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Interview with Pulsatorz!!!

Hello readers, this is 3MiloE! This interview took place at Escape: Psycho Circuis 2017, with producer/DJ Pulsatorz!!! The interview took place within Pulsatorz’ trailor. Those involved were; Pulsatorz, 3MiloE, CiM  (Pulsatorz close friend, and hype man), and Mike the camera man.

Pulsatorz

3MiloE:                        So where are you from and what’s the music scene like here?

Pulsatorz:                     I’m from New York City. The music scene is not what it used to be, but it still happens ever here and there.

3MiloE:                        That’s cool. How did you come up with your DJ name?

Pulsatorz:                     Long story short, Pulsators was a four man group when it first started and we were trying to come up with a name and we were just googling stuff and trying to figure something out and one of my friend’s girlfriends said something with pulse because, you know, your heart, it drives you. It’s how you live. So let’s do something with pulse and then we were working pulse, pulse, pulse, and then Pulsators ended up coming out.

3MiloE:                        That’s cool.

Pulsatorz:                     Yeah, and then … came up with a good concept. You know, a good concept with a logo, marketing. It all came together and we stuck with it.

3MiloE:                        That’s beautiful.

Pulsatorz:                     Yeah. And then, unfortunately we had to bring it down to one person because no one wants to book a four man group. But we still all work together very closely and do our thing, you know?

3MiloE:                        That’s great. That’s great.

Okay, so what animal best personifies your music and why?

Pulsatorz:                     Monkey. It’s just everywhere. Like, swinging from trees, throwing shit. You know? I don’t really have a direction anymore, I just kind of do whatever happens. You know, you’re sitting there and then you’re just working on stuff in the studio and you gotta break out of your comfort zone so you just kinda go all over the place, you know. That’s what I’m trying to … I’m trying to keep that like kind of a controlled chaos in a sense, you know?

3MiloE:                        Awesome.

What are you trying to convey with your music?

Pulsatorz:                     I just want to have good music. Just stuff that, when you play it, people dance. When you hear it, it makes sense. It stays in your head, you’re humming it. You know, people are humming it when they’re driving down the freeway and shit. Like that’s my goal, just make people happy, make them want to dance, make them want to party, make them want to have fun, you know? At the end of the day, it’s entertainment, I just want to entertain.

3MiloE:                        Awesome. Can you describe the feeling you get when you’re on stage?

Pulsatorz:                     It’s intense. It’s like you’re controlling everybody through sound. I mean, that’s what you’re doing. So you could make people go nuts, you could mellow them out. So it’s like a … what’s the word … like a conductor almost, you know? I guess that’s why, you know … music conductor. There you go. Yeah, it’s just a good feeling. You’re making people have a good time. They pay all this money for the experience and you’re part of the experience, you know? That’s definitely … at the end of the day that’s what I like.

3MiloE:                        That’s great. What moment do you cherish the most in your career as a DJ so far?

Pulsatorz:                     the first time I got on a large stage out west and when I looked up there was maybe 400 or 500 people there and then every time I put my head down in the mix and put it up, another 100 or 200 people came in until the whole tent was packed. I was at Nocturnal Wonderland 2016? Yeah, 2016. And that was definitely … that’s one thing that always stands out. I had the extended set, every time I looked up people were just pouring in, pouring in and everyone was jumping and going nuts. I’ll never forget that, that was a good set. Then the only other thing I can think of is when my track chords dropped and it was on top 40 for three months in a row consecutively. Yeah, so I definitely didn’t expect that. So that’s another one. But it’s definitely the two.

3MiloE:                        What are your major influences?

Pulsatorz:                     In music? It’s just whatever sounds cool, you know. Sometimes I’ll watch like a Netflix show or just a sample from a commercial and I’m like, “Oh that’s cool, let me work with it.” And then I’ll work with it. Sometimes it goes somewhere, sometimes it doesn’t. Or like I’ll hear something, not a car, but you know how when trucks pass by because the wheels are so big they have like this crazy hum? In the city there’s so many potholes but when the trucks hit all you hear is dub sounds so it kinda … I got really fucking stoned one day and I thought it was someone bumping dubstep. But no, it was just a truck passing by. So now, I think of that every time we’re driving and I see a truck and I hear it. But it’s just random things, like whatever’s on the radio, whatever’s, you know, in anything. If something sounds cool, I want to play with it.

