On Saturday 9 February 2019, 30,000 hard dance fans from all over the world gathered together in the Gelredome for Hard Bass: The Last Formation. For those who don’t know, Hard Bass was an annual party for the last ten years at the Gelredome organized by B2S (one of the major hard dance event organizers in the Netherlands). Last Saturday was the final edition of Hard Bass and the end of one of the largest most popular indoor hard dance events in the world.
What made Hard Bass unique is that, unlike other parties where DJs typically perform one-hour sets back to back (or in some instances longer sets versus other DJs), Hard Bass was notorious for its use of “teams”. The ten-hour long party (as always, not long enough in my opinion) this year was divided into five teams: Blue, Green, Yellow, Red, and Heroes (Ten Years of History). Each team consisted of multiple DJs who perform in a similar style. This edition was coined the “hardest” Hard Bass, which was evidenced by the predominance of rawstyle DJs on the line up – B-Front, Ran-D, Radical Redemption, and E-Force, to name a few.
Although my heart beats at 300 beats per minute, I was blown away by the production and music on Saturday night. This truly was a show rather than just a typical rave, so much that at times sitting out in the stands (the Gelredome is large stadium with tiered seating) I felt as though I was watching Hard Bass: The Musical. Each team was provided with a proper introduction and ending similar to the curtain call in play. Once they finished performing their epic last track, the lights would go off, everyone would applaud, and an introduction would start for the next team.
Being from the New York area and having attended multiple Broadway performances, I couldn’t help but wonder what it would be like to attend this as a play where you sit down and watch the performance as if you were watching Phantom of the Opera or Fiddler on the Roof, for instance. All of the elements were there. The stage was a giant space ship, which fit perfectly with the theme, the lasers were out of this world, and of course there was fire, fireworks, and even some theatrics.
The evening truly was a tribute to ten years of hard dance, and to the artists and fans who made it all possible. The music was a quintessential mix of the classics we all know the words to, such as “Imaginary”,“Castles in the Sky”,“You’ve Got the Love”, and “Eternalize”, as well as some new tracks including my one of my personal favorites of the evening, “The Last Resort”.
This night was particularly memorable for me because I learned what “kick rolling” was for the first time. As previously mentioned, although I do enjoy rawstyle, I have not had much exposure to it, as it is a stage I don’t typically frequent at festivals. Usually passing by the rawstyle stage at Defqon, Dominator, or Masters of Hardcore, I would always see a large crowd of very tall, buff Dutch guys all moving their hands in a chopping motion to the beat. I figured this was just a dance that everyone did both collectively and individually, for example as gabbers hakken.
However, now I know that it is in fact a style of dancing (which is often pre-rehearsed) so that the chopping motion hits right on the beat. The more you know! I found this particularly fascinating because with speedcore/terror we have something similar (albeit less rehearsed and fluid) where when the beat drops you see everyone with one hand to the sky basically having a seizure (don’t judge it until you try it!)
My favorite team of the evening was definitely Red, and those last few minutes were the perfect ending to the night. I particularly enjoy when rawstyle tracks are sped up, although I guess this would make kick rolling more difficult for some. Rawstyle is known for its brutal kicks, complex layers, and screeches, therefore just kicking it up a bit to 200 beats per minute makes it even better (in my humble opinion).
The evening concluded flawlessly with the GPF remix of Killshot-Beastmode, which of course kept me wanting more. The finale of the show consisted of the space ship taking off, closing off a chapter in history of ten years of Hard Bass. What will B2S have for us next?
*Disclaimer: The opinions in this article are strictly my own and do not necessarily reflect the opinions of the companies and organizations I am affiliated with. Furthermore the pictures water marked “Hard Bass” are not my own pictures but rather B2S.
On Sunday August 5th I finally had the opportunity to take advantage of this incredibly warm weather this summer and go to the beach! Instead of just being a normal person and spending the day laying out, tanning, and swimming of course as always there was a pre-game meet up and a festival, Hardcore at Sea!
I met up with my friends after rushing from work (nothing like changing into rave clothes and dashing out the door) on the beach in Bloemendaal in the afternoon for a QSA picnic. If you don’t know by now or are just reading my blog for the first time, QSA is a group of American hard dance ravers who go to festivals and parties together. The best part about having a picnic outside the venue was being able to hear the music during the sound check not only from Hardcore at Sea but from Hard Classics next door.
Then after a few hours we wrapped up the picnic and headed inside to the festival. First let me start by saying the stage was SO COOL it was a giant inflatable shark, perfect for the beach vibes theme. This is my second edition of Hardcore at Sea and this year was even bigger and better than last year. The venue, Beachclub Fuel is a small but intimate bar situated right on the beach with three stages: main stage, frenchcore, and rawstyle. I have to say out of all of the festivals I’ve been to since I can remember this was the longest amount of time I have spent at a main stage. Usually I am a side stage girl (terror, uptempo, frenchcore, etc.) but the music was just so on point at the main stage and the weather was so nice, it was really the place to be.
