On Saturday 9 February 2019, 30,000 hard dance fans from all over the world gathered together in the Gelredome for Hard Bass: The Last Formation. For those who don’t know, Hard Bass was an annual party for the last ten years at the Gelredome organized by B2S (one of the major hard dance event organizers in the Netherlands). Last Saturday was the final edition of Hard Bass and the end of one of the largest most popular indoor hard dance events in the world.
What made Hard Bass unique is that, unlike other parties where DJs typically perform one-hour sets back to back (or in some instances longer sets versus other DJs), Hard Bass was notorious for its use of “teams”. The ten-hour long party (as always, not long enough in my opinion) this year was divided into five teams: Blue, Green, Yellow, Red, and Heroes (Ten Years of History). Each team consisted of multiple DJs who perform in a similar style. This edition was coined the “hardest” Hard Bass, which was evidenced by the predominance of rawstyle DJs on the line up – B-Front, Ran-D, Radical Redemption, and E-Force, to name a few.
Although my heart beats at 300 beats per minute, I was blown away by the production and music on Saturday night. This truly was a show rather than just a typical rave, so much that at times sitting out in the stands (the Gelredome is large stadium with tiered seating) I felt as though I was watching Hard Bass: The Musical. Each team was provided with a proper introduction and ending similar to the curtain call in play. Once they finished performing their epic last track, the lights would go off, everyone would applaud, and an introduction would start for the next team.
Being from the New York area and having attended multiple Broadway performances, I couldn’t help but wonder what it would be like to attend this as a play where you sit down and watch the performance as if you were watching Phantom of the Opera or Fiddler on the Roof, for instance. All of the elements were there. The stage was a giant space ship, which fit perfectly with the theme, the lasers were out of this world, and of course there was fire, fireworks, and even some theatrics.
The evening truly was a tribute to ten years of hard dance, and to the artists and fans who made it all possible. The music was a quintessential mix of the classics we all know the words to, such as “Imaginary”,“Castles in the Sky”,“You’ve Got the Love”, and “Eternalize”, as well as some new tracks including my one of my personal favorites of the evening, “The Last Resort”.
This night was particularly memorable for me because I learned what “kick rolling” was for the first time. As previously mentioned, although I do enjoy rawstyle, I have not had much exposure to it, as it is a stage I don’t typically frequent at festivals. Usually passing by the rawstyle stage at Defqon, Dominator, or Masters of Hardcore, I would always see a large crowd of very tall, buff Dutch guys all moving their hands in a chopping motion to the beat. I figured this was just a dance that everyone did both collectively and individually, for example as gabbers hakken.
However, now I know that it is in fact a style of dancing (which is often pre-rehearsed) so that the chopping motion hits right on the beat. The more you know! I found this particularly fascinating because with speedcore/terror we have something similar (albeit less rehearsed and fluid) where when the beat drops you see everyone with one hand to the sky basically having a seizure (don’t judge it until you try it!)
My favorite team of the evening was definitely Red, and those last few minutes were the perfect ending to the night. I particularly enjoy when rawstyle tracks are sped up, although I guess this would make kick rolling more difficult for some. Rawstyle is known for its brutal kicks, complex layers, and screeches, therefore just kicking it up a bit to 200 beats per minute makes it even better (in my humble opinion).
The evening concluded flawlessly with the GPF remix of Killshot-Beastmode, which of course kept me wanting more. The finale of the show consisted of the space ship taking off, closing off a chapter in history of ten years of Hard Bass. What will B2S have for us next?
*Disclaimer: The opinions in this article are strictly my own and do not necessarily reflect the opinions of the companies and organizations I am affiliated with. Furthermore the pictures water marked “Hard Bass” are not my own pictures but rather B2S.
On Sunday August 5th I finally had the opportunity to take advantage of this incredibly warm weather this summer and go to the beach! Instead of just being a normal person and spending the day laying out, tanning, and swimming of course as always there was a pre-game meet up and a festival, Hardcore at Sea!
