There are only a handful of female hardcore producers in the game, but none more vicious and underrated than Day-Mar. Her latest release showcases the most recent experimentation of her sound with both ‘Luxury’ and ‘Sometimes’ running at 196 BPM. Of course, each track has their own feminine touch: the vocals of ‘Luxury’ being the thuggish ruggish chick, and ‘Sometimes’ being the soulful and sexy icon, but both still remain harder and edgier which gives this bad ass beauty her advantage.
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Field Report 5: Trauma Live’s Harder Styles Tour 2016: Denver
Extreme turbulence courtesy of the Rocky Mountain winds greeted my airplane as it hurtled towards Denver International Airport. A portent of the sonic turbulence that would test the unsuspecting speakers of the Summit Music Hall, courtesy of Trauma Live’s Harder Styles Tour 2016 and their awesome line-up of talent: Tonegenerator, Imperium, Buzz Fuzz, Dr. Peacock, Digital Punk, Tommyknocker, Rotterdam Terror Corps, Partyraiser, Rob Gee, and Meccano Twins. The master of ceremonies was once again MC Ruffian, hosting the party in adroit fashion.
Obviously word got out about the tour. From the very beginning the crowd was present. Denver Hard Dance co-promoted the event. They walked around Boulder, Colorado, with a boom-box, blasting Dr. Peacock mixes as they passed out flyers in the home of the Buffaloes. It was great to see a… how should I put it, well… a hippie crowd, getting down to hardcore EDM. As a former resident of Colorado, this was always a bit of a dream of mine and to see it coming to reality was personally gratifying. Sometimes things just take a little time.
As with the previous stops on the tour, the crowd was treated to a once-in-a-lifetime assemblage of talent. My message is simple here, you are never going to see anything like this again. Sure, there will be big shows and festivals in the future, but to see such a solid line-up of talent in a relatively small venue only happens at the very beginning of a scene. It’s a moment when desire overtakes rational thinking, when dedication to the art is more important than practical realities and sleep is banished from the nighttime hours in favor of execution and release. Attendees will be bragging about their attendance for decades in the future.
As noted, Tonegenerator and Imperium got the crowd warmed up with their home-grown sounds, leading the way for Buzz Fuzz’s gabber insanity, followed by yet another absolutely brutal jack-hammer assault of industrial hardcore by Meccano Twins. Tommyknocker showcased the Traxtorm signature sound, once again letting the Trauma audience know, as mentioned in his excellent track, “Nobody’s Stopping This.”
Tommyknocker drops it in Denver @Trauma Harder Styles Tour 2016.
Posted by Joel Bevacqua on Saturday, February 20, 2016
Digital Punk was up next, laying down the rawstyle law. At one point he did something pretty cool. Not content with simply encouraging the fans to put their hands in the air, he moseyed right in the crowd, kneeled down and stuck his arms right in there with them. It was a nice personal touch that really looked cool if you were there to see it in person.
Digital Punk and friends.
Posted by Joel Bevacqua on Saturday, February 20, 2016
Up next was Dr. Peacock and this guy was right at home with the crowd, as he played his internationally flavored hardcore to the open-minded Colorado crowd.
Dr. Peacock pumps up Denver @Trauma Harder Styles Tour 2016.
Posted by Joel Bevacqua on Saturday, February 20, 2016
Instead of the usual hakke dance you see folks do at these events, the crowd was dancing in more of a jig-like fashion. Since I’m so busy bouncing around the party taking pictures, schmoozing backstage, and making sure The Hard Data gets passed out, I haven’t had the chance to dance as much as I’d like to so far on the tour. But, I made sure I got to cut a little rug during Dr. Peacock.
Dr. Peacock rocking Denver @Trauma Harder Styles Tour 2016.
Posted by Joel Bevacqua on Saturday, February 20, 2016
Partyrasier hit the decks next. It was a classic Partyraiser set, and perhaps one of his best. He was mixing up a storm and really conversing with the audience via his music.
Partyraiser ripping it up in Denver @Trauma Harder Styles Tour 2016.
Posted by Joel Bevacqua on Saturday, February 20, 2016
This set the stage for Rottedam Terror Corps who put on a righteous, outrageous spectacle, as is their forte. Their old school kick drums brought back that bouncy sound I remember from my raving days in the 90’s – but combined with the hard terror-filled screeches of the modern era. That, combined with basically an X-rated stage show, let’s you know you’re not in Kansas anymore. Honestly they have to tone their show down just a bit for the American audience, but even so it’s still a riot.
Rob Gee completed the night to a captivated crowd with a broad selection of his hits old and new. Rob Gee has done an amazing job at updating his sound to the modern era, and the best example of that is his recent track with Adaro, Dark Universe. I’m hoping at the next stop on the tour, Pittsburgh, he busts out my current fave of his, “Music is the Drug” that he recently did with The BeatKrusher.
Speaking of Pittsburgh, that’s the stop I finally get to hit the main stage at, and I can’t wait because I will be busting out a new track I got Pittsburgh local Subterranean to whip up: a remix of my old track Housewrecker, this time with a sort of hardstyle/dubstep combination flavor going on. You’ll hear it there first. Until then, I’m going to enjoy one more day in the Rockies, recovering from the tour so far and resting up for the last leg. This is Deadly Buda signing off, and always remember, the rhythm is life and death!