3MiloE:                        That’s cool. I really dig that whole getting influences from, you know, non-musical inspirations.

Pulsatorz:                     Organic sounds. Always better. Because they’re organic so it gives you a different texture in your music, you know. Definitely always liked that. Like, if I can’t get a live instrument, I like getting sample instruments because they’re organic and then just messing with them and playing with them. You know? So those are always cool. But, you know, just any time of sound that just is cool. Like a little fill or something.

3MiloE:                        Cool. Where do you see yourself a year from now?

Pulsatorz:                     See myself a year from now, that’s a good question. Hopefully doing a lot more shows out west. Getting more music out. Just in general, just more grind. I just wanna grind it out, keep grinding and just keep moving and getting it going, you know? I don’t really care if it takes me anywhere, I’m just having fun doing it.

3MiloE:                        That’s great.

Mike:                           Okay, where do you think the American hardstyle is going?

Pulsatorz:                     It’s going where it’s going. There’s really no … there’s no direction. We’re not the same as a European crowd. We’re not European, we’re American. We like different music, we have a different culture so just naturally, because of that, we’re gonna have a different style. It’s not the typical European style, it’s not the typical whatever style. Like Italians have their own sound, Dutch have their own sound. Whoever is making this stuff has their own sound. But being an American producer, you have to have your own sound. You have to stand out. Because, what good is it for an American producer to sound like a European producer? We’re not in Europe. So, that’s my thing.

CiM:                             You market to America. You’re shows are here. So make your music for the people that are here. You gotta go where your money’s gonna come from, you know?

3MiloE:                        You having an overall blast though, today?

Pulsatorz:                     Yeah, definitely, I mean there’s a lot more of the night to go but it’s gonna get fun, it’s gonna get crazy, that’s for sure.

Mike:                           What does the next year look like for Pulsatorz? Any new music coming out?

Pulsatorz:                     I have a couple I’m working on. Just finishing up the labels, waiting for them to seem right because I’m not trying to always put out on the same label, you know? I want to reach a different demographic, you know? I wanna stick to something in the hardstyle realm. I don’t wanna specifically just do hardstyle because it’s been proven time and time again, if you just do hardstyle and hardstyle only, an American crowd … I’m talking about majority, I’m not talking about the … the core fans, they get tired of it. So you gotta throw shit at ’em to mix it up. You gotta do a little bit of this, a little bit of that, whatever’s popular. You just put a little bit in there, spin it into your own, spin it into a hardstyle-type thing. So that’s my whole thought on the whole American thing. That’s when I don’t like when people are like, “Oh, this doesn’t sound like this specific artist.” We’re not those artists, we’re in a completely different element, we’re completely different. Whole other side of the world.

Bart:                             I love the page, by the way. I love the page, I’m always on it. (reffering to TheHardData)

Pulsatorz with 3MiloE

3MiloE:                        Really? You read? Have you read my 3MiloE articles?

CiM:                             I haven’t … pretty far back. We’ve been busy preparing for the shows. Anything hardstyle-related, we always are … trying to keep on top of things, you know? Especially on Facebook or Twitter and stuff like that. So, a lot of his viewpoints are the same viewpoints I have. Same things. You know, a the New York City hardstyle guy too. We’ve been working together since 2008.

3MiloE:                        That’s amazing, that’s awesome.

CiM:                             Yeah, so when he (referring to Pulsatorz) comes down … so, I always tell him, you’re playing out there, I said I’m coming.

3MiloE:                        That’s great man.

CiM:                             It’s a support system. If there’s no support system … which he didn’t mention … if there’s no support system, there is no system. Everyone else has a support system. When you’re here you can’t have your back turned to someone else. If someone asks you for help, you help them out, lend a hand. It may make you go further or it may not go nowhere but you’re still helping out. A little philosophy.

3MiloE:                        Yeah, that’s great.

CiM:                             Well, like I said, he is the face of Pulsatorz. I mean, like I said, I’m part of the team, because we are a team.