I met up with my friends after rushing from work (nothing like changing into rave clothes and dashing out the door) on the beach in Bloemendaal in the afternoon for a QSA picnic. If you don’t know by now or are just reading my blog for the first time, QSA is a group of American hard dance ravers who go to festivals and parties together. The best part about having a picnic outside the venue was being able to hear the music during the sound check not only from Hardcore at Sea but from Hard Classics next door.
Then after a few hours we wrapped up the picnic and headed inside to the festival. First let me start by saying the stage was SO COOL it was a giant inflatable shark, perfect for the beach vibes theme. This is my second edition of Hardcore at Sea and this year was even bigger and better than last year. The venue, Beachclub Fuel is a small but intimate bar situated right on the beach with three stages: main stage, frenchcore, and rawstyle. I have to say out of all of the festivals I’ve been to since I can remember this was the longest amount of time I have spent at a main stage. Usually I am a side stage girl (terror, uptempo, frenchcore, etc.) but the music was just so on point at the main stage and the weather was so nice, it was really the place to be.
The first set of the day was of course my besties Rob GEE and Da Mouth of Madness. As always they crushed it packing in a wild thirty minute set ranging all the way from early hardcore classics like “Ecstasy You Got What I Need” to Rob’s new hit of the summer “A DJ Saved My Life.” Of course for me with Rob GEE sets always consist of singing, yelling, and shaky Iphone videos.
Next up was probably one of the funniest things I have ever seen at a party. During Destructive Tendencies vs. Dr Peacock, which was an AMAZING first time ever set, the shark ate the stage, there was literal shark week at Hardcore at Sea. The giant inflatable shark mouth ate the stage! So epic!
I spent the rest of the day wandering around and catching up with everyone. One really amazing thing about the party was all the Americans there! Partyraiser even introduced me to his two friends from Illinois, so cool!
Perfect weather, perfect music, and therefore a perfect day! See you next time!
Every year thousands of gabbers make the pilgrimage from all over the world to a small town outside of Eindhoven for the largest hardcore gathering in the world. This year was no different. On 21 July my friends and I embarked on our epic journey to the festival. Of course being my group of friends there were several obstacles along the way: missing IDs; lost OV chip cards; almost missing both the bus and train; and a packed sauna-like shuttle ride. Nevertheless after the three-hour journey we made it there!
This was my third edition of Dominator and one important difference between this year and the previous years (I went in 2017 and 2015) was that this was one of the hottest days on record in the Netherlands (according to me having spent almost four summers/partial summers here now). Thankfully Dominator is located on a beautiful beach with plenty of room to swim. Despite the heat the organizers were prepared and preemptively cancelled the fireworks as a result of the dry terrain. Furthermore, a big shout out to the organizers for providing cups and free water stations and potable drinking water near the bathrooms; that was a lifesaver.
We started the day off with Fan4stik. It was my first time seeing them and as a new recent fan of Billx it was the perfect start to the day. If you like Hard Tek check these guys out. Next we made our way over to the main stage for Bodyshock. Even though it was early the main stage was packed and the crowd despite the heat was so energetic. So energetic that people kept trying to steal our inflatable pig totem (Wilbur)! Thankfully Anne is a marathon runner and hunted the perpetrators down and returned Wilbur safely to our crew.
After now slightly dying as result of the heat I hopped in the water for a little swim during Radium’s set. The highlight of the set for me was while I was swimming I heard Rob GEE’s new track “A DJ Saved My Life” (side note: I heard it again later during Mutante’s set, could this be the festival anthem of the summer?). Next was the QSA (American hard dance) meet up during Billx’s set and as per usual it consisted of a sloppy failed attempt at a group photo then half of the group disappeared.
After that I got separated from the group and because they closed the beach off for Sefa’s set, myself and the other festival-goers trying to get to the other side of the festival had to cross through the water. This was probably my favorite part of the day. An exodus of sweaty people carrying dirty socks, shoes, and all their belongings (somehow still all texting and taking selfies) through the water to the other side of the island from the Frenchcore tent to the Extreme Hardcore tent. It was a long trek but we made it!
