Every year thousands of gabbers make the pilgrimage from all over the world to a small town outside of Eindhoven for the largest hardcore gathering in the world. This year was no different. On 21 July my friends and I embarked on our epic journey to the festival. Of course being my group of friends there were several obstacles along the way: missing IDs; lost OV chip cards; almost missing both the bus and train; and a packed sauna-like shuttle ride. Nevertheless after the three-hour journey we made it there!
This was my third edition of Dominator and one important difference between this year and the previous years (I went in 2017 and 2015) was that this was one of the hottest days on record in the Netherlands (according to me having spent almost four summers/partial summers here now). Thankfully Dominator is located on a beautiful beach with plenty of room to swim. Despite the heat the organizers were prepared and preemptively cancelled the fireworks as a result of the dry terrain. Furthermore, a big shout out to the organizers for providing cups and free water stations and potable drinking water near the bathrooms; that was a lifesaver.
We started the day off with Fan4stik. It was my first time seeing them and as a new recent fan of Billx it was the perfect start to the day. If you like Hard Tek check these guys out. Next we made our way over to the main stage for Bodyshock. Even though it was early the main stage was packed and the crowd despite the heat was so energetic. So energetic that people kept trying to steal our inflatable pig totem (Wilbur)! Thankfully Anne is a marathon runner and hunted the perpetrators down and returned Wilbur safely to our crew.
After now slightly dying as result of the heat I hopped in the water for a little swim during Radium’s set. The highlight of the set for me was while I was swimming I heard Rob GEE’s new track “A DJ Saved My Life” (side note: I heard it again later during Mutante’s set, could this be the festival anthem of the summer?). Next was the QSA (American hard dance) meet up during Billx’s set and as per usual it consisted of a sloppy failed attempt at a group photo then half of the group disappeared.
After that I got separated from the group and because they closed the beach off for Sefa’s set, myself and the other festival-goers trying to get to the other side of the festival had to cross through the water. This was probably my favorite part of the day. An exodus of sweaty people carrying dirty socks, shoes, and all their belongings (somehow still all texting and taking selfies) through the water to the other side of the island from the Frenchcore tent to the Extreme Hardcore tent. It was a long trek but we made it!
Last but certainly not least, my friend Hellcreator closed the talent stage and he crushed it! This is now two years in a row that a friend of mine had the opportunity to play on the talent stage at Dominator, what a treat!
Exhausted, dirty, sweaty, and sore. These are some of the words to describe how we felt the end of Dominator. Dominator festival is a must visit for anyone who likes hardcore; every year it gets bigger and bigger. The festival overall no surprise was an absolute success. The music was amazing, the production level was high, and the crowd was energized. The only thing that would make it better is if the Rawstyle stage was the Speedcore stage, well I can only dream.
Day oneOctober 30, 2017. Contemplating in a graveyard because I find myself being featured on the television show called “Now and Then” as I will write down in log my first day recalling escape 2017.
First foremost I would like to thank insomniac for the opportunity to cover this event and interview DJs. It was really the most profound experience I have had yet to date and I will re-iterate by thanking them because they really are the best party thrower’s in the world.My name is 3MiloE and this is my Escape 2017 experience.
Logged October 30th, 2017
The purpose of this project is to really capture the feeling of both the artist and the party goer. I will be updating this project daily posting photos interviews and my personal experience interviewing partygoers as well updating daily as time goes along so you can track my project and the progress of this project from beginning to end . Readers can thoroughly enjoy themselves and go through my story day by day rather than having to wait to finish the entire project. I hope you will re-live my experience, with me as I put it down in this article and capture my own experience throughout this wild weekend which was a esape 2017.
9:23 a.m. Tuesday, Halloween, October 31, 2017, my friends back yard,
Please allow me to get sidetracked for a second because the main focus of this work, is to derive meaning from this entire stream of consciousness that I experienced during Escape. Although it’s hard to describe. People think it’s about that music, people think about the drugs, people think it’s about the lights, people think it’s about dressing up. It’s really about what each individual takes away from it.
The first night I spent the night interviewing the DJs but the second night I interviewed the crowd. It was interesting to find out what really makes everything tick. I’ve been part of the crowd before but I have never been behind stage I wanted to ask the artist questions I wanted to know, not necessarily what people wanted to know or the public. I like to call myself a Renaissance man of EDM, I produce, I spin, I promote, I write articles, I go to festivals and, now I interview famous DJs.
Right now it is 9:20 in the morning Halloween October 31, 2017 I have just woken up at my friends house I am having a coffee before he wakes up. I am logging in my daily time thinking about who really is my audience reading this? Should I really bring the hard data? Which I feel to some extent this festival world needs.