The first set of the day was of course my besties Rob GEE and Da Mouth of Madness. As always they crushed it packing in a wild thirty minute set ranging all the way from early hardcore classics like “Ecstasy You Got What I Need” to Rob’s new hit of the summer “A DJ Saved My Life.” Of course for me with Rob GEE sets always consist of singing, yelling, and shaky Iphone videos.
Next up was probably one of the funniest things I have ever seen at a party. During Destructive Tendencies vs. Dr Peacock, which was an AMAZING first time ever set, the shark ate the stage, there was literal shark week at Hardcore at Sea. The giant inflatable shark mouth ate the stage! So epic!
I spent the rest of the day wandering around and catching up with everyone. One really amazing thing about the party was all the Americans there! Partyraiser even introduced me to his two friends from Illinois, so cool!
Perfect weather, perfect music, and therefore a perfect day! See you next time!
Every year thousands of gabbers make the pilgrimage from all over the world to a small town outside of Eindhoven for the largest hardcore gathering in the world. This year was no different. On 21 July my friends and I embarked on our epic journey to the festival. Of course being my group of friends there were several obstacles along the way: missing IDs; lost OV chip cards; almost missing both the bus and train; and a packed sauna-like shuttle ride. Nevertheless after the three-hour journey we made it there!
This was my third edition of Dominator and one important difference between this year and the previous years (I went in 2017 and 2015) was that this was one of the hottest days on record in the Netherlands (according to me having spent almost four summers/partial summers here now). Thankfully Dominator is located on a beautiful beach with plenty of room to swim. Despite the heat the organizers were prepared and preemptively cancelled the fireworks as a result of the dry terrain. Furthermore, a big shout out to the organizers for providing cups and free water stations and potable drinking water near the bathrooms; that was a lifesaver.
We started the day off with Fan4stik. It was my first time seeing them and as a new recent fan of Billx it was the perfect start to the day. If you like Hard Tek check these guys out. Next we made our way over to the main stage for Bodyshock. Even though it was early the main stage was packed and the crowd despite the heat was so energetic. So energetic that people kept trying to steal our inflatable pig totem (Wilbur)! Thankfully Anne is a marathon runner and hunted the perpetrators down and returned Wilbur safely to our crew.
After now slightly dying as result of the heat I hopped in the water for a little swim during Radium’s set. The highlight of the set for me was while I was swimming I heard Rob GEE’s new track “A DJ Saved My Life” (side note: I heard it again later during Mutante’s set, could this be the festival anthem of the summer?). Next was the QSA (American hard dance) meet up during Billx’s set and as per usual it consisted of a sloppy failed attempt at a group photo then half of the group disappeared.
After that I got separated from the group and because they closed the beach off for Sefa’s set, myself and the other festival-goers trying to get to the other side of the festival had to cross through the water. This was probably my favorite part of the day. An exodus of sweaty people carrying dirty socks, shoes, and all their belongings (somehow still all texting and taking selfies) through the water to the other side of the island from the Frenchcore tent to the Extreme Hardcore tent. It was a long trek but we made it!
Last but certainly not least, my friend Hellcreator closed the talent stage and he crushed it! This is now two years in a row that a friend of mine had the opportunity to play on the talent stage at Dominator, what a treat!
Exhausted, dirty, sweaty, and sore. These are some of the words to describe how we felt the end of Dominator. Dominator festival is a must visit for anyone who likes hardcore; every year it gets bigger and bigger. The festival overall no surprise was an absolute success. The music was amazing, the production level was high, and the crowd was energized. The only thing that would make it better is if the Rawstyle stage was the Speedcore stage, well I can only dream.
As I now have been to three editions of Defqon (2015, 2017, and 2018) and countless of other camping festivals, I feel as though I am qualified to provide my tips to those of you making the epic pilgrimage to Defqon next year. My advice is directed primarily to Americans, because this is an American publication and I’m from the US, but it can be applied to anyone traveling to the Netherlands for Defqon!
1. Three Months Before Defqon
Buy your flight (if applicable) and festival tickets early and start making plans as soon as possible. I cannot emphasize this enough. Tickets usually sell out close to the event so get yours as soon as they go on sale in March to be safe! Moreover, arrange with your friends in advance what camping option you plan on doing.
How long should you stay in Holland?
