Tag Archives: Trauma Harder Styles Tour

The first leg of the Harder Styles Tour 2016 culminated in Trauma Live’s home town, Los Angeles, CA last night, and I continue recovering from it as I type these words, dear reader. After dropping off my bud Nickolai at 5:30 am, I couldn’t help myself and indulged in that classic Angeleno vice: doughnuts. Sure, I screwed up my shaky gluten-free diet, but I needed the extra sugar rush to make it up that last bit of the 405. I inhaled an apple fritter—daring the last few exits to where I remembered my bed was. I crawled into it at 6:00 AM for the first reasonable amount of sleep that I had the chance to partake in since Thursday.

Posted by Joel Bevacqua on Monday, February 15, 2016

(DJ Mad Dog broke the chain in LA once again!)

I had to stay up every minute I could though, to witness a pioneering concert tour that will be long remembered. Future promoters read this line-up and weep because you will never see anything like it again: The Prophet, Scott Brown, Rob Gee, Vortex, Placid K, and Super Marco May. BAM! All certifiable legends in their own right, combined with hardcore superstar Mad Dog, and the first ever American appearance of Amnesys and The Melodyst who represent the next great wave in hardcore EDM/techno, or whatever the hell we are calling it now. Put that in your pipe and smoke it man, that line-up happened and I got to see the whole thing 3 times (save a couple hours in San Francisco because of a complete flight scheduling disaster).

I was an hour early to the Los Angeles show at Club Nokia, mainly because I was playing the very first set in the VIP lounge with DJ Mindcontroller. We were assigned the task of representing classic rave on vinyl with our set, which we gladly delivered to the old school heads. We couldn’t help playing some real cheezy stuff though. I mean, I hadn’t played the Lords of Acid’s “Take Control” in decades, and this was the perfect scenario to indulge in such vice. We were followed by Lostboy and Demigod, who represented the more UK breakbeat sound for the most part.

Demigod gets classic!
Posted by Joel Bevacqua on Tuesday, February 16, 2016

(Demigod gets classic!)

Thee O, Steve Loriah and Scott Brown (playing classics) followed it up in fine fashion, apparently, but I can’t directly report on them since I was busy downstairs at the time getting hammered by hardcore. Like the last Trauma show, there was so much going on in both sound areas you always had to make critical choices. You were going to see and hear something great, and miss something great no matter what you did.

I chose to be in the main area at about 2:00 AM where Placid K ruled last night. He laid down some brutal hardcore law during his short set that brought demons young and old out on the dance floor. A tough, driving, crushing kick is what this crowd wanted, and he hit ‘em with it perfectly.

Who was this crowd? It was classic LA hardcore, but with lots of new faces. Yeah, there were plenty of old schoolers, but it was definitely the newer hardstyle and rawstyle generation that filled the floor. Placid K has played in LA a few times earlier, so he knew how we want it served up, and he dished it out hot.

Amnesys at Trauma LA
Posted by Joel Bevacqua on Monday, February 15, 2016

(Amnesys hammers the crowd at Los Angele’s Club Nokia)

Earlier in the night, like a fly on the wall, I got to hear a few DJs bitch about their set times in the dressing room, which happens frequently with DJs. Since there were so many stars on the line-up, the max set time was 45 minutes, most got 30. I had seen Amnesys in Edmonton, and he was great, but forced to constrict his set into 30 minutes, I dare say it might have been even better. His mixing was fast and superb. He actually used the effects on the Pioneer mixer, rather than just pretending to do so like some other EDM superstars. The guy can mix, its that simple, and he condensed all the power of his set into a small window that made it hit even harder.

Before the tour began, a few heads were complaining that the set-times would be too short on this tour. I say from experience now, that is total poppycock. Set after set was awesome. It was just all the best stuff. I know that some of you who read a “10 Tips for DJs” blog post think you know about mixing when you can wax eloquently about how a DJ needs time to build his or hers vibe. You ain’t impressing me no more with this beat-to-death meme. The Trauma line-up took their best stuff, condensed it down to the ultimate essence, and working in tandem, let it rip. There was never a dull moment. It hit hard and constantly. Super Marco May, Vortex, Scott Brown (who played two sets that night, happy hardcore in the main room and classics in the VIP Lounge), The Prophet, Mad Dog, The Melodyst and Rob Gee were all freaking ON FIRE. Mad Dog and The Prophet had the biggest crowds, as they were the headliners, but the drop off to the very last note Rob Gee played was virtually nil.

This actually created a bit of a problem for me. I vowed to pass out a copy of The HARD DATA to every attendee at the show. So I lined up 4 guys to help me out, Stephen Hughes, Nickolai, Alex Murphy and Jesse Simons. So I pull these guys out of the main room at like 2:30, telling them we gotta be ready at the exit for people to leave. No one did! So basically they were all probably mad that I broke them away from the show needlessly. Everyone waited for the last note of Rob Gee’s set at 4:00 AM to leave, and fortunately those 4 hombres had my back to get our favorite ‘zine into everyone’s hot little hands at the end.