I am going to write the story of Escape down in this text, the feelings of the artists, the feelings of myself, feelings of the crowd. With the prime directive of answering this questions, “what did we all take away from this experience. DJs, medical staff, festival workers, party goers, the producers; all changed in some way by this experience. Did people take home something with them, that had only been discovered at Escape 2017? Do they have the feeling that I have? The feeling that artists cried when they were on stage, was the feeling that was described by general mission, and party goers and that’s the feeling I got when I was experiencing the story doing the interviews, being in the crowd, but most of all I am wondering what feeling the world or the audience will take away from this text…
Nov 2, 2017
Currently stressed about life. I really have to Now prioritize, strategize and work the hardest I’ve ever worked in my entire life. I am going to be real with you all . I am a psychology student, in the midst of his first year in my master’s program.
Now let me set the scene…”
I have recently lost my entire hard drive on my computer only a couple weeks before the festival and half way through my first session at school . And that was a Trumatic experience for me. I lost about two years worth of content on my computer including photos and all the music I have produced up until that point and my homework… Songs I had spent hours working on, lost to nothingness, save a few originals on SoundCloud. Here is my November 2nd reflection.
As my mind grows, so does my ambition and curiosity…
I have a lot of work to do, I am really stressed, but I know what I have to do and nothing can stop me from conquering my dragons! I must ride this dragon of psychology and become a master! As well as pursue my passions as an active EDM enthusiast, I feel it is my duty , to push my intellectual capacities and apply them to both my fields of research and study. One being electronic music and the other being psychology. It is my master plan, to blend the two together for my master’s thesis.
Ok Ok! I realized I have just been posting thoughts, so here is some real deal pics to satisfy you guys before I get to the juiciest part of my experience…. THE DJ INTERVIEWS…My associate and I are Dictating the interviews now!!!
Da Tweekaz love TheHardData! Thanks for reading guys!!!
November 3rd 2017,
It is the evening of November 3rd 2017 and I just witnessed a lecture by Fanny Brewster, a renowned psychologist who has a Ph.D. in Clinical Psychology and is a licensed Psychoanalyst. Her lecture was on a female Architype. I feel so connected with women, and that may sound strange coming from a man in 2017… but I truly believe, that women are underrepresented in our society.
Selfie, with Fanny Brewster!
I took my mother, as a guest, to this lecture at Pacifica, which is the University I attend for my master’s program in psychology. My time there tonight let me reflect upon how I have been thinking a lot about women lately… and the important role they play in my life. I am reflecting now, upon how important music is to me, and that there are not a lot of females in the industry. For example, I can only name two female headliners at Escape. Rezz, and of course Missk8! I feel that Rezz is channeling female power through anonymity. Rezz captures female form without giving it a physical manifestation of beauty, empowering the ideal of a woman and showing the world that a woman can headline without people acknowledging her physical appearance, the beauty lies underneath the trippy glasses. Thank you Rezz!
Similarly, empowering women is Missk8. Missk8 however, harnesses her power by shocking people with her beauty and applying it to high energy music that expresses emotions like anger and exposes aggression within people. These emotions are not often thought of as beautiful, but when Missk8 blasts her music on stage… you tend to re-evaluate things. Her beauty, and figure, has a shock, or wow factor to it. Because hard style is aggressive and angry in a lot of cases, culturally thought of as negative feelings, misunderstood, misinterpreted or misrepresented feelings, and that is not often thought of as beautiful, but Missk8 embodies the beauty that lies within the music, underneath the surface.
(LATEST UPDATE) November 15, 2017
Affectionately known as my “Office”
I just established my space at Pacifica Graduate Institute. I even tagged it in my social media! I affectionately call it my office. It’s a small room in the library! It’s so perfect and quiet. I recently have been reading this book called, “Addressing Cultural Complexities in Practice Third Edition Assessment Diagnosis, and Therapy, by Pamela A. Hays. I find myself using it as a tool for self-analysis and a way of recognizing biases, within myself, that would potentially prevent me from connecting empathetically with those I seek to form therapeutic relationships with.
The reason I am bringing up this literature… is because, the literature is telling me a lot about my own self-identity. When I go to a massive rave like Escape, I can see every type of person imaginable; even those previously inconceivable.
Everyone’s inhibitions were lowered, acceptance of others was heightened. This lead to a mass exchange of culture, ideas, empathy and feelings! As a result of these socially perceived barriers, that are perceptively stronger outside of a festival setting, were almost demolished, due to the ambiance of the festival. The magnitude and scale of this social exchange goes unparalleled in modern society. It takes years, sometimes lifetimes to tear down the walls of ego and judgement that lie between us and the “other”. At festivals people differ in age, sex, gender, ethnicity, social class, religious beliefs…
A party goer dresses as the pope and Jesus Christ; a strong and symbolic representation of a cultural Archetype,
economic status, regard for authority, culture, and physical attractiveness. Yet all of us were concentrated in close proximity and feeling some of the most intense feelings that some of us will have had ever experienced in our entire lives.