If you’re coming from the US I would suggest at least a week. Your best bet is to arrive in Holland on Wednesday to rest up and explore. Then on Thursday get all the supplies you need for Defqon then later that night come to the QSA meet up in Amsterdam to meet our amazing group of Americans (shout out to QSA!). Then, Defqon goes from Friday to Monday, which leaves you with at least a day and a half to recover.
How should I get to Defqon?
If it’s your first time in Holland, Amsterdam is probably your best option. Getting to Defqon from Amsterdam is easy and you have a variety of options. However that being said, if it’s not your first time in the Netherlands go somewhere else, I live in the Den Haag area which is awesome, but Utrecht and Rotterdam are two other major amazing cities!
If you’re traveling in a large group I suggest renting a car. This past year my friends and I rented a car from Sixt from Schipol Airport. WARNING to Americans: cars are a LOT smaller here than in the US. You might think you are getting a seven person car but in reality it really only fits four people with all the camping supplies in the back (we stuffed six people and all of our camping supplies but it was a very tight fit). Also this might be obvious but please do not forget your credit card and passport when you go to pick up the car (this happened to my group of friends don’t let it happen to you!).
If you’re traveling solo or in a small group your best options are to either: (i) take public transportation to Dronten station then the Defqon shuttle; or (2) take the bus from Amsterdam (or wherever you are staying) to Defqon.
If you choose option (i) book your shuttle ticket online from the Defqon website. The shuttle buses leave throughout the day starting at 13:00 on Friday. Definitely get that shuttle ticket in advance because it fills up and increases in price. Additionally public transportation is very easy in the Netherlands, although a bit pricy. There is a very handy app/website that provides you with all the information you need (https://9292.nl/en). You can change the language to English after you download the app by clicking the wheel (settings) then click “Taal” and change it to “Engels”. If you plan on using the train, tram, or bus in the Netherlands you should purchase an OV chipcard. You can buy an OV chipcard from any train station just look for the large yellow machine, then you can load money on the card and travel anywhere in the Netherlands. This is cheaper than buying individual tickets.
For option (ii), you can book a bus trip from Event Travel (https://www.eventtravel.nl) from most cities in the Netherlands. I did this in 2017 from Den Haag and it was about 30 euros round trip. The only issue with the bus is its extremely slow, it makes a lot of stops, and then you are sitting in the bus line traffic at the entrance to Defqon. The bus we took in 2017 left Den Haag at 9:00am and we arrived at Defqon sometime after 13:00.
Where should I stay at Defqon?
This is obviously dependent on your personality and festival style. In 2015, I chose the regular ticket including a Defqon sleep package (tent, sleeping bag, etc), in 2017 I did friends camp with my 2015 tent, and this year I did regular camping with my own tent. If you’re interested in camping and do not live in the Netherlands your best option is probably to do either the regular camping option including the tent or friends camp including the tent. If you’re traveling in a large group friends camp is a great option because you get a designated camping area with picnic tables, a much faster check in and security line, and we even got Defqon power banks which we could charge at the stations! Personally, camping is my favorite part of Defqon because the party never ends and if you need anything throughout the day you could always just go back to the campsite to get it then the next day all you have to do is walk right into the festival!
Another great option is the tipi. Tipis come in different sizes and my friends always get them. It’s a great after party spot, its rain resistant, has electricity, and cots to sleep on. I also saw for the first time this year a Yurt (not sure if they had them in years passed), this is a large tent with electricity, beds, and is easily lockable. We walked past some pretty wild after parties in the yurts this year!
For those who like the convenience of staying at the festival but don’t want to camp can choose the comfort camping option. With this you are in a cabin with electricity, have access to an exclusive bar; chill area, bbq, breakfast and more. So if you have the money and are someone who needs privacy, sleep, or electricity this is for you.
If you’re not one for constant loud noise, getting disgusting, and large crowds (not sure why you wouldn’t like that-lol) there are also hotels, cottages, and apartments. However, if you do decide to stay outside of Defqon just keep in mind that you have to be on time to take the bus back to your accommodations and are subject to wait in long lines in both directions. However, three nights of camping (especially in the rain and it ALWAYS rains at Defqon) can be brutal so if you’re someone who needs to sleep, shower, and have access to Wi-Fi this is a good option for you.
Regarding showering at the Defqon campsites the lines can be long especially in the mornings. One of my friends always brings this great dry shampoo, Lush No Drought. Lush is a popular chain in the Netherlands so you can get it here or order it online.
One other thing to keep in mind is that a lot of places in the Netherlands do not take international credit cards, so bring some cash with you. The major places especially in Amsterdam take credit cards but smaller stores, cafes, restaurants, and grocery stores don’t.
2. One Week Before Defqon
As previously mentioned if possible you should arrive in the Netherlands a week before Defqon to get everything you need and get situated!
