It’s kind of weird to interview yourself. But, since my job was to interview as many Hard Electronic artists as possible, and a day went by without one, I figured I should fill the gap, as I’m playing the L.A. show. We basically made a list of stock questions for the artist to answer how they wanted. So, I figured this would be easy. Lo and behold, the strangest thing was that I surprised myself with answers to the questions I wrote! So, if you’ve got a few minutes, let’s hang out…
Where are you from? How does your geographic location influence your music?
I was born in Pittsburgh, PA. There, like most places in the civilized world, the population is force-fed garbage music repeatedly, brainwashing them and compromising their lives. It was there that I decided to fight against the insipid audio enslavers, be they man or otherwise. Eventually forced out of the city, I slowly made my way across the USA and have lived in Los Angeles County for the last 17 years, where I continue to wage my guerrilla campaigns to varying degrees of success.
What’s the story behind your DJ Name?
The original story is that “Buda” was my graffiti tag name, taken from a high school social studies report. I added “Deadly” with my first rave DJ gig in 1991. I wanted my DJ name to sound like a kung-fu movie name, like my DJ heroes growing up, Grandfaster Flash, mainly. But as time went on the meaning changed various times. I read years ago about certain Buddha’s whose job it was too destroy egos in order to set people free from the identity others have forced upon them. I like that idea, so that’s what my name means, now.
Who or what events in your life are responsible for you being the artist you are today?
My neighbor, Phil Schoemer, who first taught me how to DJ, was the biggest influence. I still remember things he taught me today, and still struggle to do them. DJ Controlled Weirdness, who introduced me to so much music in the early 90s and we threw raves together as Hear 2 Go, Christoph Fringeli from Praxis Records after that. I’ve always listened to everything Lenny Dee has to say, because he is more experienced and forward thinking than anyone in the dance music industry, period, and today when I get to work with Rob Gee on videos and stuff, helps me keep my sanity in a world gone mad.
What are you trying to convey with your music? What are you trying to communicate? What are you giving to the crowd that listens to you?
Though I try to make my sound dimension-bending and otherworldly, at the core I guess I am just trying to communicate that they aren’t alone… that we see really see these things and enjoy things together. I feel what they feel, too. Ultimately, life is more psychedelic than any drug you will ever take. So, I think when I play “crazy” hardcore I am just really describing life as it is, without a filter, and I want to just geek out with my friends about it and what we’re doing.
What moment do you cherish the most so far in your career as a DJ?
There are some big ones for sure, Even Further ’95, and of course Even Further ’96. Both were some of my greatest sets for big crowds, and of course legendary parties. But the first one that always comes to my mind when asked is Catastrophic New Years in 92-93, in Washington DC. It was my first ever out-of-town gig, and Catastrophic was one of the biggest, if not the biggest rave crew on the East Coast at the time. My friend Dario Kenning gave them a tape and the next thing you know I’m playing ‘til midnight for the biggest, most illegal party I’d ever seen or maybe will ever see in the USA. They were diplomat’s kids, the Baez brothers, and they literally were pulling electricity right off the telephone poles into the warehouse and all the cops were obviously paid off. Ravers surrounded by Secret Service, it was unreal. I was already playing hard at the time, and I’ll never forget when I asked Mike Battaglia (now known as Mike Bee) what I should play, because I thought I might be too hard for them. He laughed and said, “just play hardcore!” and raised his fist and laughed. So I did and it went through the roof!
But for cherishing, I’ll always cherish the first raves I did in Pittsburgh with Controlled Weirdness: Psychotronic Slackrave, the Beehive parties, and after he moved, the Turbo-Zen and Millennium parties, which are stories for another day.
What specifically are you planning to give to the audience at Hard Electronic?
Original Deadly Buda style with new and improved ingredients. Since it’s Hard Electronic, I am going out-of-my-way to break the mainstream rules, really my old style. So, starting at 133 BPM and in a half hour, crank it up to 200+ BPM. I’m going to start banging some new Dave Delta tracks, and end up with some Mr. Madness at the end. Make sure to get there by 10:00 PM though, because that’s when I start. There are so many great DJs playing that if you blink you’ll miss one of us!
What is something you really want to tell the public that we might not have asked about?
