Another interview featuring long time member of AZ Hardcore Junkie and played AZHC XX – Arizona Hardcore’s 20 year celebration last weekend. Talking about the future of hardcore in America.
[soundcloud url=”https://api.soundcloud.com/tracks/282085574″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”450″ iframe=”true” /]
By Brandon “CabZ” Caballero
Follow me on Twitter @BrandonCabZ
This year marked the 20-year anniversary of the Electric Daisy Carnival as Insomniac set out for their biggest event of the year in Las Vegas, NV. This was the 4th year that Insomniac’s hard dance label, Basscon would host a stage at EDC. Thus far, we have been treated to stages of the Gas Mask Man (that has now become synonymous with Basscon), a giant One Eyed Monster, last year an apocalyptic New York scene and this years stage was promised to be an Apocalyptic San Francisco. The stage displayed a Golden Gate Bridge surrounded with shipping containers and graffiti and wrecked cars, and was being attacked by a giant crab! The stage was equipped with fireworks, pyrotechnics, 50ft flames lights, lasers and even its own go-go dancers. A stacked lineup of worldclass Djs promised this year’s Basscon as one to be remembered.
Another exciting first for Basscon was the Basscon Anthem by TNT – “Wasteland”. I recently spoke with TNT at Project Z and asked for their comment on making the anthem, they told me “We have seen the US Hardstyle scene grow-up in the USA and get bigger and bigger over these past few years. We felt like it was finally time to give you an anthem of your own!” For years American fans of hard dance who follow overseas events have wanted an anthem to hype up their weekend. For those who are not familiar, an anthem is exactly what it sounds like- it is the theme that sets the spirit for the entire weekend ahead and rallies everyone together and builds excitement for the show! “Wasteland” perfectly captures this spirit with lyrics such as “Crawling on the barren soil underneath the blackened sun, we are the children of the desert, we rule this wasteland.”
As I walked through the gates at the entrance I immediately heard the baseline bouncing from Basscon. Kutski was opening up the weekend for hardstyle lovers and kept to his motto of Keeping the Rave Alive; he had sparked the party spirit of all the ravers who had assembled far and wide to be at that Basscon stage just to be apart of a weekend packed with their favorite hard dance artists.
Other notable performances on Night 1 include Leiel, Audiofreq, who is an absolute madman bursting with unstoppable energy every set I’ve seen him play, Adrenalize , some freestyle fun with LNY TNZ, the legendary Technoboy, EDC first-timer Code Black, , Isaac, the UK hardcore DJ’s Darren Styles and Gammer who played individual sets as well as a special b2b set, and the night ended with Ran-D, who dropped the RAW on EDC from his first track, raising a big middle finger to everyone else saying “F#CK EDM”, to his last at sunrise. Honorable mention to Padaro, DJ Adaro’s father, who was partying at the front of the stage with the rest of the crowd!
Night 2 – After attending Gabberfest all day it was right back to EDC on nothing more than a few hours of sleep, but I remained optimistic due to the stacked lineup for the day. Night 2 started off with US Hardstyle DJ Mekanikal, followed Max Enforcer, Stephanie, Bioweapon (the duo of Code black and Audiofreq), Da Tweekaz and a special set where Brennan Heart showcased many new tracks from his new album I Am Hardstyle, and he even brought Jonathan Mendelsohn out on stage to sing a few tracks live! Following Brennan Heart’s performance, all music stopped at the Basscon stage and the crowd was treated to the “Basscon Experience”, a 10min firework show ending with the Basscon anthem and TNT starting their set. Following TNT was the beginning of the RAW Hardstyle for the night; Gunz 4 Hire (Ran-D and Adaro) came out and treated EDC to a particularly brutal set showcasing music and even video clips for their No Mercy Tour. Digital Punk took the stage next, and almost had to open a can of whoopass on someone who thought it would be a good idea to climb the stage and mess with the CDJ’s during his set before finally being removed by security (watch over your friends people!). Night 2 closed down with the haunter or the dark himself, DJ Adaro.