If you’re looking for camping supplies your best options is Decathlon (Americans, its like Sports Authority or Modell’s) and Action (Dutch version of a dollar store but better! Note: they do not take international credit cards). This year I just got a tent lock at Decathlon but they have tents, sleeping bags, air mattresses, etc. Decathlon is your go to for the higher quality larger camping needs. From Action I got baby wipes, protein shakes, a collapsible cooler, and in the past an air mattress. Both of these stores are located all over the Netherlands and will come in handy a week before the festival.
A new essential camping item I discovered this year (shout out to Anne!) is the Wegwerp BBQ, this is a one-time disposal BBQ that you can easily use at the campsite. This is great for sausages, chicken, etc. and can be found at Hema (Dutch version of Target) or Gamma (Dutch equivalent of Home Depot).
With regard to food and drinks, Jumbo is a great grocery store that takes American credit cards (most don’t). The main grocery store in Amsterdam and in the Netherlands is Albert Hejin and for liquors its Gall & Gall. Your best bet for Defqon depending on your personal dietary needs is getting boxed wine, canned beer (bottles are prohibited), protein shakes, yogurt, granola/protein bars, juice, bread, meat, cheese (to make sandwiches), and some things to grill. Food at the festival is expensive although I always make sure to buy fries and a smoothie there because they are really good. If you do have dietary restrictions (such as celiac disease or a religious restriction) try to get a note from your doctor so you can bring in your own food and drinks onto the festival grounds. I usually pack at least four protein shakes and coordinate with my crew so we have enough food and drinks to share. Then I usually set aside 40-50 euros for tokens at the festival. Unlike in the US, Dutch festivals do not accept any other currency except for tokens meaning you have to visit the token area (they are all over the camp grounds and the festival, they take international cards and cash) if you plan on eating or drinking that weekend. As for water, I recommend bringing a camelback backpack and just filling it up at the festival. They sell them for 25 dollars now on Amazon.
If you are looking for some good vitamin shops for some pre and post festival supplements while you’re here, Holland and Barrett (similar to GNC in America) is a great one. They have a discount card you can sign up for and always have specials.
3. At Defqon
You made it to Defqon, good for you! Try to arrive as early as possible and coordinate with your friends to secure your campsite. When I get there I usually set up, get tokens, get a program/timetable from the information then hang out at the campsite for a while until the Gathering starts. The Gathering is the official start of Defqon and it starts at 20:00. This past year the only two stages that were open were the Blue and Black stages (bring back the Yellow Silent Disco please!). This year there was also a small area in the sculpture garden where Dr. Peacock played under his Saint Benhard alias dropping some funky, psychedelic and dubby beats. This past year they also had a silent disco but not at yellow but that was still pretty cool! Then after The Gathering is over the party moves to the campsite!
Regarding the rest of the festival, the majority of the stages this year opened at 11:00. Even though I am sure you have a set list of DJs you must see (I used to be like that) take the time to explore all the stages (especially the Yellow Stage!) and to discover some new artists. Additionally, one of my favorite parts of Defqon is the Big Chill. Trust me at some point in the festival you’ll want to lie down in a large fishing net hammock contraption.
It gets cold here in the summer and rains a lot, so be sure you have a jacket with you and pants. I usually would wear shorts in the morning and then bring pants, my leather jacket, and a sweatshirt to put on later. I kept half of my stuff in my camelback backpack and fanny pack (all my power banks, gum, chapstick, charger, extra clothes, hand wipes, etc.) and the rest in a locker. You can rent the locker either on the website in advance or when you get there. One of my friends had one so we all shared it and it really came in handy!
For the end shows on Saturday and Sunday I suggest getting there early and sitting in the very very front left on the grass on the side of the stage. You will be seeing it from the side but you will have plenty of space to either dance or sit (I personally like to sit on the grass and watch the end show) and can more easily get out than just standing in the middle of the crowd. This is good advice for anyone who is short, the Dutch are the tallest people in the world so unless you are one someone’s shoulders it’s hard to see.
What should you do after Defqon? Go and get a kapsalon! Kapsalon is a Dutch-Turkish dish served usually in an aluminum tray consisting of fries, meat, cheese, and a bit of salad on top. You can find them at any snack bar or döner kebab restaurant.
So there you have it! Reflecting on this past edition, Defqon is by far one of my top three festivals in the world. The production level, the music, the energy, the decorations, and the fact that every year more than 200 Americans go are just a few reasons why Defqon is extremely special. This year my favorite sets were Rob Gee, Dr Peacock in Concert (at the red stage which was insane) and the Sickest Squad. I also personally love Power Hour (even though I am more of a Yellow Stage girl) for its insanity and energy.