Field Report: Edmonton: Trauma Live’s Harder Styles Tour 2016 .
The Harder Styles Tour kicked off with a banging kickdrum last night when DJ Vortex opened up the tour his sage-like lessons in hardstyle. The unlikely locale of this seminal outburst was frigid Edmonton, Alberta, best known in these parts as the home of the Oilers and the legendary Wayne Gretsky. I’m still smarting from the night the Oilers sneaked out of the Pittsburgh Civic Arena with a win as Mario Lemieux and Gretzky battled it out on the ice. I suppressed my prejudices though and found a lot to like in Edmonton. Most notably the crowd liked it hard, and so it was a pleasure to be in the midst of mutual transaction of hard beats and appreciative crowd.
Despite strong ticket sales, the venue wasn’t particularly crowded, as the frigid and windy -11 degree Celsius weather kept only the most maniacal home safe in their blankies. MC Mike Redman kept the crowd psyched the entire night, straddling that perfect MC balance between chiming in at the right time and not getting’ all walky-talky. After Vortex MC Redman introduced Super Marco May. You might’ve read his interview on the THD site, and he lived up to the hype it suggested, representing Italian hardstyle in splendid fashion.
You might have thought you were in Little Italy until Scott Brown jumped on the decks and cranked up the happy. Happy hardcore that is. He even played one of my old faves, “Now is the Time.” After which he took a well-deserved rest and read the latest issue of The Hard Data, rumor has it. Amnesys jumped on stage next and played a little of everything. He started kinda slow, playing Alien T’s Hammer of the Devil, and then picked up the pace with some of his soon-to-be classics, Shockwave and Embrace the Ultimate. In the middle of it all, he even threw in some dub-step sounding tracks which was a nice change of pace.
One of the best sets of the night was next, The Prophet. Easily the crowd favorite that night, the Scanntraxx CEO busted out a surprisingly hard-as-nails hardstyle set. I wouldn’t really call it rawstyle, it was just straight banging hardstyle. I like the fact that he played “Here We Go” because of the awesome hoover in its break and its old school sound. I still think the track was inspired by Edge of Motion, but I didn’t get the chance to grill The Prophet about it, dear readers, as he was busy interacting with his fans most of the night.
Mad Dog took to the decks next, and he made it clear that 150 BPM was “not his Tempo,” because he promptly busted out his floor crushing epic, “Not My Tempo.” It doesn’t get much clearer than that, and the BPM’s instantly skyrocketed to the delight of the hardcore faithful (you can read the Mad Dog Interview in the latest issue of THD).
The hardcore onslaught continued as Placid K, not to be out-hoovered, laid down one of the thickest hoover sounds of the night at the beginning of his set. After all these years, lets face it, there’s nothing like a huge freakinig hoover sound on a banging system to get the blood flowing to all the capillaries. The rest of his set was his signature old school hip hop samples tightly woven with that classic Italian hardcore drive, which set the stage for the new breed of hardcore heroes, The Melodyst.
They sprang out the gate with their new track “New Dawn” and when the kick came in, it sounded wicked sick. Whatever special sauce they are adding to their 909’s, I want to know because it immediately drove the crowd into a state of frenzy.
At this point, you are probably thinking, “ok, what could they possibly do next to top the night off?” Well, the icing on the cake was our own made-in-the-USA Rob Gee, who went absolutely ape behind the decks. Just when you thought you couldn’t dance no more, the Gee-Man set a fire under everyone’s you-know-whats. If there was one drop of sweat left in that crowd, Rob made sure to squeeze it out with an energetic and inspiring performance befitting the first night of the Trauma Harder Styles Tour 2016. Next up, on to the Golden State in the U.S. of A.
Ophidian – NightFall Angel VIP – Enzyme Records
Ophidian, as you all should know, is one the more technical Hardcore producers out there today; with his productions being so clean, and his mastering even more so. With his release of ‘Nightfall Angel VIP’, Ophidian takes us back to his older sounds with an incredible new design along with a millennium remaster of the original and a breakbeat kind of remix by IDrake (???). The tracks are best described as orchestral, cinematic and nostalgic. This release will take you back to the peak of Ophidian’s career, helping you gain an understanding as to how he’s become the most prominent name in Hardcore techno. Enjoy.
Synaptic Memories – Tripped – Invisible – Complex Systems EP
For the Industrial fans out there; this entire EP is filled with a wonderful sound design of orchestrated noise! But the track that stands out the most for me is the second track on the EP: ‘Invisible’ and it’s because of SM’s work with Tripped. Tripped has made kicks that have always had a very particular roughness to them that have made them addicting and his variations within this particular track keep your attention all the way through. Of course, I’m more prone to noisy sounds over structured melodies, and SM hits that spot on and still with plenty of drive and atmosphere, but if you like thick, distorted kicks, this track has them and hearing this one on the dance floor is more than likely to make the crowd move.