatic experience for me. I lost about two years worth of content on my computer including photos and all the music I have produced up until that point and my homework… Songs I had spent hours working on, lost to nothingness, save a few originals on SoundCloud. Here is my November 2nd reflection.

As my mind grows, so does my ambition and curiosity…

I have a lot of work to do, I am really stressed, but I know what I have to do and nothing can stop me from conquering my dragons! I must ride this dragon of psychology and become a master! As well as pursue my passions as an active EDM enthusiast, I feel it is my duty , to push my intellectual capacities and apply them to both my fields of research and study. One being electronic music and the other being psychology. It is my master plan, to blend the two together for my master’s thesis.

Ok Ok! I realized I have just been posting thoughts, so here is some real deal pics to satisfy you guys before I get to the juiciest part of my experience….  THE DJ INTERVIEWS…My associate and I are Dictating the interviews now!!!

Da Tweekaz love TheHardData!  Thanks for reading guys!!!

 

November 3rd 2017,

It is the evening of November 3rd 2017 and I just witnessed a lecture by Fanny Brewster, a renowned psychologist who has a Ph.D. in Clinical Psychology and is a licensed Psychoanalyst. Her lecture was on a female Architype. I feel so connected with women, and that may sound strange coming from a man in 2017… but I truly believe, that women are underrepresented in our society.

Selfie, with Fanny Brewster!

 

I took my mother, as a guest, to this lecture at Pacifica, which is the University I attend for my master’s program in psychology. My time there tonight let me reflect upon how I have been thinking a lot about women lately… and the important role they play in my life. I am reflecting now, upon how important music is to me, and that there are not a lot of females in the industry. For example, I can only name two female headliners at Escape. Rezz, and of course Missk8! I feel that Rezz is channeling female power through anonymity. Rezz captures female form without giving it a physical manifestation of beauty, empowering the ideal of a woman and showing the world that a woman can headline without people acknowledging her physical appearance, the beauty lies underneath the trippy glasses. Thank you Rezz!

Similarly, empowering women is Missk8. Missk8 however, harnesses her power by shocking people with her beauty and applying it to high energy music that expresses emotions like anger and exposes aggression within people. These emotions are not often thought of as beautiful, but when Missk8 blasts her music on stage… you tend to re-evaluate things. Her beauty, and figure, has a shock, or wow factor to it. Because hard style is aggressive and angry in a lot of cases, culturally thought of as negative feelings, misunderstood, misinterpreted or misrepresented feelings, and that is not often thought of as beautiful, but Missk8 embodies the beauty that lies within the music, underneath the surface.

 

 

 

 

 

 

 

(LATEST UPDATE) November 15, 2017

Affectionately known as my “Office”

I just established my space at Pacifica Graduate Institute. I even tagged it in my social media! I affectionately call it my office. It’s a small room in the library! It’s so perfect and quiet. I recently have been reading this book called, “Addressing Cultural Complexities in Practice Third Edition Assessment Diagnosis, and Therapy, by Pamela A. Hays. I find myself using it as a tool for self-analysis and a way of recognizing biases, within myself, that would potentially prevent me from connecting empathetically with those I seek to form therapeutic relationships with.

The reason I am bringing up this literature… is because, the literature is telling me a lot about my own self-identity. When I go to a massive rave like Escape, I can see every type of person imaginable; even those previously inconceivable.

Everyone’s inhibitions were lowered, acceptance of others was heightened. This lead to a mass exchange of culture, ideas, empathy and feelings! As a result of these socially perceived barriers, that are perceptively stronger outside of a festival setting, were almost demolished, due to the ambiance of the festival. The magnitude and scale of this social exchange goes unparalleled in modern society. It takes years, sometimes lifetimes to tear down the walls of ego and judgement that lie between us and the “other”. At festivals people differ in age, sex, gender, ethnicity, social class, religious beliefs…

A party goer dresses as the pope and Jesus Christ; a strong and symbolic representation of a cultural Archetype,

 

 

economic status, regard for authority, culture, and physical attractiveness. Yet all of us were concentrated in close proximity and feeling some of the most intense feelings that some of us will have had ever experienced in our entire lives.

In life, there is racism, intolerance, prejudice, bias, privilege and misunderstanding. As a psychologist, it is my job to understand these aspects of the human psyche, and therein my own. I must be aware of all these aspects of human life in order to be sensitive and understanding with the people I interact with. And so, with this log I would like to emphasize cultural awareness and sensitivity because we are part of this world. Each culture contributes its unique sounds, adopted by electronic music. The beats, and timing differ from country to country, culture to culture, and person to person… coming from, and spreading to, all over. There are people from all over the world, representing their unique cultures, as individuals, at these festivals. Be aware that we all need to respect and honor each other. That is the premise of the readings I found in Pamela A. Hays’ book, and the theme of this log is to reflect upon your own culture, relative to everyone else’s culture, and bring about a better perspective than the days before that time of great reflection… Happy travels- 3MiloE

 

I never wore color until after Escape 2017