The world today is dangerous, and meant to be confusing and overwhelming. It’s easy to get upset and impatient with everything going on. Just when you think you know the answers, another contradictory layer to the madness is revealed and frustrates. In today’s world we cannot rely only on logic or emotion, but must hone our intuition to navigate through the madness. Mistakes will be made by us and others, but if you proceed knowing you are good, and look for and amplify the good in others, be they friend or foe, we can navigate around the dangers and feel immediate satisfaction in our actions. I have to remind myself of this, so maybe others need to hear it too.
Just when you thought Hurricane Harvey was calming down, a torrential downpour of HARD ELECTRONIC is on its way to the USA’s major metropolitan areas, and the East and West Coasts now brace for impact. If you like your beats tough, distorted and relentless, then September 8, 2017 you need to be in Brooklyn, NY and September 9, 2017 you better fly, drive or swim to Los Angeles, CA because shows with this much sonic boom don’t happen very often in the USA. Here are the respective Facebook Event pages:
Headlining both nights is Italy’s number 1 party animal, Noize Suppressor. You might remember him from his knockout performances at Trauma Live, Fresh’s Hardstyle Arena, or EDCLV. Well, he’s back to burn and score a few points for Dogfight Hardcore, so get some comfy sneakers because you’re going to be jumping and pumping. The other headliner is a new face to America, Malke, bringing his brand of Brazilian hard electronic audio skills to raise the East and West Coast’s respective water level of sonic appreciation to tidal wave levels. Another Industrial Strength score for forward-thinking audio dissemination and keeping them, as always, ahead of the future’s curve.
But that’s only the tip of the icebergs heading at breakneck speed to slam into the coasts. The New York show features Delta 9 aka Dave Delta, Lenny Dee, Satronica, Delirium, John Bas, MC Mastachief , Ontal (from Serbia) and Gxnnxr. The Los Angeles chaos will be co-hosted by Rave ‘til Dawn and will put the old and new guard of hardcore techno into a full-on crash collision of the generations as Lenny Dee, Satronica, Demigod, Fiend, Inyoung, Deadly Buda, Sonik and J’Sin are going to party like it’s 1999 and remind everyone why Los Angeles is the decades-long, number one spot for hardcore techno in the USA.
As the week goes on, we will be profiling many of the artists playing at both events at The Hard Data. But to start off, we are going to focus briefly on the main drivers of both parties, Industrial Strength Records and Kontaminated Recordings, and their head honchos, Lenny Dee, Satronica, and DJ Delirium.
Lenny Dee:
Producer / DJ / Label Owner Lenny Dee is one of NYC’s earliest techno and house pioneers. He attacked Europe with the then new sound of Techno and in 1991 launched Industrial Strength Records – the first electronic ‘Hardcore’ label in the world that’s included music from Carl Cox, Richie Hawtin, Laurent Garnier, Manu Le Malin, Angerfist, Corrosion of Conformity, Daft Punk, Neophyte, Unexist, DOA, The Sickest Squad, Nasenbluten, The Mover, Mescalinum United, Rob Gee, Deadly Buda, Delta 9, Satronica, Delirium, Demigod, Ron D Core, Inyoung and many more.
Lenny has also written and produced hundreds of tracks on labels such as 4th floor, Warner Bros, Strictly Rhythm, R&S, Music Man, Atlantic Records, Arista, XL Recordings, Gigilo, Rotterdam Records, ID &T and Stay Up Forever.
Lenny was the 1st Hardcore DJ to appear on the ‘DJ Mag – Top 100’ and was previously named Number 1 ‘Hard DJ’ by Mixmag, was twice awarded the accolade of Best Worldwide Techno DJ by the Scottish Dance Music Awards & Frontpage Magazine.
Along with DJ Delirium, Satronica, aka Satroniq, is forging a new sound for the hard electronic masses via Kontaminated Recordings. He began producing music, playing live and DJ’ing in the mid 90’s as part of the Things to Come Crew in NYC. Soon he found his own style of aggressive and distorted industrial hardcore techno woven with rage-laden vocal elements. This sound found a home, of course, at Industiral Strength Records, most famously with his smash hit “F*ck the System.”
He has performed at some of the largest events in Canada, The United States, South America, and Europe spinning and performing a brutal mix of dark and deranged selections. These events include parties such as Dominator, Q-Base, Masters of Hardcore, Coloursfest, WestFest, Kinetik Festival, PRSPCT XL, and E-Mission.
His tracks have also appeared on many major hardcore and techno compilations from some of the best known and loved labels in the world such as Industrial Strength, Thunderdome, ACArdipane, Neophyte Records, Rotterdam Records, ID&T, Masters of Hardcore and Traxtorm.