Night 3 – you can look around and definitely tell the heat, partying and lack of sleep is beginning to take it’s toll on the crowd… BUT, they don’t call it Wasteland for nothing! Basscon kicked off with a bang with a special b2b set from Canadian Duo Crisis Era and US DJ Darksiderz. Next followed a block of euphoric Hardstyle with
Sylence, Audiotricz, Wasted Penguinz. Next, D-Block & S-te-Fan, Coone and Tuneboy, entertained the crowd and prepared them for the final push of the weekend. Lady Faith took to the stage next and differed from her normal style to instead play many more RAW tracks into her set, even showcasing some Notorious 2 tracks, to prepare everyone for Radical Redemption. The army of the Radical was strong throughout the audience, and Radical himself rewarded them by playing many of the tunes that brought him to notoriety, including Brutal 5.0 and Spell of Sin. As Radical left the stage he addressed the crowd to “get ready for the #1 hardcore act in the world” and DJ Angerfist took the stage! Now, I will say, there is a high expectation for the last DJ of the weekend at the end of 3 days, but Angerfist sparked energy in the people partying and the crowd was exploding with energy that was a truly remarkable achievement at the sunrise set. The hardcore reinvigorated the crowd like nothing I could have expected, people were shuffling, hakken and there were moshpits everywhere. This was a crowd was here for hardcore and they were loving every minute of it! Angerfist’s set built faster throughout and showcased many of his popular songs, and he even included some frenchcore, and ended clocking in at over 200bpm!
When it comes to Basscon Wasteland at EDC Las Vegas, it was a success in every aspect, and a great way to spend “20 years under the electric sky”. Whether you like euphoric, freestyle, hardcore, mainstream, RAW, UK hardcore, there was something to make you happy. With the new generation of ravers now receiving more exposure to hard dance than ever had before at American festivals, it is my hope that Basscon will inspire a new wave of American hard dance artists. This is good for growth of the scene and I hope Insomniac gives them the chance to play their events one day. I also hope Insomniac continues to grow and diversify their Basscon label, and hope for a standalone Basscon event in the future, maybe even including multiple stages so the euphoric fans, RAW, freestyle and hardcore fans can have a stage of their own. The hard dance scene in the US has limitless opportunity and can be anything we make it to be. I hope for many more events with an anthem, laser and firework show to mirror the European endshows, but most importantly, all of us should take pride in the collective being we become when we can come together for a common mentality to go hard!
Kore Hunter is a sappy love story between two already established DJs/producers Richard Riley (KORE) of Arizona and Megan Hunter (HK) of Colorado. Through the unifying powers of hardcore techno, these two found each other and are now combining their forces to further push the boundaries of hardcore and are hoping that they can take this scene (and their love) to new heights! Two is always better than one with this 2 for 1 interview with “hunters” of the “kore”!
How did you decide on your stage name?
Hunter: When Richard and I started dating, DJ Delirium and CIK were making jokes and throwing around names for what our future children would be named and Delirium threw out KoreHunter. Richard told me about their joke and we both decided that was better than our original duo name, HKORE.
How did you start producing/DJ’ing?:
Kore: I started producing in 1995, shortly after my first show. I was introduced to Hardcore from DJ Cetra back in the mid 90’s from the old IRC channel days. I went to Opium in San Bernadino to see The Stunned Guys and just fell in love. I went home, researched the music, found out how to use trackers and started teaching myself. When I turned 18, I took out a small loan to buy two tables, a mixer, and twelve hardcore records and just practiced every day. All I wanted to do was immerse myself in the new sound I had fallen in love with.
Hunter: I started DJ’ing back in early 2009. I used to travel for anime and gaming conventions and my friend, Mark Pieterick, DJ’ed the nighttime dance events they hosted. He would let me drunkenly mix a few songs here and there and then in 2010 I decided it was something I wanted to take more seriously. I received a set-up for Christmas that year and went crazy.
How did you get interested in the harder styles?
Kore: Growing up in Southern California, punk, rock, and metal were my main musical preferences until my uncle bought me an old 90s trance tape from Germany. It was completely different, but I was intrigued by the electronic sounds. During this time I was chatting in IRC channels all the time. So I found the channel #rave on efnet IRC (shout-outs to the old fucks that remember that!). One day DJ Cetra was streaming himself mixing on a Shoutcast I tuned into and remember hearing D.O.A. tracks. For someone that came from the harder styles of music, like metal and punk, it was easy for me to listen to it. It took all the aggressive elements I already loved growing up and took it further with unlimited possibilities.