My final advice is the most important! Take the time to rest, drink water, and eat, it’s worth it. Even if you can’t properly sleep just lay down in your tent for at least three hours a night, your body needs it. Furthermore, wear earplugs AS SOON AS YOU GET INSIDE THE FESTIVAL. Thunderplugs are great and are only 10 euros (www.thunderplugs.com). Also, always look out for your friends, this may be a once in a lifetime experience but your friends are more important than even your favorite DJ.
Reach out to me if you need any advice! See you at Defqon 2019!
Curious about my 2017 experience check out my party report here: https://af5942a.wixsite.com/mcunicorn/single-post/2016/03/31/Whats-Cooking-Mexico
Disclaimer: The opinions and views in this article are my own and do not necessarily reflect the views and opinions of the artists and organizations I work with or am affiliated with.
Decade of Early Hardcore: A Trip to the 90’s (10 March 2018)
When I think about the 90s in Holland and the early days of hardcore I picture never ending underground illegal warehouse parties with no sound limits filled with baldheaded boys, girls with half shaved half ponytail hair, colorful tracksuits, and Nike Air Maxes. Even though in the 90s I was a small child growing up in the New York suburbs, today being an active part of the American underground hardcore scene, I can’t help feeling a sense of nostalgia when I think about what the hardcore parties were like back then. So in pursuit of this; the perfect and obvious place to go would be to a Decade party!
On March 10th I made the epic trek (bike, train, bus, and lots of walking) from my house in Voorburg to the legendary Hemkade in Zaandam. I’ve lost count how many Decade parties I’ve been to at this point. I think it’s safe to say I’ve been at every single one since I moved here in August 2016. By 23:00 the place was already packed and the energy was through the roof. The first set of the night for me was Juliëx. It was my first time seeing her live and it was the perfect start to the party. She dropped this brutal remix of “Lip Gloss” which was AMAZING; talk about nostalgia. For those of you who that were not teenage girls in the early 2000s, go look it up!
Next up my time was split between Frantic Freak and Buzz Fuzz. Both rooms were packed and had me singing (and screaming) along to classic early tracks. I especially enjoyed dancing on one of the stages in the main room to the track by DJ Weirdo & Dr. Phil Omanski- Young Birds! Being part of a hardcore chorus of 1700 wild gabbers is always something special.
One of my favorite aspects of a Decade party is seeing the same people every time; it gives you the sentiment that we are all one big family regardless of where you are from. Although I miss my rave family back in the US (shout out to the Hardcore Hooliganz) I am so grateful to be a part of the Decade Family and to be part of a community of passionate, kind, welcoming individuals.
Another cool thing is that it’s not just the Dutch; people come from all over France, Belgium, Spain, and even Chile for Decade parties! During the party I had the opportunity to ask one of my Spanish friends, Pol, why he flew all the way from Barcelona to the Netherlands for this party. He simply said that it’s because the music is the best. Short and simple, the overall consensus from the party was that if you’re looking for an Early Hardcore party Decade is the move. One major takeaway from this party is that the words Early Hardcore and Decade are essentially synonymous.
During Promo’s set, seeing every person in the room going crazy from start to finish, I thought to myself is this the start of a 90’s revival or did it never die in the first place? In search of this answer and continuing my trip down memory lane, I asked some of the artists what they had to say about the party and the Early Hardcore scene.
First question, what were your thoughts about the party?
Arjuna: Decade was a blast! Especially the 180 Boiler Room. Hardcore to the max! I really love the concept to put the DJ on the same level as the crowd. You really have contact with the audience and with this crowd at Decade I didn’t have to hold back. I can play as hard and fast as I want. For me it was a wonderful night with all those great people from all over Europe. I really love the culture from the early scene.
Ruffneck: NOW, let me say this…DECADE…HOLY MOTHER OF whatever you can think of, fill in here. I don’t even know where to start here to be honest so let me just write down my thoughts as I type this. The doors of the room open….I was thinking…it will take half an hour or so for people to enter the room, see what’s going on and then decide to stay or move on…O….M…..G…I could NOT have been wrong more! It literally took 1, 2, 3, 4, 5 seconds…I look up. BOOOOOM! The room completely filled within a blink of an eye. Never seen this before. This was friggin’ insane!!! Then I dropped the first record, people go nuts and within 10 minutes the entire room was steaming hot. NOW…here comes the most insane part…This vibe STAYED from the first second right up until the last record I spun! I don’t even know what to say but this vibe is rarely found and I am so incredibly grateful for the amount of love showed by the crowd. I mean…I only saw smiling faces, and a room dancing like animals, screaming people and interaction between myself the crowd AND the two contest winners like there was no tomorrow. THIS IS WHAT HARDCORE LOVE TRULY EMBODIES!