Pulsatorz:                     Yeah, all of us are in the same studio.

CiM:                             We’re a team. Like I said, since day one, me and him have been working together.

3MiloE:                        That’s great.

Mike:                           How does New York hardstyle differ from LA hardstyle?

CiM:                             We’re lucky to get a show like this with just 200 people, in a basement. You got this over here, that Basscon stage is probably gonna hold at least 3000 people easy, easy. And with these shows out here it’s almost like when people refer to Defqon and say, “Oh the Europeans are so jealous.” Guys we got non-stop shows in Cali. It’s closer to Cali. Europe is … and not to say … it’s about seven or eight hours depending on where you’re going. But go to Cali, support the American guys, they had Wasteland a couple months ago. It was a great turn out. But that’s a step in the right direction. A lot of local people, a lot of people from different parts of the country all come together and all work together. That’s where it goes.

Pulsatorz:                     Nothing really. Like as far as American artists mingling, nothing really–really significant happened from that. Some kid just sent me a track, I played it today. “Hybrid Theory” or something like that. We’re working on it right now.

CiM:                             I’m telling you, a lot of people don’t do things like he does. Like he said, monkey throwing shit, you know? And that’s why things work. Everybody literally has their own way of working. And the way he works, he enjoys. He ain’t going to do something if he doesn’t like doing it.

Pulsatorz:                     Yeah that’s true.

CiM:                             Because people might get mad at you.

3MiloE:                        So I guess, you’re doing what you love, man?

Pulsatorz:                     I’m having fun. I definitely, definitely enjoy it. It’s more than a hobby but it’s not a job, you know what I’m saying?

3MiloE:                        Yeah.

Pulsatorz:                     So I enjoy … I really do enjoy doing it but I’m not sitting here banking on this thing to be my fucking breadwinner. But I’m having fun doing it. I’m gonna keep doing what I do. If something happens, something happens. If not, well, whatever, you know? I just want to have fun, dude. That’s what it is at the end of the day.

 

 

Articles, Events, Reviews

My EDC Orlando Experience

My first rave was when I was 16 years old, when my brother put on the show at a local fire hall. Both my parents and grandparents attended. My parents showed up probably because they had to…you know, legal reasons and all, and my grandparents and I to show our support.

The music was great, with DJ Deadly Buda headlining. As an invincible teen, I wanted to jump in the mosh pit, flail around running into everyone, and let out some of that pent-up teen aggression. As luck would have it, though, I made it around the pit once and then fell, only to look up from the ground, and see a nice, scruffy pair of combat boots heading my way. The next thing I knew, a multitude of arms were there helping me up and saving me from being crushed by those boots. That ended my mosh pit days, but what remained was the knowledge of that feeling of caring from those faceless helpers.

Enter 2017, where I was given the opportunity to attend Electric Daisy Carnival in Orlando, as a VIP. It’s been 28 years since that first rave, and my how things have changed…or have they? EDM has become so popular that whole football fields are necessary to accommodate all the partygoers. Tinker Field was a huge venue with multiple stages (back in 1989, there’d only been one). There were chill out zones, amusement park rides, and vendors of all kinds. Inflatable furniture anyone? How about some organic jewelry? What amazed me was how the good folks at Insomniac had all these stages outside near each other, each with a DJ playing their own music, yet the sound from one never interfered with the other. You heard each clearly without distortion or distraction from the other, yet there were no walls or buffers of any kind. Amazing acoustic planning!

Ferris Wheel at EDC Orlando 2017

The layout and flow of traffic was also planned out well. For the amount of people at the show, one never felt overcrowded, and liquid refreshment and chill areas were always right there, much different from, say, and other famous Kingdom here in Orlando.

I truly enjoyed all the colorful lights everywhere. The Kinetic stage was my favorite, with its fireworks, water fountains, light show, dancers and video screen imagery, which was planned to the music with the goddess’s heart beating and close-ups of the djs. Kudos to the creative team! Partygoers were also creative in their dress, from furries to kandi kids, butt-cheek models to neon-clad gentlemen, marching bands, stilt walkers, and oversized fish. Those last three might have been Insomniac’s doing, but oh what fun and good vibes they made for. Some of my favorites were the lite-up butterfly wing cape, the lite-up faux fur coat and the lite-up tutu. Notice a trend here? What I didn’t notice were any combat boots or mosh pits. Nor did I miss them, to be honest. What I loved seeing was that EDM has become so popular, that people danced peacefully next to each other all over the field and most of all that raves are still multi-generational.