Hunter: I went to an anime convention back in late 2007 and met a friend that wound up introducing me to happy hardcore. So that was the hardest music I listened to for a long time since my main squeeze back then was electro house. I eventually pulled myself away from mainstream electronic music and only listened to happy hardcore and that wound up being where my DJ career started. There was only one gabber DJ in the community that was playing out at mainstream shows in Colorado, and when I became friends with him he showed me an entirely new depth to this genre I already loved. Frenchcore, gabber, crossbreed, all the goodies. I was pretty floored and amazed at how large of a genre hardcore is. As a HHC DJ, I tried my best to stay away from overly euphoric songs and found myself attracted to the more quirky, harder side. It got to a point where it was a struggle to keep up because I couldn’t find music that fit my expectations and would only be able to add maybe 6 songs to my roster every few months. So about a year and a half into DJing, I decided to make the switch because gabber had what I was looking for in terms of aggression, musical depth, and community.
What changes have you noticed in your local rave/hard dance scene since you started?
Kore: Well I grew up in California and moved to AZ back in 1998 so it’s a little different for me than it may be for most. In the mid 90’s the LA scene was huge and felt like a big family. Sure we all had our crews and whatnot, but it was about the music. When I moved to AZ it felt very similar but the scene was smaller. All the kids knew the songs and understood the strength of coming together. When I met up with CIK back then, we worked our asses off to keep pushing and growing the hardcore scene and now AZ has one of the bigger scenes in the states. Not trying to take credit of anything, so don’t get me wrong, but I would like to feel we had a part in it. We just made sure to never segregate another scene or another state. We wanted to keep that concept of family and unity
intact. Outside of the hardware differences (vinyl, to CDs, to Serato, to USBs) the music and the party itself has evolved a lot. Even though Hardcore is still a minority in the U.S.A., it has gotten its fair share of mainstream attention that even kids who don’t listen to Hardcore, still know a good number of the songs. Now with the rise of Rawstyle and Hardstyle still proving it’s a force that cannot be stopped, the scene is now growing to the point where I think soon we can pass the mid 90’s again. Unfortunately, we are also getting the attention of some people that are toxic and maybe a little money hungry, but if we can all remember to unite, then maybe this time we can keep this growth going.
For the music itself, the quality has gotten so much better, and again I think we have the access to all the information to help that. It also feels like the old guys (producers, DJs, and promoters) are back to becoming a family again and are now sharing all the experience they have acquired and are passing it on. This in turns helps, not just the new kids, but us old folks as well. Respect goes both ways, not just one.
Hunter: I started out in Colorado in ’08 where the hard dance scene was gaining some traction and then burnt out while the mainstream scene started to blow up. For a few years, there were only a few hard genre DJs playing out into the scene, the rest of us stuck to a radio show to cater to a larger audience. All of the hard dance DJs stayed really dedicated and through persistence, hardstyle and hardcore have been spreading at a fairly quick pace in the mainstream scene. As for the rave scene as a whole, I think everyone has taken notice of how quickly the scene has grown and how it’s no longer an underground ordeal. I’ve seen performance mediums evolve, DJs and producers come and go, trends rise and fall, and new concepts create new sounds while some concepts and genres die. With how many people are involved in the scene, I think the scene will continue to change at a rapid pace for a while.
What do you think about the current state of harder styles in America?
Kore: I think it’s really starting to grow again with the rise of rawstyle, the reliable and consistent scene of hardstyle, and now the growth of hardcore again. The comeback of the harder styles is bringing all kinds of kids back and new ones are showing up. I feel like the hard styles reach to people in a different emotional way than some of the more mainstream options and this allows us to connect on a different level. All of us have experienced this one time or another where you hear that one track and your whole body just gets taken over with emotion. I feel like hardcore and the harder styles in general bring that feeling out in a lot of people and the more exposure we get the more we can connect, which is happening now and we are growing. As long as we can keep raising the bar on the quality of the music (production and performance) then it will continue to grow.
Hunter: I think the American hard scene is still in a smaller state. We’re starting to see many new producers and DJs that want to contribute to the genre as well and we’re starting to see more and more people support the music. I feel like we’re at a slight disadvantage right now compared to mainstream genres, though. As a producer for something like electro house, you can go to YouTube, type in what you need help with and the production program you’re using, and BAM, you have tons of videos to help you get better and learn. With hard genres, there aren’t as many so you’re kind of cornered into what you can learn without being self-taught (nothing wrong with that) and I feel that holds us back from creating new material as a genre. So if you’re an experienced producer with time on your hands and you get a lot of questions on how to do something, I highly encourage you to create video tutorials. Places like YouTube and Lynda.com have the potential to pay so it’s not like you have anything to lose in doing it, but there’s plenty for the scene to gain by you spreading your knowledge to others eager to learn but don’t know where to start. Outside of that though, I think the scene we currently have is more of a family than anything. We have a great understanding of unity through the music and I’m proud to be able to contribute to something so wonderful.