Last but certainly not least, my friend Hellcreator closed the talent stage and he crushed it! This is now two years in a row that a friend of mine had the opportunity to play on the talent stage at Dominator, what a treat!
Exhausted, dirty, sweaty, and sore. These are some of the words to describe how we felt the end of Dominator. Dominator festival is a must visit for anyone who likes hardcore; every year it gets bigger and bigger. The festival overall no surprise was an absolute success. The music was amazing, the production level was high, and the crowd was energized. The only thing that would make it better is if the Rawstyle stage was the Speedcore stage, well I can only dream.
BKJN vs. Partyraiser was my first rave of 2018 and now the bar is set so high for the remainder of the year and it’s not even festival season yet! But let’s start at the beginning, for those of you who don’t know, BKJN stands for Beter Kom Je Niet which is Dutch for “better you don’t come” (lol). BKJN, as one of the leaders in the scene, organizes some of the biggest highest production hardcore/uptempo raves in the Netherlands. Their parties are always massive with stacked diverse lineups and this one was no exception.
I arrived at the venue with my fellow American friend and contributor to this article, Isaiah around eleven, just enough time to explore before the opening show. This was my first time at the Silverdome in Zoetermeer and the place is massive. Thankfully for the first time ever I didn’t have to take three forms of transportation to get there, so ten points for that.
We started off the night with some good ole’ Nosferatu at the main stage. Looking out into the crowd it was barely midnight but the place was packed, sold out, wall to wall of sweaty gabbers. Next up was split time between the opening show (which was the perfect start to Partyraiser’s seven hours of madness) and Repix. Despite the fact the opening show was happening at the mainstage, Repix had the room extremely full and bumping, a well-deserved birthday present (Happy Birthday Repix!). Then we hopped over to see Para Italia, I was repping his “Allemaal de Moeder” shirt that he graciously gave me at Hardcore at Sea (yes I know what it means and I’ve seen the video!).
Following Para Italia it was time to take a dance break and conduct some interviews back stage and well let’s just say things got out of hand but what do you expect when it’s 2:00am during an epic party and you have the Sickest Squad, Andy the Core, Angernoizer, Rooler, me (MC Unicorn), and DJ Levenkhan (Isaiah) in a small space.
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Here are some of the conversations we had:
Amy: With the Dutch hardcore market being so saturated, with multiple parties to choose from every weekend, what sets this party (and BKJN parties in general) apart from all the other parties that occur every weekend?
Para Italia: I think this is the hardest indoor party and very good for BKJN and of course the main man Paryraiser. I am very proud that I am a part of this extraordinary party and a proud member of BKJN. I had a very good time and I think it showed people how hard Frenchcore can be.
Aggressive: This party is awesome, I opened the main stage and within fifteen minutes it was crowded with people going crazy. Great atmosphere. I am honored to be a part of the BKJN family and Partyraiser crew.
Andy The Core: This party is absolutely awesome and every year it gets better and better and it’s something different because you have this main stage like this that’s usually a main stage for mainstream but it’s now full of underground artists and I love it.
Amy: If you were stuck on a desert island and could only bring one record/album with you, what would you bring?
Da Mouth of Madness: Can I not bring a USB stick? (Amy: No…) Well I definitely would do like the Hardcore 100 CD from ID&T back in the early 90’s the gold one with the two snakes on it because it has 100 of the best tracks ever but also would bring some Bob Marley too.
Amy: If you could collaborate with one artist dead or alive who would it be?
Da Mouth of Madness: I definitely need to say Three Steps Ahead because he was gone, he passed away before we could do this S#*T, but I definitely wanted to do something with him, because of the friendship we had back in the days. We were both breaking through in 1996 with the whole Thunderdome thing, we did a lot of tours together but actually we never came so far, and afterwards of course we all know the story, he passed away. It would definitely be great to have the opportunity to collaborate with him.
Repix: I have one big dream and that’s Angerfist, he’s been there since the beginning and all of his productions sound amazing. It’s really a good reference point for me to listen to and that’s one of my biggest dreams.