In life, there is racism, intolerance, prejudice, bias, privilege and misunderstanding. As a psychologist, it is my job to understand these aspects of the human psyche, and therein my own. I must be aware of all these aspects of human life in order to be sensitive and understanding with the people I interact with. And so, with this log I would like to emphasize cultural awareness and sensitivity because we are part of this world. Each culture contributes its unique sounds, adopted by electronic music. The beats, and timing differ from country to country, culture to culture, and person to person… coming from, and spreading to, all over. There are people from all over the world, representing their unique cultures, as individuals, at these festivals. Be aware that we all need to respect and honor each other. That is the premise of the readings I found in Pamela A. Hays’ book, and the theme of this log is to reflect upon your own culture, relative to everyone else’s culture, and bring about a better perspective than the days before that time of great reflection… Happy travels- 3MiloE
Every time I listen to electronic music, the experience seems new to me. Perhaps maybe it is because electronic music is an ever- changing, ever-expanding entity, with each genre and style having its own sound, social groups, and individual cultures. Festivals like Project Z is where all these groups of people who love different kinds ofelectronic music unite together and celebrate not just the music, but the way it makes us feel.
Project Z 2017 was my first Project Z experience, and my girl’s first Insomniac event. It seems needless to say to those who attended, but we were both blown away.
Excitement and anticipation filled us with adrenaline as we got in line to enter, the music and bright lights shining over the fences making me nod my head and dance a little. Upon entering, I was hit with a wave of relief and euphoria. We had made it to Project Z! The scenery made me feel like i was in a dream. Colors of blue and green lit up the night and reflected upon a lake. A grassy field lay beside it, and there were many ravers just chilling and relaxing by the tranquil water. Security allowed people to relax and vibe out, while also making it feel very safe and calm when and where it needed to be. My girl and I came casually dressed and slightly unprepared in that sense, but we had comfortable shoes, a CamelBak, and an attitude to have fun.
Our main objective of the night was to find all stages and get a sense of where everything at the event was located, like exits and facilities, information booths, and other important locations. There was plenty of open space between the stages, bathrooms, and vendors, yet were also in close enough proximity of each other to navigate the event easily and comfortably considering the large attendance.
So many sights and interesting characters were there to be seen. Having just watched an entire of Rick and Morty a week prior to attending Project Z, it was fascinating to see how many totems and candies were dedicated to the show—it made us feel like we belonged. We happen to be glove enthusiasts, and so we had to sit down a few times to get some shows from a few different glovers. The interpretive dances of their hands illuminated by LED lights entranced us, making us feel a wide range of emotions. We spotted a gang of roving go-go dancers dressed as bunnies that looked like they were from Alice in Wonderland moving their way through the crowd and stages—their sole purpose to trip people out. They did an excellent job of doing that. Another area which always caught my attention as I passed through had a projection of ticking clocks that were scattered and moving over everything around it.
These characters danced like creatures throughout the night, moving from stage to stage.
Once we discovered all three of the stages and key locations, we were ready to enjoy ourselves. The first stage we experienced was Bassrush. The sounds of riddim and dubstep sent waves of happiness and aggression throughout the crowd. One of the main highlights ofthe night was JoyRyde, who murdered the stage as if the crowd had taken Liam Nieson’s daughter.The intensity of the music matched with the crowd’s ability to scream and move their bodies to the raw rhythms were enhanced by lasers and intense visuals, all contributing to a feeling of euphoria and loss of self to the moment that gripped and captivated parts of our souls that had not been there before. It was hard to leave that feeling behind, but we HAD to check out the next stage known as…. Basscon.
Basscon turned out to be my favorite stage at Project Z. The music caused a chaotic physical manifestation of the emotions I felt conveyed in my dancing that only need be described with two words, “going hard”. The DJs almostseemed as if they were controlling the crowd with their mixer. I felt like i was in a trance. The breaks and the drops flawlessly blended together into a musical roller coaster I could ride. Explosive bursts of energy that were followed by entrancing melodies gave pauses in perfect increments to where I could dance and get enough rest in between intense parts of the songs. I danced so hard, I felt like my heart was about to explode. We decided to stop before we both felt like we were going to collapse.
Screenshot of me dancing at the Basscon stage and a cameo of the candie my girl found.
When we started to get hot and thirsty, we found that Project Z provided a filling station where water wasdistributed for FREE! The fact that Project Z provides free water separates Project Z from most other events or venues, as water is usually very expensive.,
We went on to find a place to chill and before experiencing the third and final stage known as Area Z. On the way there, my girl found her first candie ever, a geometric pattern that wraps around your arm. Before “rescuing” it, we looked around to see if it belonged to anyone, because it looked as if it had taken hours of time to make. We pondered where it might have come from, and how many times it might have been traded from person to person. We questioned what kind of stories it has had, and how much it must have meant to someone. I hope whoever lost it reads this article, because the candie found a great home and is being loved and cherished!
This artist painted to dubstep.
At this point, we needed to rest, and Area Z was a perfect place to do just that. If i could describe the music at Area Z. It was mellow dubstep, a style you could go either go hard to or just relax and listen to. A nearby painter captured the creative energy of the night and sounds into an image on canvas.
At the end of the night, we were handed fliers to upcoming events and underground shows in the nearby area. Although I may not go to all the events that were promoted, it is cool to think that at the end of every event like this one, someone can find an underground party and perhaps discover new music, new friends, and new adventures.
See you next year, Project Z!
Dedicated to the harder sound of electronic dance music.