His latest collaborations with Noize Suppressor, Unexist, Art of Fighters, and Crypsis show his commitment to the core and constant pursuit of innovation.
Kontaminated co-conspirator is none other than old school vet DJ Delirium. Ever since the early 90’s, DJ Delirium has been a forefront leader in the Hardcore Techno scene. He has appeared countless times at some of the worlds largest events like Thunderdome, Mysteryland, Defqon.1, Dominator, In Qontrol, Raving Nightmare, Ground Zero, EDC – Vegas, Earthquake and many more. Delirium has also had tracks featured on some of the worlds most legendary hardcore compilations CD’s including Thunderdome, Always Hardcore, Masters Of Hardcore and Resident E.
To date, DJ Delirium has released over 300 slammin’ tracks with some of the most recognized companies in Hardcore Techno including ID&T, Industrial Strength, Traxtorm, Masters of Hardcore, MegaRave, and many more. DJ Delirium’s got studio skills and has proven that with his top quality productions. Anyone who’s ever seen DJ Delirium perform knows about his smooth mixing and tight scratching.
Ok folks so this is your first warning shot about the big events coming in just days. Save your pennies, get some good night sleep and make sure you have enough quarters for your laundry come Sunday because you are going to sweat!
Please rise! The Congress of the Kickdrum is now in session! As this year’s Gabberfest Anthem proudly announced, it was a full-on convention of misfits, dreamers and instigators drawn to a single flashpoint of action: rocking hardcore for 2 days straight under the unforgiving Las Vegas June sun. Temperatures of over 111 degrees bathed this year’s dedicated attendees at what is becoming America’s default meet-up of the harder styles.
We woke up Saturday morning after spending the previous night at EDC. Not only were we tired and sore from dancing all night in the heat, but we were hungry! We elected to start the day off at the Belagio buffet to fuel up and pre-game with their bottomless cocktails! After a solid hour of eating and drinking as much as we could, it was time to head to the fest.Walking up the the Hard Hat Lounge where the event is held, you can hear the warlike assault of the baselines from several blocks away.
Foreign dignitaries this year were Phoenix, Epidemic and Rohdan from Australia. The HARD DATA was well represented this year as “the official” HARD DATA Team of Lostboy, Mindcontroller and Deadly Buda turned the heat up outside and inside on both stages Saturday.
In addition, American hardcore legend Rob GEE headlined the event, bringing his twenty-plus years of gabber expertise to the table to inspire young and old alike. His set spanned from old classics, like “Army of Hardcore” to his newer material like the recently new and improved version of “Hard Sweetcore.” GEE was an integral part of the very first Gabberfest, and it was great to see him return to give the gabbers a kick drum to live on.
Frequent contributors to the magazine rocked the line-up as well, as Flap Jack, M27 and Seppuku each rocked fierce vinyl sets, Vigor rocked rawstyle, CAP devastated the tour bus stage with all his own tracks, Arcid coordinated the Techno Belligerent stage and The White Ape presided over the entirety of the festivities.
But, that’s just the list of usual suspects, a who’s who of hardcore from around the country was there too. Not one bad set the entire weekend. It was thick from beginning to end! Eni, Energy Alleul, Metal Jesus, Inspektor Gadjet, Gabber Twinz, How Hard, Lauren Valentine, Symtek and System Malfunction kept brought the energy to the crowd even in the unforgiving heat.
By Sunday morning it was clear that the heat was taking it’s toll on the crowd’s energy, but with the Hardcore blasting everyone gave it their all and I have spoken with had a blast! (At one point during the event it got so loud the speakers at the inside stage!) It was 100% on this year, nothing can beat the energy you get when you combine hardcore and a crowds of dedicated fans. That being said, important changes could be in the works for next years Gabberfest, and rumors of its move to a different time of year was a “hot” topic of conversation. At over 100 degrees each day, Gabberfest has been more like an endurance test sometimes, than an actual good-time rave. The waterguns, tents, mister and pools help, but eventually one must migrate to the air-conditioning or risk passing out. In addition, the event falls on EDC weekend which seems to prevent some people from coming, as the hotel ticket prices in Vegas can be particularly expensive, and it seems that many Gabberfest attendees do not attend EDC. So, part of the congress this year was openly debating a radical shift in time for the event. What do you think? What would be the best time of year for Gabberfest, and why? Let us know your thoughts in the comments section!
Dedicated to the harder sound of electronic dance music.