Isaiah: What advice do you have for up and coming producers/DJs?
Rob GEE: Definitely get your ass in the studio and perfect your craft and don’t listen to haters. And also don’t get an ego at the same time, keep yourself grounded, and reach for the stars you know.
Sickest Squad: Struggle a lot first and study. The way we came up in the scene was by being told repeatedly our stuff was not good, and it helped us out. If we were told it was good we would simply stop. Getting told it was bad made us invest our time fully in the studio to perfect the craft.
Repix: So f***ing much to do. Hours in it hours in it. Keep on learning, keep on learning. Everything you learn keep it close to you. If you don’t know something, figure it out. Compare to the greatest; compare it to Angerfist or Nosferatu. Listen to what they do with the sounds and if you get it it’s just a matter of time. Just practice and go for it. …Collabs with the big guys helped a lot. If you have trouble with something they explain it to you. … It’s like the beginning of an adventure just try to figure it all out.
Isaiah: What’s up next for you?
Rob GEE: Rob GEE You Got What I Need: 25 Years of Harder Styles. We are doing multiple cities around the world. This week we just booked Moscow, Sydney, Milan, and BKJN will be doing the one in Holland, I’m looking for a good New York promoter so I can play in my own home little area. LA already reached out to me so it would be sad if New York didn’t. What I would like to do is represent a little of everything I do. Meaning, I would like to tag team with an early guy then go into hardstyle then rawstyle then of course into some mainstream, uptempo, frenchcore, maybe a little bit of terror … So basically, I would like to have a little bit of the old, a little bit of the new. Just give a big hardcore enchilada of all the harder styles. A hardcore cornucopia.
Isaiah: What do you think of the current state of hardcore, uptempo, mainstream?
Rob GEE: To me it’s all hardcore … I work with this one, I work with that one, it’s not because I’m trying to whore myself out; it’s because I have an open mind. If I’m going to do something at 150 with Adaro and with Partyraiser at 200; for me its just music. I’ve done some metal and melded it with some hardcore with members of Slipknot and System Of A Down. Again for me it’s just music. I’m not about building walls; I’m about breaking them down. There are no boundaries in music.
Crypton: (On Frenchcore) At this state I think Frenchcore is evolving in a way and becoming more diverse. One is focused more on the harder side and the other is the more melodic/euphoric side of Frenchcore but with both different fanbases it will make the scene much bigger than what it is already.
Amy: Where do you see the American scene going?
Sickest Squad: America has the potential to be a huge scene for hardcore. I think it’s just a matter of time, I see that slowly some European DJs are getting their chance to play there. We played in Brooklyn and it was “BANGING.” Even if the scene isn’t massive yet, I think next year hardcore will grow. The important thing is to not just bring the commercial stuff, listen to the music and don’t follow the trendy sound, it’s not about DJ Mag, create your own personal taste about the music and not be heavily influenced by mainstream S#*T. This is the most dedicated crowd. People who listen to minimal techno or house they only listen to the music. People who listen to hardcore they live and breathe hardcore, wake up listening to hardcore, they dress hardcore, they are very dedicated and devoted. And that’s truly a beauty and the best thing in the scene.
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Now back to the music, after wrapping up the interviews we ran over to see Sjammienators vs Cryogenic who played a brutal set. This was one of the highlights of the night for me, the beats were so fast and bass so loud people literally could not keep up so the only logical thing to do was to have everyone stand on top of the barricade (sorry Bassnectar fans we do it better and sorry to the barricade). Then, Sefa as always brought a ruthless Frenchcore set way beyond his years.
As the night came to a close, we next went to Partyraiser vs. System Overload vs. Rob GEE, there were so many amazing moments in this set, where to begin. First, getting to see one of my close friends and fellow Americans play never gets old. Second, Rob GEE dropped his new track “IAMME” which was so amazing, the lyrics are incredibly inspiring, and are a good reminder that no matter what life throws our way we always get back up. Rob has an incredible story one of bravery, recovery, and perseverance and his ability to put that energy into his music to inspire his fans is something so beautiful. And third, System Overload dropped Tim Shopp’s track ON THE MAIN STAGE! Nothing makes me happier than watching my friend’s dreams coming true and being right there front and center for all of it.