What are you guys trying to convey through your music?
Kore: Everyone has stress, trauma or some type of emotional event happening in their life and I want to help either remove that, even if it’s for a few hours, or heighten the good feeling you’re experiencing. I myself have had a roller coaster ride of events and I can say that this music has been the best cure. The general message is to enhance the best parts of life and take out your aggression on the worst parts and just say, “Eff it! This is my time to shine!”.
Hunter: For me, music has always been a form of expression. I’ve been playing instruments since I was 11 years old and it was always the best outlet for emotions. As a young adult, figuring out who you are, what you want to do, and trying to simply navigate through life is really hard at times. So Hardcore for me has always felt like a way to safely let out anger or sadness without emotionally hurting others and has felt like the slightly rebellious genre where you can jam out and give the finger to whatever stressful, shitty, or hurtful experience you’re going through. When I play, I hope that hardcore can be the same therapy for others as it has been to me.
Do you have anything special planned for the event?
Kore: For Gabberfest you will hear some original music, mainstream hardcore, and some uptempo music, we want to really ramp up the level of energy. This is a gathering of hardcore and hard genre addicts, so we are going to make sure to take the sound and ramp it up! We want to see everyone lose their fucking minds with us!
Is there anything you want to say that we haven’t asked you about yet? Do you have any upcoming projects or tours to promote, or anything special or shout outs you want to say?
Kore: We have a really big project that is the planning phases right now. I don’t want to give out too much information, but the concept really touches on an earlier question. We want to bridge a gap in respect by working with multiple genres and producers to bring out this massive release which will showcase each as an individual, and then everyone as a family. Keep your eyes and ears open for more information soon! We also have the AZ Hardcore Junkies 20 year celebration party September 9th! Come help us celebrate 20 years of Hardcore with The Outside Agency, Fiend, Delta 9 and more! You can find tickets and full event information on the Arizona Hardcore Junkies Facebook page: https://www.facebook.com/arizonahardcore/
I want to give a special thanks and shout-out to everyone in the Hardcore scene in LA and AZ. Honestly without you all I have no idea where I would be and because of you all I keep pushing and wanting to not only better myself, but everyone around me. Respect and love to you all!
Hunter: I want to tell people that are currently in the hard dance scene and people that want to get into it to just go for it. I feel like people get so caught up in the “what ifs” that they miss opportunities to create and to have fun. If people want to talk shit on you, understand that that’s a reflection of their poor dedication and discipline and their attempt to be complacent in not succeeding or progressing by making you feel bad. You’re gonna make mistakes, get hurt, be embarrassed, and fail. A lot. Instead of taking those experiences as bad, look at them from another angle and find out what you can learn from each one. That combined with discipline (NOT motivation) is the only way you will ever get better.
Shout-outs to everyone that has supported me over the years. All of you mean a lot to me and I definitely wouldn’t be here if it wasn’t for your encouraging words and enthusiasm for what I do.
Each one of these artists have their own networking pages but you can follow the work of the duo here:
..is an online web radio event in which we will channel Finnish electronic core music into your homes and ear canals!
Starting at 15:00 Finnish time (12:00 UTC/GMT).
LINEUP
LIVE:
AM/PM Programme
#hardcore
https://soundcloud.com/am-pm-programme
DoomsDay Sounds
#hardcore
https://soundcloud.com/doomsday-sounds
EOF
#flashcore #breakcore #experimental
https://hearthis.at/djeof
SatanoiD
#flashcore #experimental_core
https://soundcloud.com/satanoids
Shatterling
#industrial_hardcore #crossbreed
https://soundcloud.com/shatterling
Säckxsätüs
#breakcore
https://soundcloud.com/sackxsatus
Talman
#hardcore #industrial_hardcore
https://soundcloud.com/djtalman
Teknoaidi
#shamancore #psychedelic #speedcore
https://soundcloud.com/teknoaidi
Valovoima
#speedcore
http://valovoima.kovaydin.net/
DJ:
Avaruusveli
#suomicore
https://mixcloud.com/avaruusveli
Noison
#perseraiskaus #tribute
https://www.mixcloud.com/noison
TIMETABLE (EEST // UTC/GMT+3):
15:00-16:00 Avaruusveli
16:00-16:30 AM/PM Programme
16:30-17:30 Talman
17:30-18:30 Shatterling
18:30-19:00 Säckxsätüs
19:00-20:00 Noison
20:00-21:00 DoomsDay Sounds
21:00-21:45 Teknoaidi
21:45-22:30 EOF
22:30-23:30 Valovoima
23:30-00:30 SatanoiD
STREAM:
http://kaaosradio.fi/
ONLINE CHAT:
http://kovaydin.net/v3/?page_id=2057
ORGANIZING:
Suomicore Tube
Kovaydin.NET
Kaaosradio
By Sean Hargrove & Tim Shopp
We’re here with the entire Warsong Presents: Raging Hard lineup, and we’re going to dig a little more into these guys minds to see what they’re really about!