While waiting for a friend to buy refreshments, I started talking to a young girl with glitter and rhinestones on her face and her blonde hair in braided pigtails. She was 26 and a graduate of Flagler College. She and her Dad had come all the way from Jacksonville for the show. Her mom liked more classically played music and had opted to stay home. However, as the marching band passed by, she exclaimed to her dad how “Mom really would have liked that.”

I bet there was more her mom could have appreciated: the goddess-designed stage, the creative outfits, the more chill VIP area, and most of all, the family bonding. Back at my first rave, my grandparents found the music sounded “quite funny”, but they still polka-danced to it anyway. I’d like to believe that had my grandparents been alive and with me at EDC that they’d have been there in the VIP area drinking, eating, and polka dancing into the night. That’s what’s so great about EDM shows, there is something for everyone to enjoy and a feeling of acceptance for whoever you are.

My niece is only 8 years old at the moment, but I hope one day to take her to a rave as well and continue on the tradition.

Announcements, Articles, Events, Interviews

3MiloE’s Escape 2017 Experience!!! Updated Nov. 15, 2017!!!

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Day one  October 30, 2017. Contemplating in a graveyard because I find myself being featured on the television show called “Now and Then” as I will write down in log my first day recalling escape 2017.

First foremost I would like to thank insomniac for the opportunity to cover this event and interview DJs. It was really the most profound experience I have had yet to date and I will re-iterate by thanking them because they really are the best party thrower’s in the world.My name is 3MiloE and this is my Escape 2017 experience.


Logged October 30th, 2017

The purpose of this project is to really capture the feeling of both the artist and the party goer. I will be updating this project daily posting photos interviews and my personal experience interviewing partygoers as well updating daily as time goes along so you can track my project and the progress of this project from beginning to end . Readers can thoroughly enjoy themselves and go through my story day by day rather than having to wait to finish the entire project. I hope you will re-live my experience, with me as I put it down in this article and capture my own experience throughout this wild weekend which was a esape 2017.

 

9:23 a.m. Tuesday, Halloween, October 31, 2017, my friends back yard,

Please allow me to get sidetracked for a second because the main focus of this work, is to derive meaning from this entire stream of consciousness that I experienced during Escape. Although it’s hard to describe. People think it’s about that music, people think about the drugs, people think it’s about the lights, people think it’s about dressing up. It’s really about what each individual takes away from it.

The first night I spent the night interviewing the DJs but the second night I interviewed the crowd. It was interesting to find out what really makes everything tick. I’ve been part of the crowd before but I have never been behind stage I wanted to ask the artist questions I wanted to know, not necessarily what people wanted to know or the public. I like to call myself a Renaissance man of EDM, I produce, I spin, I promote, I write articles, I go to festivals and, now I interview famous DJs.

Right now it is 9:20 in the morning Halloween October 31, 2017 I have just woken up at my friends house I am having a coffee before he wakes up. I am logging in my daily time thinking about who really is my audience reading this? Should I really bring the hard data? Which I feel to some extent this festival world needs.

I am going to write the story of Escape down in this text, the feelings of the artists, the feelings of myself, feelings of the crowd. With the prime directive of answering this questions, “what did we all take away from this experience.  DJs, medical staff, festival workers, party goers, the producers; all changed in some way by this experience. Did people take home something with them, that had only been discovered at Escape 2017? Do they have the feeling that I have?
The feeling that artists cried when they were on stage, was the feeling that was described by general mission, and party goers and that’s the feeling I got when I was experiencing the story doing the interviews, being in the crowd, but most of all I am wondering what feeling the world or the audience will take away from this text…

Nov 2, 2017

Currently stressed about life. I really have to Now  prioritize, strategize and work the hardest I’ve ever worked in my entire life. I am going to be real with you all . I am a psychology student, in the midst of his first year in my master’s program.