Squished like a sardine on the barricade raising my fists in the air next to my closest ten thousand friends was one of those coming home moments for me, those moments where you realize why this is so important to you, so special, so sacred. It’s the ability to be able to completely let loose, to find the truest form of yourself that ordinarily is not socially acceptable according to society’s standards and to do it next to your friends (or strangers who are not yet friends).
Everyday life is tough, so much stress, so many responsibilities we all need to find a way to escape, a way to set everything aside for even just a moment. For some people that’s through exercise, others through video games, but for us it’s raving, it’s this music that keeps us going. BKJN parties are always the perfect cocktail of great music, amazing vibes, incredible production, and an insane sound system (need to get new ear plugs remind me later). I highly recommend to my American friends when you’re thinking of coming over for the usual big Q Dance parties this year add a few BKJN ones on your list, you will not regret it. Thank you again to BKJN, Partyraiser, Rob GEE, and everyone who contributed to this article. Until next time!
When you hear the words “Raw Hardstyle”, E-Forceis a name that certainly comes to mind. This legendary Dutch Hardstyle producer has taken his career past many milestones, including a solo album, bookings on some of the biggest festivals in Europe, and en extensive personalized merchandise line. E-Force is one of the true pioneers of Raw Hardstyle, even landing the prestigious award of having the top Hardstyle track in the Q-dance Hardstyle Top 100 in 2014. We spoke with him about his plans for 2018 and beyond!
E-Force: That’s a good first question, haha! I think there has been a big growth in music quality the last years. I’m always trying to keep the “E-Force roots” in my music, but always trying to evolve that. I also moved my studio to the Scantraxx office, into Wildstylez’ old studio. It has amazing acoustics. Before that, I just had a studio in one of the rooms in my house – my productions definitely improved in the new one . My management and the people working at Scantraxx are of course also there, so the whole vibe in the studio and the office is good inspiration for me.
E-Force: I expected that it would be bigger now than it actually is. In 2012 everyone expected that I think. Unfortunately it didn’t work out the way everyone hoped for, but I hope I can contribute in it. I think it’s important that all artists apply for a VISA, although it’s really difficult to get one. I hope all artists who have the option to go there also go for it, so we can build the scene bigger together!
E-Force: Like I said, I’m always trying to evolve my sound with my roots sounds combines. Especially on my album I had the chance to do everything I like, a bit more euphoric, but also things like Schranz and Hardcore indeed. When you’re just doing single releases it’s a bit difficult to do this, but on an album you can go for “the edge”.
E-Force: My merchandise was a part of the album campaign, and it turned out amazing. It’s really nice to have a new branding style, and to translate that in an album artwork, but also in merchandise. As you all know we’ve launched the new icon logo about one year ago, and this icon was the main focus on the merchandise. All merchandise was sold out very fast, and on events I see people walking around with a lot and that’s really cool to see!
E-Force: This is just an edit I made for fun. I still love to play Seven every time, because the response on the track always stays very good. I made this edit to play at Rebirth festival for the first time, where I was doing a special live set. The response on the edit was crazy. I prefer to play this new 2017 edit now instead of the original mix.
E-Force: You heard that correctly ☺ Cloud 9 Music is my music publisher, and they have a very cool studio inside their office. You really don’t expect that when you see the office from outside haha. It’s a very small club for like 150 people, and Cloud 9 offered me the opportunity to use this club for a small, invite only, party. It was such a cool night, because all my dedicated fans were there and it’s nice to be in a small area, so you also have the chance to speak with the fans one on one.
E-Force: Expect a lot of new stuff coming your way! Working my ass off in the studio now, and really trying to my music to a new level again, and experimenting / searching for new cool elements. Thanks for your time, and see you in 2018 during my first USA gigs!