In my experience it didn’t even feel like I was the main attraction to be honest. It felt like ONE big family coming together and creating a party with an enthusiasm that can only be achieved by family resonating at the same frequency at the same time. In other words, we were ONE! People could truly see what I was doing and so there was great interaction between me, the DJ contest winners and the crowd as the booth was open and at a certain moment it wasn’t even clear anymore who was where behind the booth, on the sides of the booth etc. We did this TOGETHER and I can’t be more proud than to see what can be achieved when the love for music and the respect shown by my soldiers come together as one.
Oh DECADE, this party will go down in my memories as one of the best experiences in my career. As for me it really doesn’t matter whether I spin in front of 50.000 people or in an area where there is but a hundred. What I search for is the love for hardcore music at its core…and that is EXACTLY what happened last night in my special room. TOGETHER we achieved what I could have only dreamt of and I wish to say to each and all of you who attended the room last night. THANK you sooooooo much from the bottom of my heart. You once again showed my WHY my love for (Early) Hardcore is still burning like a raging fire. Your energy completely refueled my engine and I look forward to the next time we meet.
Predator: I was there pretty late, because I played from 4-5 so I only saw the last bit of the party, but the main room was crowded and the vibes were great. I dropped some of my classic tracks like Predator- Turbulence and Bio-Forge-No 1 S-Capes Us, Paradox-Guillotine, but also some of my uplifting tracks like Vanugenth the 5th– Here We Go Again and Diss Reaction-Jiiieehaaa.
Bass-D: The party was great. The atmosphere was perfect, people really came to party, backstage we (the artists and their friends) had a lot of fun, so yeah, I thought it was a really great party!
Decade is famous for representing Early Hardcore. All throughout Europe, especially Germany, Belgium, Italy, Spain, France, the U.K. and even in The States where I come from. They know Decade as the organization where they really honor Early Hardcore.
How do you feel that Decade asked you to play at this party? Destroyer: First of all I’m really glad to be recognized as an Early Hardcore artist since I have made releases starting from 1995 and I always worked up to keep my style Early Hardcore/Terror that is the style I like the most. And of course I’m honored to play at Decade for the second time.
Arjuna: It’s always a blast to play at Decade, good atmosphere, the audience is great, and the organization is always good. I really like those guys; they’re down to earth.
Predator: With my style and all my releases I guess it’s the right place for me to drop my tracks. I’ve played there before, and it’s good to be back.
Promo: Well clearly it’s an honor every time you get asked to play somewhere, but Decade is kinda special since it’s held in the location where I basically grew up. The Hemkade (back in the days known as The Fun Factory) was a place where I went almost every week to get my weekly dose on new music. It’s also the place where the guys form Q-dance sort of started their career, so for sure that makes this a true house temple.
Ruffneck: Decade and me go back a long way actually. I know they have heart for Early (Original) Hardcore and so do I obviously. We both help each other out where possible and as we are planning something bigger, this party and its special setting was inevitable. But as always I am very grateful to have been asked by not only Decade but also every organization out there that chooses me to be at their event. No matter how big I may be or appear to be for the outside world, I never forget my roots and think of every invite of something special.
Bass-D: It’s always an honor to be asked at any party, but Decade is very special to me. I’ve known one of the organizers for a long time now and I’ve gotten to know the other people behind it very well during the years. They’ve become great friends of mine so I feel closer to this party than lots of other parties and I always love to play for Decade, so I think it’s great that I’m a part of it almost every edition.
How has the hardcore scene changed since you first got into it?
Destroyer: I started to play around ’96/97 and at the time there were not all of the subgenres you have today, it was just all hardcore. Usually at the parties everything was played in one area, with a line-up ordered from slowest to the fastest. Later when the scene became bigger, in festivals and big events more areas with different styles became a part of the game. But actually I’m ok with this evolution, as long as I can find an Early Hardcore/Terror area at a party! 🙂
Arjuna: That’s a good question, I’ve been in the scene from the start when hardcore wasn’t even born yet, there was only this music we called house. One day a guy came to me at a party, and said: hey you’re also a gabber aren’t you? And I was like, what’s a gabber? You like the harder style of music? And I was like hell yeah! Well then you are a gabber! For me that was the day hardcore was born. And now 25 years later I’m still in to it, I always try to do the best I can, both producing and DJing
Predator: It moved from playing vinyl to mp3 when it comes to DJing, and from hardware to virtual instruments most when it comes to production. The hardcore/gabber crowd is more diverse now; it’s not only shaved heads and Australian training suites anymore.
Promo: I think the scene changed a lot, like all music genres have. Hardcore went through many developments and changed its sounds numerous times but in the end that is maybe why it is still here. Things like music technology and also the Internet had their influences on our music but every time it came back stronger or in a different form.