Now let me set the scene…”

I have recently lost my entire hard drive on my computer only a couple weeks before the festival and half way through my first session at school . And that was a Trumatic experience for me. I lost about two years worth of content on my computer including photos and all the music I have produced up until that point and my homework… Songs I had spent hours working on, lost to nothingness, save a few originals on SoundCloud. Here is my November 2nd reflection.

As my mind grows, so does my ambition and curiosity…

I have a lot of work to do, I am really stressed, but I know what I have to do and nothing can stop me from conquering my dragons! I must ride this dragon of psychology and become a master! As well as pursue my passions as an active EDM enthusiast, I feel it is my duty , to push my intellectual capacities and apply them to both my fields of research and study. One being electronic music and the other being psychology. It is my master plan, to blend the two together for my master’s thesis.

Ok Ok! I realized I have just been posting thoughts, so here is some real deal pics to satisfy you guys before I get to the juiciest part of my experience….  THE DJ INTERVIEWS…My associate and I are Dictating the interviews now!!!

Da Tweekaz love TheHardData!  Thanks for reading guys!!!

 

November 3rd 2017,

It is the evening of November 3rd 2017 and I just witnessed a lecture by Fanny Brewster, a renowned psychologist who has a Ph.D. in Clinical Psychology and is a licensed Psychoanalyst. Her lecture was on a female Architype. I feel so connected with women, and that may sound strange coming from a man in 2017… but I truly believe, that women are underrepresented in our society.

Selfie, with Fanny Brewster!

 

I took my mother, as a guest, to this lecture at Pacifica, which is the University I attend for my master’s program in psychology. My time there tonight let me reflect upon how I have been thinking a lot about women lately… and the important role they play in my life. I am reflecting now, upon how important music is to me, and that there are not a lot of females in the industry. For example, I can only name two female headliners at Escape. Rezz, and of course Missk8! I feel that Rezz is channeling female power through anonymity. Rezz captures female form without giving it a physical manifestation of beauty, empowering the ideal of a woman and showing the world that a woman can headline without people acknowledging her physical appearance, the beauty lies underneath the trippy glasses. Thank you Rezz!

Similarly, empowering women is Missk8. Missk8 however, harnesses her power by shocking people with her beauty and applying it to high energy music that expresses emotions like anger and exposes aggression within people. These emotions are not often thought of as beautiful, but when Missk8 blasts her music on stage… you tend to re-evaluate things. Her beauty, and figure, has a shock, or wow factor to it. Because hard style is aggressive and angry in a lot of cases, culturally thought of as negative feelings, misunderstood, misinterpreted or misrepresented feelings, and that is not often thought of as beautiful, but Missk8 embodies the beauty that lies within the music, underneath the surface.

 

 

 

 

 

 

 

(LATEST UPDATE) November 15, 2017

Affectionately known as my “Office”

I just established my space at Pacifica Graduate Institute. I even tagged it in my social media! I affectionately call it my office. It’s a small room in the library! It’s so perfect and quiet. I recently have been reading this book called, “Addressing Cultural Complexities in Practice Third Edition Assessment Diagnosis, and Therapy, by Pamela A. Hays. I find myself using it as a tool for self-analysis and a way of recognizing biases, within myself, that would potentially prevent me from connecting empathetically with those I seek to form therapeutic relationships with.

The reason I am bringing up this literature… is because, the literature is telling me a lot about my own self-identity. When I go to a massive rave like Escape, I can see every type of person imaginable; even those previously inconceivable.

Everyone’s inhibitions were lowered, acceptance of others was heightened. This lead to a mass exchange of culture, ideas, empathy and feelings! As a result of these socially perceived barriers, that are perceptively stronger outside of a festival setting, were almost demolished, due to the ambiance of the festival. The magnitude and scale of this social exchange goes unparalleled in modern society. It takes years, sometimes lifetimes to tear down the walls of ego and judgement that lie between us and the “other”. At festivals people differ in age, sex, gender, ethnicity, social class, religious beliefs…

A party goer dresses as the pope and Jesus Christ; a strong and symbolic representation of a cultural Archetype,

 

 

economic status, regard for authority, culture, and physical attractiveness. Yet all of us were concentrated in close proximity and feeling some of the most intense feelings that some of us will have had ever experienced in our entire lives.

