Typhoon is my favorite producer to have been discovered by Zatox when the Italian legend started his Unite record label. It’s actually been close to two years since Typhoon has released anything new and so what a better way to break back into the scene then to collaborate with another artist rapidly climbing the ranks like Regain. Of course, the result is something along the lines of a hailstorm of bullets! You can hear both artists hand in the making of the kick (super crunchy with a hefty amount of low end) and the anti-climax makes the entire atmosphere blackened and angry.
Tag Archives: review
Acid Enema – Misanthropic Visions – Album Review
The Las Vegas based blackened speed metal duo is back at it after ten long years, this time in a stunning and massive 16 track digipack via Sawblade Records (limited cassette version as well)! This release features incredible sound design incorporating guitars and vocals along with drum machines and sequencers to blend hardcore techno elements with black/speed metal as well as featuring some noise pumping remixes from artists all across the world!
Most notable tracks on the release are the title track ‘Misanthropic Visions’, Hymn of the Godless (Novokain Remix) and Eviscerating God (Tragedies from Hell Remix). Each one of these tracks shows the listener in its clearest form the powerful blend of hardcore techno and black metal. Although this sound is not for everyone, the work done by members Abhorrent (vocals and programming) and Noth (guitars and bass) show the ingenuity and passion that these two have for music as a whole.
You can catch Acid Enema in Seattle, WA at the Highline Bar on June 9th, and at the American Gabberfest Jun 18th-19th at the Hard Hat Lounge in Las Vegas, NV!
Acid Enema on Facebook: https://www.facebook.com/aesangre/
Official Website: http://www.acidenema.com/
Field Report 9: Basscon Wasteland Day 2
It was such a refreshing morning back at THD headquarters knowing that we get to experience another night of Hardstyle and Hardcore. Daybreaker and Murdock practiced their footwork and loosened up with a little pregame warm-up while Deadly Buda unsuccessfully begged Insomniac for a couple more comps to the sold out show. If you didn’t get a ticket to Saturday night a week earlier, basically you were S.O.L. and we felt lucky we had at least secured our entry for the night.
Day 2 started slightly earlier than Day 1 to accommodate the welcome of Adrenalize to the states! Although we didn’t get to experience much of his set, the California crowd definitely didn’t leave him with an empty Palladium, they were chanting already at 8:45! It was jam packed as we made our way in during the first hour. Malthe Mehlskov, from Denmark, is only 16 years old and is quickly taking the mainstream Hardstyle scene by storm. No matter if you caught his set or not, it’s pretty evident that this kids deserves all of our support.
We didn’t mention the visuals much last field report. The lasers, well they weren’t really lasers, they were sort of like lasers but better… they were INSANE. At times it was like a spider web of color pulsating to the music. There were mixed feelings about the shark’s head DJ booth, but thank goodness it was real and not just an LED screen. We saw Brandon Adams from SDK events and he gave two thumbs up to the shark’s head. The LED screens that were used were tastefully relegated to the background to amplify the talent on stage.
Saturday also brought the return of DJ Stephanie to Los Angeles, playing all of her top tracks including all the dance floor bangers that we are all familiar with and sung along to, she even previewed a new track of her own. At about 10:00pm, our man Deadly Buda rushed over to the QSA meet-up to see what was happening and lucked into photobombing their group photo.
Seeing Da Tweekaz for the first time was a little different than anticipated, but they can certainly put on a show (more gimmicks!). They had all of their mainstream hits lined up (even though we expected more rubber duck samples) and offered the biggest surprise of the night by introducing their remix of Jumpstyle legend Mark with a K’s track “See Me Now” which was beautifully crafted into the Hardstyle sound design. After their set, Da Tweekaz caused a few mini-riots in the crowd when they walked out of the backstage and met with their fans right at the soundboard by the dancefloor. Just a few yards away, we bumped into the maestro of Florentine Gardens, Cesar Mendoza, who was rocking out with his posse.
Code Black was next. Even though his set with Bioweapon was the highlight of the entire event, nobody can deny the anticipation and excitement that surrounded Code Black’s solo set. His timing and mixing were perfectly executed, playing some very emotional and nostalgic tracks that even had some die hard Hardcore fans paying close attention (here’s looking at you Kim!) which says a lot about the impact he had on the crowd.
But this wasn’t even the best part! The majority of the night was waiting in anticipation for the rawest act of the show: Digital Punk! Although he played a lot more aggressive on the Trauma Tour, his set list was perfectly tailored to the city of Los Angeles, keeping it nice and raw, with the highlights being “Brutal 5.0” by Radical Redemption being played along with “My God”, DP’s track together with E-Force. At this point the crowd went absolutely f’n’ bananas. From wall-to-wall Angelenos engaged in some sort of hyper-mutated floor shuffle. Navigating through the crowd at this point was more challenging than Call of Duty Modern Warfare. Both nights it seemed like the crowd craved the raw sound, but Basscon struck the right balance this show by showcasing raw and euphoric together. If its all raw, or all euphoric, the sound gets boring. Having that contrast all night really made both styles pop.
Basscon must have known it was hometown legend and happy hardcore DJ, Lostboy’s birthday, because the night was closed out by UK/Happy Hardcore hero Gammer who has a ridiculous amount of skill and precision when it comes to DJ’ing, which allowed him to put on one hell of a performance. I thought the crowd would be too tired, but… no. Gammer cranked up the BPM and the crowd was jumping like jelly beans. He also kicked down some half speed madness and it’s a tribute to the SoCal faithful that they amazingly appreciated all the harder styles together as one.
Before we sign off, we want to give a special thanks to Cornelio “Atari” Cedillo for his amazing pictures, most of which can be found on our Facebook page (http://facebook.com/theharddata/). Enjoy!