Bass-D: Yeah it has, it’s gotten a lot more professional and bigger. I’ve seen it grow from when it started in small clubs and big parties in warehouses with too much sound and not enough lights to one of the biggest house scenes around.
Ruffneck: First of let me correct the phrase, I did not “GET INTO IT”, as I CO-CREATED it, alongside a handful of people at that time. Most people know me as Ruffneck, but I started out as 80 AUM, dating way back to 1989. That’s right. Hardcore didn’t even exist at that time. I started with making house music somewhat rougher than it was made by the Chicago boys.
This was picked up again and made a bit rougher and so on and on. Hardcore was a progression of the house genre. People around that time who just like myself were busy with this evolution amongst others were: ME (as 80 Aum at that time), Marc Acardipane from Germany (PCP), Luca Pretolesi from Italy (Digital Boy), Patrick de Meyer & Olivier Abbeloos from Belgium, The Prodigy, Carl Cox etc from the UK, and Ritchie Hawtin & Lenny Dee from the USA. Lenny Dee however is ABSOLUTELY the oldest pioneer from this small selection (and there obviously where WAY more people starting around the same time) who, like myself, are still active IN THIS GENRE, as he WAS one of the guys who produced in the house sound of Chicago era dating way back to 1986. I know this as I was actually buying his music from that time BEFORE I started producing!
So with that fact set straight, lets move onto the question:
I can only speak from my point of view, as that is different for everyone else, so I don’t feel I can speak in absolutes here. It’s all perspective and my experience may be VASTLY different than someone else’s experience. SO MY PERSONAL view on this is this. In the beginning we just f**ked around having no clue or care what we where doing and therefore a LOT of variety was the outcome musically. There was NO social media and ghost producing was unheard of and even shunned. We had to have something special, skill wise. This meant a lot of different approaches to the genre resulting in a huge pallet of sounds and styles that actually blended in fine with each other because there was NO REAL STANDARD of how something should be made OR sound. The music and stage presence an artist showed WAS his only real way of showing the world what he or she was capable of. This meant that only people with a lot of heart and patience for the music truly went out of their way to bring their message to the masses. Nowadays, a lot of people that are on the top actually don’t produce their own music, have very little to nothing to contribute except a maybe a sexy picture (this can be either female AND male!) and/or poses while on stage playing music that caries their name, but is produced by someone else. They are worshipped for something they have never been or will be playing tunes they have no real connection with, (except for the cash and the fame they seek) by anaudience who isn’t even aware or doesn’t care about the mechanics of things. The music itself has production wise been “perfected” up until the point where it’s perfection to me is quite imperfect as the variety has been reduced to concepts that work because it’s been heard a million times and forced down peoples throat like an advertisement for some huge company. Most stuff that deviates from the proven path usually get blasted and seen as bad, until sometime in the future some big artist(s) does this and then everybody follows that one thing again. Now I know a lot of people will think that I do not like the hardcore from now when reading this, but that simply is not what I’m trying to say. It’s simply an observation from my side to create awareness. I wish to see hardcore become open to ALL sorts of styles in one set and party again. To show the beauty of variety that has somewhat lost along the way in order to attract more people to a music style that wasn’t really meant for a huge audience in the first place. (Which inevitably attracts people who are not really interested in the TRUE core of the art that is called Hardcore, but simply embrace what they see as a “thing of the moment” instead of a lifestyle )
With hardcore ever changing and a new generation of gabbers coming into the scene, how do Early Hardcore parties manage to hold on to that 90s feeling?
Destroyer: I think that the main part of the job is done by the crowd dancing. As soon as there is the passion for the music, the feeling will be automatically transferred from generation to generation.
Arjuna: The music will give you that 90’s feeling and also the aussies I think. But to get that real 90’s feeling is gonna be difficult, back in the days there were no limits. Most of the parties were illegal, there was no sound limit, and budgets were small. The best parties for me in that time was when the music was so loud your eardrum was about to pop out, and there was only smoke and stroboscopic light. That was the best 90’s feeling.
Predator: It’s the music, as long as the DJs keep on playing the original versions and not some mashed up new edit it will keep this real cool early vibe. Some promoters just know what DJs to book, and make sure they stay true to that old vibe.
Promo: The major appeal of that 90’s feel is the atmosphere. Somehow every time you play those classics people feel united again which result in outstanding nights. So mainly the music binds people and booking the right DJ’s bringing that music is an important ingredient to hold on to that feeling.