Speaking of Rob Gee, I have to give the man big props for not only his riveting sets, but his dedication to the fans. This cool cat named Jackson had drove all the way from Texas to see the show, and wanted to meet and greet the artists Something got messed up and despite buying the VIP pass and all, he didn’t get a chance to do so. So Stephen Hughes texts me in the middle of passing out THDs to tell me about this. I go back stage as Rob is getting ready to leave the venue and let him know the situation. The Gee-man hopped off the stage in a flash and was out there to meet Jackson and make sure he didn’t drive back to Texas without meeting one of his hardcore heroes. It was a great way to end a great show, and the Trauma Harder Styles Tour, leg 1, was complete.

So I have 4 days to get my Trauma-tized life back in order before I head out to Mesa, Arizona to meet up with Brandon and the SDK crew for leg 2 of the tour and another sick line-up. I mean, look at this slate of artist joining the tour and stare in disbelief:

Alien T
DJ BUZZ FUZZ
Digital Punk
Dr. Peacock
MC Ruffian
Meccano Twins
Partyraiser
Rotterdamterrorcorps
SRB / Dione
Tommyknocker

After that is Denver on Saturday, and then leg 3 is Pittsburgh and Brooklyn. So stay tuned folks, and remember, the rhythm is life and death!

Deadly Buda

Articles, Reviews

Field Report: Edmonton: Trauma Live’s Harder Styles Tour 2016 .

February 13, 2016 DJ Deadly Buda

The Harder Styles Tour kicked off with a banging kickdrum last night when DJ Vortex opened up the tour his sage-like lessons in hardstyle. The unlikely locale of this seminal outburst was frigid Edmonton, Alberta, best known in these parts as the home of the Oilers and the legendary Wayne Gretsky. I’m still smarting from the night the Oilers sneaked out of the Pittsburgh Civic Arena with a win as Mario Lemieux and Gretzky battled it out on the ice. I suppressed my prejudices though and found a lot to like in Edmonton. Most notably the crowd liked it hard, and so it was a pleasure to be in the midst of mutual transaction of hard beats and appreciative crowd.

Edmonton gets Trauma, and loved it. — Edmonton got Trauma, and loved it.

Despite strong ticket sales, the venue wasn’t particularly crowded, as the frigid and windy -11 degree Celsius weather kept only the most maniacal home safe in their blankies. MC Mike Redman kept the crowd psyched the entire night, straddling that perfect MC balance between chiming in at the right time and not getting’ all walky-talky. After Vortex MC Redman introduced Super Marco May. You might’ve read his interview on the THD site, and he lived up to the hype it suggested, representing Italian hardstyle in splendid fashion.

You might have thought you were in Little Italy until Scott Brown jumped on the decks and cranked up the happy. Happy hardcore that is. He even played one of my old faves, “Now is the Time.” After which he took a well-deserved rest and read the latest issue of The Hard Data, rumor has it. Amnesys jumped on stage next and played a little of everything. He started kinda slow, playing Alien T’s Hammer of the Devil, and then picked up the pace with some of his soon-to-be classics, Shockwave and Embrace the Ultimate. In the middle of it all, he even threw in some dub-step sounding tracks which was a nice change of pace.

One of the best sets of the night was next, The Prophet. Easily the crowd favorite that night, the Scanntraxx CEO busted out a surprisingly hard-as-nails hardstyle set. I wouldn’t really call it rawstyle, it was just straight banging hardstyle. I like the fact that he played “Here We Go” because of the awesome hoover in its break and its old school sound. I still think the track was inspired by Edge of Motion, but I didn’t get the chance to grill The Prophet about it, dear readers, as he was busy interacting with his fans most of the night.

Mad Dog took to the decks next, and he made it clear that 150 BPM was “not his Tempo,” because he promptly busted out his floor crushing epic, “Not My Tempo.” It doesn’t get much clearer than that, and the BPM’s instantly skyrocketed to the delight of the hardcore faithful (you can read the Mad Dog Interview in the latest issue of THD).

The hardcore onslaught continued as Placid K, not to be out-hoovered, laid down one of the thickest hoover sounds of the night at the beginning of his set. After all these years, lets face it, there’s nothing like a huge freakinig hoover sound on a banging system to get the blood flowing to all the capillaries. The rest of his set was his signature old school hip hop samples tightly woven with that classic Italian hardcore drive, which set the stage for the new breed of hardcore heroes, The Melodyst.

They sprang out the gate with their new track “New Dawn” and when the kick came in, it sounded wicked sick. Whatever special sauce they are adding to their 909’s, I want to know because it immediately drove the crowd into a state of frenzy.

At this point, you are probably thinking, “ok, what could they possibly do next to top the night off?” Well, the icing on the cake was our own made-in-the-USA Rob Gee, who went absolutely ape behind the decks. Just when you thought you couldn’t dance no more, the Gee-Man set a fire under everyone’s you-know-whats. If there was one drop of sweat left in that crowd, Rob made sure to squeeze it out with an energetic and inspiring performance befitting the first night of the Trauma Harder Styles Tour 2016. Next up, on to the Golden State in the U.S. of A.

