Download The Hard Data Issue 11, featuring The Mover, Marc Acardipane, Thorax and Deadly Buda Comix part 4, Cover by Mike Hoppe! Click the link below.
Download Issue 11 of The HARD DATA!
Download The Hard Data Issue 11, featuring The Mover, Marc Acardipane, Thorax and Deadly Buda Comix part 4, Cover by Mike Hoppe! Click the link below.
Download Issue 11 of The HARD DATA!
Download The Hard Data Issue 12, featuring Rob GEE, Tim Shopp, How to Throw a Rave, and Deadly Buda Comix part 5! Click the link below.
Download Issue 12 of The HARD DATA!
Last night, Minnesota Hard Dance lit up the Twin Cities with ripping, cutting edge electronic music stuffed into an old school format. Ostensibly, the excuse was Halloween, though half these partyers looked liked they dressed in costume almost every weekend anyway. A wide assortment of rave flavors could be sampled last night, hardcore (by yours truly), drum and bass, Psytrance, sub-ground, techno, happy hardcore, hardstyle… I’m missing a few here, but trust me, between the two rooms you had ear candy waiting for you at anytime.
Though taking place on a Saturday, “This is Halloween” was the name of the party, just to help attendees plan their circadian rhythms accordingly. This was important because magnetic musical artists would be making marks on memories until 5:00 am. As I had a flight the next day, all logical sense of responsibility told me that I should leave shortly after I played. I made the critical, we can’t really call it an “error” because I was the better for it, but I stepped into the middle of DJ Darkmatter’s (not to be confused with L.A.’s Darkmatter Soundsystem) psy-trance set and it was off-the-hook! I cancelled my ride to the hotel and proceeded to bug out to the early morning, sleep-be-damned!
It occurred to me that for the underground to thrive, a wide mixtures of styles is not only more interesting, but necessary. It was a well-attended event, but with all the parties going on the Halloween weekend, its in everyone’s interest in the rave scene to merge the styles because in the current commercial climate only the really big more commercial parties can specialize on a consistent basis. The great thing about this party is that the crowd seemed to appreciate all the styles, too. There was rarely any drop off at either of the sound stages.
So if you were at “This is Halloween” last night, I congratulate you! I bet there was no place in the Twin Cities last night that was as supportive of good music, on shredding sound systems, and with an embrace of the creativity we need to thrive. Big ups to Minnesota Hard Dance for another great party!
Photo by Rad Timmah
Artist: Filippo Calgani A.K.A. “DJ Mad Dog”
Label: Traxtorm Records
Started: 2000
Location: Italy, Rome
Filippo Calgani, or DJ Mad Dog, started his hardcore music career at the age of 16 in his home town with a group called “Hardcore Terrorists”. In 2000, Filippo decided to start a new project with Traxtorm Records under the name DJ Mad Dog, churning out hundreds of hits including singles, Eps, and compilations with other hardcore artists such as Nosferatu, Noize Suppressor and Tommyknocker. Because of his versatility within the hardcore genre, Mad Dog has performed at multiple hardcore festivals including Thunderdome and Masters of hardcore.
5 Awesome tracks:
Released in May 2006, “Disorder” is one of DJ Mad Dog’s most popular tracks to date. Anyone new to the genre will be drawn in by the track’s energy and DJ Mad Dog’s raw, hardcore talent.
Released the same time as “Disorder”, the #2 track by Mad Dog “So What About The…?” will take what you may or may not know about DJ Mad Dog and multiply it times ten. This track takes you on an adrenaline roller coaster that you’ll want to ride over and over again.
Track #3 takes us back a year for DJ Mad Dog, dropped in April 2005. His talent and versatility shines through and shows hardcore fans what he’s capable of. If this track doesn’t leave you wanting more, then listen to it again.
Track #4 dropped at the end of 2006, wrapping up a solid year for DJ Mad Dog having three hard hitting tracks that are sure to get the dancefloor shaking and moving. “Welcome Down” has a ferocious double timing beat that will keep you coming back for more.
Track #5 is last on this list because there’s a chance it’ll raise your blood pressure to a dangerous level. “The Down” is an intense track that doesn’t quit and won’t let you break for a drink, so make sure you’re hydrated before hitting the floor when this track comes on!