In life, there is racism, intolerance, prejudice, bias, privilege and misunderstanding. As a psychologist, it is my job to understand these aspects of the human psyche, and therein my own. I must be aware of all these aspects of human life in order to be sensitive and understanding with the people I interact with. And so, with this log I would like to emphasize cultural awareness and sensitivity because we are part of this world. Each culture contributes its unique sounds, adopted by electronic music. The beats, and timing differ from country to country, culture to culture, and person to person… coming from, and spreading to, all over. There are people from all over the world, representing their unique cultures, as individuals, at these festivals. Be aware that we all need to respect and honor each other. That is the premise of the readings I found in Pamela A. Hays’ book, and the theme of this log is to reflect upon your own culture, relative to everyone else’s culture, and bring about a better perspective than the days before that time of great reflection… Happy travels- 3MiloE

 

I never wore color until after Escape 2017
Articles, Reviews

Escape: Psycho Circus 2017 Early Report: Less Twerking at Basscon Stage than others, thank goodness.

Insomniac’s Escape line-up this year featured the Basscon stage. Ok, that makes sense. Unbelievably, in years past that has not been the case. But how can you have Halloween without scary hardcore techno and hardstyle I ask you? So fittingly, The Hard Data was out in full force Friday bringing you the goods. We got excellent interviews last night with Angerfist and Miss K8, Coone, DJ Isaac, Pulsatorz, Crisis Era and Da Tweekaz just for starters. You can look forward to those interviews hitting the print mag and online in the next week.

Getting to the site early is always a treat. You can walk around without stress and the vibe is nice. Since it opened at 4pm, it was daylight out and we got to get a good look at what Insomniac did with the NOS Events Center this year. It is super decked-out! The past events at NOS lately have mostly centered on the two big indoor areas, but here, they erected tents for the different brands, had a haunted maze, carnival rides… it’s the best I’ve seen the NOS look in a while.

There’s a good crowd here but not so packed it is annoying. One thing that occurs to me as an old school raver going back to the early 90s, is that Insomniac’s Events, even though owned by Live Nation, still retain that old school feel that I used to get playing at big chaos events in Victorville or wherever. All it is is more polished and professional. Say what you want about Insomniac but if anyone is going to represent the true rave vibe nationwide, they are the ones to do it. As an old schooler, I can logically see the history and how it all leads up to today. So, yes, Insomniac buys ads in THD, and we’re therefore a little biased, but I stand by my statement here and I don’t think many can challenge it even considering my bias.

Now getting back to the present… Escape is about Halloween, but frankly the raver crowd looks mostly the same as usual except most have put fake blood on themselves in strategic areas. We bopped around most areas Friday night and knocked out the aforementioned interviews in between dancing at the Basscon stage. Angerfist and Miss K8 knocked it out! Angerfist was playing a lot of his new tracks and there were some frenchcore flavored ones that ripped! Also the interviews this time were really good as you will read in the future. For whatever reason, the artists really brought up some good, interesting info last night.

One thing I noticed this event was that there is way less twerking at the Basscon stage than others. Thank you! I have to say, that I feel kind of sorry for especially the girls doing this. I mean, seeing them bend over and rub their butts on guys and think it’s a dance is pretty gross. And I don’t admire the guys on the receiving end either. I mean, do you really want your girlfriend rotating her butt for all to see? If she does that for you, dude, you probably aren’t the only one. It just looks full-on sad. I know most of these girls think its popular and a “thing to do” but in the end result it makes you look like more of animal than a person with feelings and aspirations. I know its probably not going anywhere soon, but it was nice to see less twerking at the Basscon stage.

Since its 95 degrees in the day, I can’t blame anyone for wearing no more than a bathing suit to these festivals, but you know the rave scene traditionally has been an “Escape” from mainstream culture and never really embraced the over-sexed to the point of exhaustion bent of mainstream culture. Hopefully we will see that feeling come back, because if we are all just concentrating on what’s down below, we can get distracted from rising higher, and really fulfilling our potential. I’m not saying be a prude, but it is the love of our culture that truly brings us together in a positive manner so that we can form truly satisfying relationships.