Ruffneck: Well, exactly BECAUSE mostly ONLY people who like the variety in sound deliberately CHOOSE to go to parties that spin the old style. I was actually quite surprised to see AND learn from the people I have spoken at those parties that they actually like the old style better than the new simply because of the sound AND vibe that is to be found. I have seen a LOT of young people at these parties that were literally babies when it was created. They stand united next to the older generation at the parties and love it just as much and are even proud as f**k to wear the old colors. In the beginning I was really surprised by this but now I understand it and see it as something that simply IS. The vibe is basically almost ALWAYS great and that’s why I love to spin Early sets as well very much.
Bass-D: I think that the new early hardcore crowd wants to relive what happened in the 90’s with early hardcore music. The togetherness and that sense of family and brotherhood is really coming forward in the early hardcore scene, I like that a lot. The people really love the tracks + it was the genre that built hardcore and made it really big even before all the other genres came along.
If you could take one track from the early days and show it to introduce someone new to the hardcore scene which track would it be?
Destroyer: Surely one track from the early days that brings me on the hardcore feeling is a track from 1994, Darrien Kelly & Scott Brown: Geleihoofd. But that was just one, there are really a lot out there.
Arjuna: That’s a bit of a trick question, because there are many good songs and also many different styles, but I think Jappo vs Lancinhouse Exlaxl is the best song, multiple bass drums, good sample, good arrangement and a very good climax!
Predator: For an old track I think I would play them Predator – Turbulence and for a more recent track Predator & Angerfist – Legend.
Promo: I would always go for something dark and industrial I think. It probably has to be something by Marc Acardipane / PCP. What he did back in the day is just (still) next level. Bringing so many atmospheres is just incredible.
Ruffneck: That would not do any respect to the many brilliant tunes made by so many of my colleagues OR myself. Early hardcore as a genre IS the eternal tune that should be heard, not just a snippet of 1 second of an overall tune which lasts for 365 days so to speak…
Bass-D: Haha, I always mention my own track: Highlander – Hold Me Now to people who don’t know our scene because somehow everybody loves that track, it’s not too hard and still has a great vibe around it.
The relationship between the DJ and the audience is everything during a set. Having been in the scene for a long time, you obviously have a large repertoire of tracks. How do you find a balance between giving the crowd what they want and introducing them to something new?
Destroyer: Since most of the time I play live with the keyboard I have the possibility to choose to play the old and the new tracks, and that makes me experimenting new things every time.
Arjuna: When I play my set I always keep an eye on the audience; if the crowd is not moving or dancing I play another song. Sometimes it has to be louder or slower it depends of what people want at a party. I always play my set freestyle, not pre-arranged, so I can easily change to another style or tempo.
Predator: It’s always cool to play new stuff, but not just because it’s new, I only play tracks I like, and would never play anything I don’t like. Styles and taste can change. I made some dark tracks, some happy tracks some more experimental tracks so I guess I can go any direction.
Promo: For me that is pretty easy because I like both melodic hardcore and dark industrial tracks. So mixing them up is kind of what my sets have always been about. My productions reflect the same vibe as well, so I can even play just my own songs and still bring something the crowd knows and something I can surprise them with.
Ruffneck: I don’t. I spin what I feel I want to enrich them with. Not the other way around. If they enjoy it, great. If they don’t ..well so be it. As KRS -ONE once said “A DJ is not a jukebox – F**k your request” J
Bass-D: Just by doing it, there’s no specific way to do it. I just play what I know they want to hear and mix it up with stuff I think they would like.
What is the craziest thing you have ever seen at a party?
Destroyer: I believe that the craziest thing I’ve seen at a party was a guy drinking a grey liquid straight from a shoe!!! The cool thing was that this happened at “THE DESTROYER solo” party.
Arjuna: The craziest is also the scariest thing I have seen, and that was the girl that climbed on the stage of Harmony of Hardcore 2016. I really thought we all were gonna see that girl fall to her death. Not cool at all.
Ruffneck: People standing still, filming the entire set and later on posting how great of a time they had….
Promo: I have seen some crazy things but often they are not the most positive things. To mention a positive moment I will never forget are the human pyramids they used to do in a club called Number One in Italy. When you played certain tracks there back in the days the crowd would form a pile of people with the goal to reach the roof of the club. Sometimes they succeeded, sometimes they miserably failed. But that determination to make it time after time was always really impressive.
Bass-D: There are so many hahahaha, from people having sex to artists doing stage dives where everybody steps aside or where they return without their t-shirt or even their shoes, hahaha. I remember one time in Moscow though where Angerfist did a stage dive and the crowd tried to rip his mask off his face. He climbed back on stage holding is mask in front of his face while the mask was ripped in two by the crowd. Crazy shit!!!
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Well there you have it! In conclusion, the lesson from my story is go to a Decade party! A huge thank you to Decade Events especially Tommy, Robin, and all of the artists who contributed to this article.