DJ Mad Dog is a force to be reckoned with in the hardcore scene. His tracks don’t care how you’re feeling and he certainly doesn’t hold your hand when entering this world of energetic, pulse raising music. His ability to force your body to move using nothing but sounds and innovations is a testament to his talents. No one looking to get into the genre should overlook DJ Mad Dog, but he won’t let you because like his music, he won’t quit and there’s no way he can be ignored.
Sound Cloud: https://soundcloud.com/djmaddogmusic
Facebook: https://www.facebook.com/djmaddogmusic/
It was such a refreshing morning back at THD headquarters knowing that we get to experience another night of Hardstyle and Hardcore. Daybreaker and Murdock practiced their footwork and loosened up with a little pregame warm-up while Deadly Buda unsuccessfully begged Insomniac for a couple more comps to the sold out show. If you didn’t get a ticket to Saturday night a week earlier, basically you were S.O.L. and we felt lucky we had at least secured our entry for the night.
Day 2 started slightly earlier than Day 1 to accommodate the welcome of Adrenalize to the states! Although we didn’t get to experience much of his set, the California crowd definitely didn’t leave him with an empty Palladium, they were chanting already at 8:45! It was jam packed as we made our way in during the first hour. Malthe Mehlskov, from Denmark, is only 16 years old and is quickly taking the mainstream Hardstyle scene by storm. No matter if you caught his set or not, it’s pretty evident that this kids deserves all of our support.
We didn’t mention the visuals much last field report. The lasers, well they weren’t really lasers, they were sort of like lasers but better… they were INSANE. At times it was like a spider web of color pulsating to the music. There were mixed feelings about the shark’s head DJ booth, but thank goodness it was real and not just an LED screen. We saw Brandon Adams from SDK events and he gave two thumbs up to the shark’s head. The LED screens that were used were tastefully relegated to the background to amplify the talent on stage.
Saturday also brought the return of DJ Stephanie to Los Angeles, playing all of her top tracks including all the dance floor bangers that we are all familiar with and sung along to, she even previewed a new track of her own. At about 10:00pm, our man Deadly Buda rushed over to the QSA meet-up to see what was happening and lucked into photobombing their group photo.
Seeing Da Tweekaz for the first time was a little different than anticipated, but they can certainly put on a show (more gimmicks!). They had all of their mainstream hits lined up (even though we expected more rubber duck samples) and offered the biggest surprise of the night by introducing their remix of Jumpstyle legend Mark with a K’s track “See Me Now” which was beautifully crafted into the Hardstyle sound design. After their set, Da Tweekaz caused a few mini-riots in the crowd when they walked out of the backstage and met with their fans right at the soundboard by the dancefloor. Just a few yards away, we bumped into the maestro of Florentine Gardens, Cesar Mendoza, who was rocking out with his posse.
Code Black was next. Even though his set with Bioweapon was the highlight of the entire event, nobody can deny the anticipation and excitement that surrounded Code Black’s solo set. His timing and mixing were perfectly executed, playing some very emotional and nostalgic tracks that even had some die hard Hardcore fans paying close attention (here’s looking at you Kim!) which says a lot about the impact he had on the crowd.
But this wasn’t even the best part! The majority of the night was waiting in anticipation for the rawest act of the show: Digital Punk! Although he played a lot more aggressive on the Trauma Tour, his set list was perfectly tailored to the city of Los Angeles, keeping it nice and raw, with the highlights being “Brutal 5.0” by Radical Redemption being played along with “My God”, DP’s track together with E-Force. At this point the crowd went absolutely f’n’ bananas. From wall-to-wall Angelenos engaged in some sort of hyper-mutated floor shuffle. Navigating through the crowd at this point was more challenging than Call of Duty Modern Warfare. Both nights it seemed like the crowd craved the raw sound, but Basscon struck the right balance this show by showcasing raw and euphoric together. If its all raw, or all euphoric, the sound gets boring. Having that contrast all night really made both styles pop.
Basscon must have known it was hometown legend and happy hardcore DJ, Lostboy’s birthday, because the night was closed out by UK/Happy Hardcore hero Gammer who has a ridiculous amount of skill and precision when it comes to DJ’ing, which allowed him to put on one hell of a performance. I thought the crowd would be too tired, but… no. Gammer cranked up the BPM and the crowd was jumping like jelly beans. He also kicked down some half speed madness and it’s a tribute to the SoCal faithful that they amazingly appreciated all the harder styles together as one.
Before we sign off, we want to give a special thanks to Cornelio “Atari” Cedillo for his amazing pictures, most of which can be found on our Facebook page (http://facebook.com/theharddata/). Enjoy!