HD: Zaki! Great to have you here man! We’re wondering how did you get your DJ/Performance name, what does it mean?
Zaki: Well, funny question. The name actually means “Pure” in Arabic, but I found that out after I decided to use this name. Zaki was my nickname, so I just decided to use it as my artist name. It has kind of just stuck to me.
HD: Next up, mister Treachery! How long have you been mixing/producing and how did you get started?
Treachery: I’ve been mixing Hardcore since 2007, though only seriously producing since 2011. Per my bio, I got started because I needed a music style loud and annoying enough to mask the screams of the victims tied up in my basement…
HD: Mekanikal in the house! Have you noticed changes in the scene since you started in your area or nationwide?
Mekanikal: Well certainly! The scene has grown a lot over the years since the beginning of my journey as a DJ. I actually didn’t come into the “local” scene until 2015, my first hardstyle show was DefQon.1 2013 in the Netherlands (I did the reverse of what DJs normally do haha). That being said, from what I’ve experienced, seeing local companies like Audio Havok, East Coast Hard Dance (ECHD), Fresh Entertainment, SDK, Denver Hard Dance, and countless more springing up across the country and getting into the hard dance market is really encouraging for the scene as a whole.
Two years ago, the United States wasn’t really seen as a strong player in the hard dance scene, but now we have become a force to be reckoned with!
There is a lot of positive things happening here in the states, and there are many negative things happening too. Like fans who shout out “defend the raw bruh!!” and others doing the same with euphoric hardstyle… Guys, grow up!
It’s all hardstyle and if someone doesn’t like the style you do, that’s okay! No one has to like what you do. Also, this is something I’m glad Warsong is doing…
The Hardstyle fans need to invest their support in the US hardstyle DJs. One of the reasons we don’t have a Defqon or a Qlimax in the states is mainly because you’re not investing enough in your local talent that’s getting signed to the same labels! Stop whining that “so-and-so shouldn’t be on this festival’s lineup because it’s taking the place of foreign DJs.”
We should be celebrating the USA DJs that get that opportunity, not saying they should be relegated to “local shows” to make room for the international DJs. We work just as hard and put together sets that don’t just highlight the “in” tracks. We make live edits, mashups, really try to make each set exclusive to the show. TL;DR, support your local DJs and get over the Raw vs. Euphoric debate.
HD: Levenkhan! What do you think about the current state of harder styles in America? (Both Hardstyle and or Hardcore)
Levenkhan: First and foremost thank you guys of the Hard Data for having us and spreading our sounds across the U.S. The current scene of the harder styles has definitely grown a lot the past couple of years. From a very personal and underground rave scene it has evolved to a bigger crowd and infected the masses. The hardstyle scene is at a steady climb, with a high end of quality producers and DJs from all over the U.S. I have faith it will grow to something much bigger.
As far as hardcore its been and will aways be a bumpy ride. With a more dedicated underground fanbase hardcore is finally starting to get more attention with a much higher demand at most hard dance events. Its a complex forgein sound for the average american mainstream ear but perhaps will reach a much bigger mainstream fanbase one day.
Overall in order for a successful growth of the harder styles in america we must set our differences (if any) aside and all come in UNITY and a support all national talent whether its an upcoming local name or a bigger national name, GO SUPPORT and watch the scene grow.
HD: Greetings Markove! What are you trying to convey through your music? Are there any themes or ideas that are important to you? Is there anything in particular you find yourself wanting to communicate to the audience?
Markove: My personal experiences and how I’ve endured form the basic message behind my music. In the past two years I’ve gone through a lot of firsts. Many I hope won’t be repeated. All things considered, however, I’m only one person in a world of many. Everyone lives through events they don’t want to intentionally experience. My message is a simple one – you’re not alone.
Inspiration. Motivation. Renewal. I want the crowd to feel these emotions every time I perform. For me, the medium doesn’t matter. Whether it’s through my online podcast or a live set, I want every person to experience the same realization: your potential is unlimited.