So now I’m going back into the festival. This is Deadly Buda reminding you, “The rhythm is life and death!”

Escape: Psycho Circus 2017 Early Report: Less Twerking at Basscon Stage than others, thank goodness.

Insomniac’s Escape line-up this year featured the Basscon stage. Ok, that makes sense. Unbelievably, in years past that has not been the case. But how can you have Halloween without scary hardcore techno and hardstyle I ask you? So fittingly, The Hard Data was out in full force Friday bringing you the goods. We got excellent interviews last night with Angerfist and Miss K8, Coone, DJ Isaac, Pulsatorz, Crisis Era and Da Tweekaz just for starters. You can look forward to those interviews hitting the print mag and online in the next week.

Getting to the site early is always a treat. You can walk around without stress and the vibe is nice. Since it opened at 4pm, it was daylight out and we got to get a good look at what Insomniac did with the NOS Events Center this year. It is super decked-out! The past events at NOS lately have mostly centered on the two big indoor areas, but here, they erected tents for the different brands, had a haunted maze, carnival rides… it’s the best I’ve seen the NOS look in a while.

There’s a good crowd here but not so packed it is annoying. One thing that occurs to me as an old school raver going back to the early 90s, is that Insomniac’s Events, even though owned by Live Nation, still retain that old school feel that I used to get playing at big chaos events in Victorville or wherever. All it is is more polished and professional. Say what you want about Insomniac but if anyone is going to represent the true rave vibe nationwide, they are the ones to do it. As an old schooler, I can logically see the history and how it all leads up to today. So, yes, Insomniac buys ads in THD, and we’re therefore a little biased, but I stand by my statement here and I don’t think many can challenge it even considering my bias.

Now getting back to the present… Escape is about Halloween, but frankly the raver crowd looks mostly the same as usual except most have put fake blood on themselves in strategic areas. We bopped around most areas Friday night and knocked out the aforementioned interviews in between dancing at the Basscon stage. Angerfist and Miss K8 knocked it out! Angerfist was playing a lot of his new tracks and there were some frenchcore flavored ones that ripped! Also the interviews this time were really good as you will read in the future. For whatever reason, the artists really brought up some good, interesting info last night.

One thing I noticed this event was that there is way less twerking at the Basscon stage than others. Thank you! I have to say, that I feel kind of sorry for especially the girls doing this. I mean, seeing them bend over and rub their butts on guys and think it’s a dance is pretty gross. And I don’t admire the guys on the receiving end either. I mean, do you really want your girlfriend rotating her butt for all to see? If she does that for you, dude, you probably aren’t the only one. It just looks full-on sad. I know most of these girls think its popular and a “thing to do” but in the end result it makes you look like more of animal than a person with feelings and aspirations. I know its probably not going anywhere soon, but it was nice to see less twerking at the Basscon stage.

Since its 95 degrees in the day, I can’t blame anyone for wearing no more than a bathing suit to these festivals, but you know the rave scene traditionally has been an “Escape” from mainstream culture and never really embraced the over-sexed to the point of exhaustion bent of mainstream culture. Hopefully we will see that feeling come back, because if we are all just concentrating on what’s down below, we can get distracted from rising higher, and really fulfilling our potential. I’m not saying be a prude, but it is the love of our culture that truly brings us together in a positive manner so that we can form truly satisfying relationships.

So now I’m going back into the festival. This is Deadly Buda reminding you, “The rhythm is life and death!”

Articles, Events, Reviews

My Project Z Experience by 3MiloE

Every time I listen to electronic music, the experience seems new to me. Perhaps maybe it is because electronic music is an ever- changing, ever-expanding entity, with each genre and style having its own sound, social groups, and individual cultures. Festivals like Project Z is where all these groups of people who love different kinds of  electronic music unite together and celebrate not just the music, but the way it makes us feel.

Project Z 2017 was my first Project Z experience, and my girl’s first Insomniac event. It seems needless to say to those who attended, but we were both blown away.

Excitement and anticipation filled us with adrenaline as we got in line to enter, the music and bright lights shining over the fences making me nod my head and dance a little. Upon entering, I was hit with a wave of relief and euphoria. We had made it to Project Z! The scenery made me feel like i was in a dream. Colors of blue and green lit up the night and reflected upon a lake. A grassy field lay beside it, and there were many ravers just chilling and relaxing by the tranquil water. Security allowed people to relax and vibe out, while also making it feel very safe and calm when and where it needed to be. My girl and I came casually dressed and slightly unprepared in that sense, but we had comfortable shoes, a CamelBak, and an attitude to have fun.

Our main objective of the night was to find all stages and get a sense of where everything at the event was located, like exits and facilities, information booths, and other important locations. There was plenty of open space between the stages, bathrooms, and vendors, yet were also in close enough proximity of each other to navigate the event easily and comfortably considering the large attendance.

So many sights and interesting characters were there to be seen. Having just watched an entire of Rick and Morty a week prior to attending Project Z, it was fascinating to see how many totems and candies were dedicated to the show—it made us feel like we belonged. We happen to be glove enthusiasts, and so we had to sit down a few times to get some shows from a few different glovers. The interpretive dances of their hands illuminated by LED lights entranced us, making us feel a wide range of emotions.  We spotted a gang of roving go-go dancers dressed as bunnies that looked like they were from Alice in Wonderland moving their way through the crowd and stages—their sole purpose to trip people out. They did an excellent job of doing that. Another area which always caught my attention as I passed through had a projection of ticking clocks that were scattered and moving over everything around it.

Project Z dancers
These characters danced like creatures throughout the night, moving from stage to stage.

Once we discovered all three of the stages and key locations, we were ready to enjoy ourselves. The first stage we experienced was Bassrush. The sounds of riddim and dubstep sent waves of happiness and aggression throughout the crowd. One of the main highlights of the night was JoyRyde, who murdered the stage as if the crowd had taken Liam Nieson’s daughter. The intensity of the music matched with the crowd’s ability to scream and move their bodies to the raw rhythms were enhanced by lasers and intense visuals, all contributing to a feeling of euphoria and loss of self to the moment that gripped and captivated parts of our souls that had not been there before. It was hard to leave that feeling behind, but we HAD to check out the next stage known as…. Basscon.

Basscon turned out to be my favorite stage at Project Z. The music caused a chaotic physical manifestation of the emotions I felt conveyed in my dancing that only need be described with two words, “going hard”. The DJs almost  seemed as if they were controlling the crowd with their mixer. I felt like i was in a trance. The breaks and the drops flawlessly blended together into a musical roller coaster I could ride. Explosive bursts of energy that were followed by entrancing melodies gave pauses in perfect increments to where I could dance and get enough rest in between intense parts of the songs. I danced so hard, I felt like my heart was about to explode. We decided to stop before we both felt like we were going to collapse.

Going Hard! at the Basscon stage!
Screenshot of me dancing at the Basscon stage and a cameo of the candie my girl found.

When we started to get hot and thirsty, we found that Project Z provided a filling station where water was  distributed for FREE! The fact that Project Z provides free water separates Project Z from most other events or venues, as water is usually very expensive.,

We went on to find a place to chill and before experiencing the third and final stage known as Area Z. On the way there, my girl found her first candie ever, a geometric pattern that wraps around your arm.  Before “rescuing” it, we looked around to see if it belonged to anyone, because it looked as if it had taken hours of time to make. We pondered where it might have come from, and how many times it might have been traded from person to person. We questioned what kind of stories it has had, and how much it must have meant to someone. I hope whoever lost it reads this article, because the candie found a great home and is being loved and cherished!

The painter at Area Z
This artist painted to dubstep.

At this point, we needed to rest, and Area Z was a perfect place to do just that. If i could describe the music at Area Z. It was mellow dubstep, a style you could go either go hard to or just relax and listen to. A nearby painter captured the creative energy of the night and sounds into an image on canvas.

At the end of the night, we were handed fliers to upcoming events and underground shows in the nearby area. Although I may not go to all the events that were promoted, it is cool to think that at the end of every event like this one, someone can find an underground party and perhaps discover new music, new friends, and new adventures.

See you next year, Project Z!