HD: Hello Problem-Unit! Have you played Baltimore or the East Coast before? How did it go?
Problem Unit: I mostly play the east coast area, NYC to DC, as far west as Pittsburgh. Probably the best time I had playing Baltimore was at a warehouse near the stadium / Paradox. It was a mult – gig night for myself and a friend of mine, and by the time I got to the venue it was time to play, I was wired, and threw down hard. It was a blast to say the least.
HD: How are you doing Dr Jer-Z? Do you have anything special planned for the party (btb set, all vinyl, live PA, guest performers/dancers etc)? Do you plan to play a specific genre? Oldschool throwbacks? Original productions? Rawstyle or euphoric?
Dr Jer-Z: What’s up Hard Data! Im really excited about this event. Definitely do have something prepared. I’m a reverse bass guy so there will definitely be that hard pounding bass involved in my set. Some Rawstyle and Euphoric will be present but I’m all about energy when it comes to my sets. I do have some new original tracks/remixes that I’m going finish for this event. Can’t wait to be a part of this event and to play with some of the best local artists.
HD: Mad Effort and Cheif! You both will be hosts of stages on this night! How does it feel and are you guys looking forward to specific acts?
Chief: It feels awesome to be witnessing the birth of yet another team on the east coast that has genuine passion and desire for the growth of our Hard Dance scene. I’m excited to be included in this event because as the culture spreads, it’s an honor to be able to say I was there with Warsong from the beginning. Being a part of something already established is fantastic but when you play a part in something from its birth, it’s special and the potential is endless. Truth be told, I’m not looking forward to any act in particular because every artist on here is known for throwing down well, so I expect nothing but the best from everyone as they always deliver. Looking forward to going back to back with Mad Effort because it’s a rare opportunity that there’s another individual rocking the mic alongside me with an equal amount of passion. It creates an atmosphere that isn’t mine and isn’t his but can be stronger than both. Not to mention, this is my first time officially hosting in Baltimore so that alone is keeping me amped up for this. I’m very proud to be a part of this culture.
Mad Effort: Im really looking forward to my first time hosting on my own for a big event , and at an all hardcore stage no less! With three stages of pure hard dance, this show really will be something unique.
As far as the artists go, I can’t think of a better lineup as powerful as what we’ve got packed for June 11th. I’ve got something special in store for the show, but I’ll let you guys see for yourself when the time comes!
HD: Tim Shopp! Happy to have you here once again with Hard Data! Is there anything you want to say that we haven’t asked about yet? Do you have any upcoming projects or tours to promote, or anything special or shout outs you want to say?
Tim Shopp: Its always an honor to chat with you guys and catch up! I just have to first off thank Warsong for hosting this event. For anyone who knows me on a bit of a personal level will know my true feelings about how much i believe these American talent based shows are the key to the growth of everything here in the states! Its shows/lineups like these that people need to support most in order to gain for the future music/talent and big things! I will save that rant for another day haha!
Projects, I’ve lost count on! Im working with so many artists and close friends that i think i start a new project just about everyday! Plus i have huge things coming with labels and just recently got to announce ill be making an official anthem for my friends at SDK Events for their show this summer Phobia. Not to mention the amount of tracks I’m also working on as my trio Extreme Team (with Levenkhan and Mad Effort)! Still blown away on how amazing this year is for me!
As for tours, I have what I believe to be a mini world tour this summer! Warsong will be the kick-off, then ill be in Vegas for Gabberfest (both days). Taking some lovely time off in Holland for some studio dates with people and to experience Defqon once more. Then back to Holland in July for a show that is TBA, and finally Phobia in August! Thats all i can say…for now.
HD: Last but certainly not least the man behind it all! Patrick aka Warsong! First of all, what a lineup! How did this all come about, what does Warsong mean to you, and why an all American talent lineup?
Warsong:
Because this is America after all. The hardest nation on Earth. Seriously though, people tend to underestimate the American scene, and I feel like oftentimes due credit isn’t awarded to our DJs and producers when it otherwise would be.
We’re excited as anyone to go to Defqon1 this summer, and we felt like it would be cool to bring all the Americans together to get pumped before crossing the Atlantic.
As far as our name goes, we see Warsong representing music that’s fundamentally aggressive and energetic; it’s evocative of a battlefield. I like to think of a mosh pit as a war zone — except we’re all on the same side
Well thank you all for taking the time (and patience) for all of this! It’s our honor to have spent this time with you all, and hope to see you all very soon!