Articles

Trauma Prelude 2: Kari’s World

February 13, 2016 DJ Deadly Buda

“I pretty much feel like I’m gonna die.” Said Kari Lambou, jerking his head at the last minute before he was to make an impromptu pillow out of his MacBook Pro. Kari’s the head of Trauma Live, who are embarking on a 7 city North American music tour. Any music tour is tough, but Kari is pushing North America’s first hardcore E.D.M. tour (purists would call it hardcore techno), undoubtedly the least popular subgenre of the EDM world. The genre is squarely a mix of house music, hip hop, punk rock, heavy metal, and industrial noise. It’s as old-school ravey as it gets, and despite its detractors, it refuses to vanish. Mixed into the chaos is hardcore’s younger, cuter and more popular little brothers in music, hardstyle and rawstyle, to make sure the crowd is comfortable with the rock hard beats-per-minute.

Kari’s been up for a few days with limited sleep and the comfort of a few complimentary beers doled out by his office workspace in El Segundo, CA. There are numerous causes of his sleep deprivation, for example, his washing machine recently backed up and destroyed his family’s apartment, but even more so is the fact that he has almost 40 different DJs spread out all over the 7 city tour. Most are from Europe, requiring flights, hotels, and transportation.The email inbox starts blowing up again, and must be dealt with as adroitly as a 2 hour window of sleep will allow.

“I do it, because I hate commercial music. I want our own sound.” Says Kari, as I dutifully pry into his life for the benefit of my readers. “This is about us, about sticking to what we want to hear. I don’t really care if people say my line-up is too hard. Well, too bad. This is what Trauma is about. Events you’ll never forget.”

I point out that 40 artists, is a little overboard. “Well, ok, frankly I didn’t see that coming.”

It all happened because DJ Distortion of Rotterdam Terror Corps happened to mention to Kari that he could get a few people to play in America. As soon as the feelers went out, every huge name in hardcore techno immediately lobbied for the gigs. No one took no for answer. Basically, the American market has eluded hardcore techno for decades, and it gnaws at the soul of all hardcore aficionados around the world, because frankly, America seems like the perfect place for it. These names may not mean a lot to the average American yet, but how do you say “no” to Mad Dog, Amnesys, Rotterdam Terror Corps, Tommyknocker, The Melodyst, Scott Brown… the list goes on and on. Though such a line-up might exist in Europe, such a tour as this does not. Everyone constantly undercut each other’s playing fees because they HAD TO PLAY. Everyone wanted to play. It was as simple as that. And when you have the combined talent, basically a line-up that would be historical anywhere in the world, well… you roll with it.

Vowing to document this first historical tour, I find myself jetting to its first stop in North America, Edmonton, Alberta, where it’s -11 degrees Celsius. “Well, we looked at the map and it seemed there were lots of harder styles fans in a few of these areas, basically.” Kari explained. I’m thinking like, “but this is like 12 degrees Fahrenheit,” but Trauma picked their first cities. Edmonton is the first stop before San Francisco, Los Angeles, Phoenix (Mesa), Denver, Pittsburgh, and New York. So I packed up the long underwear, gloves, ski jacket, toboggan, a few stacks of The Hard Data magazine, and my trusty smartphone, and I board the plane for Canada….

Articles, Events, Interviews

MC Mike Redman Interview on the Trauma Harder Styles Tour 2016

February 12, 2016 Brandon Caballero

What inspired your stage name?
This is actually my real name. I adopted my mother’s last name which is Redman.
I use this when I’m hosting events. My alias Deformer that I use as a DJ and producer came from the various styles of music that I combine to get the dark and heavy sound that I like. Influences of Hardcore, Metal, Hip-hop, Soundtrack, Breakcore you name it. As long as it fits the Deformer concept, I’ll integrate it.

Were you a DJ first, or a producer?
I was a producer first. Experimenting with tape-loops, messing with Atari and Akai samplers. Mostly at other peoples places, because, believe it or not, only few people had a computer back when I started. I always bought records to sample sounds from, but started djing later on. Now my Deformer sets consist of 100% own productions.

How did you get into the scene?
Paul Elstak spotted me in the eary nineties. My first Hardcore gig was at the iconic Rotterdam based Energiehal. These events are memorable. Not only because there were always 10.000 hardcore fans loosing it at these parties, but also because the sound was new and still in a very experimental phase. It’s a shame that they eventually took the venue down.

What was the first record you ever purchased?
Wow, that was way back.. I’m not sure which came first but I got ‘Hey You!’ from The Rock Steady Crew from an uncle, which made a big impact. ‘Pass the Dutchie’ (Musical Youth) and the first Iron Maiden album were my first records. Later it really got out of hand and I now have a collection of a few thousand records of various genres…

Who was your biggest inspiration in the early part of your career?
That’s a very difficult question. I got bits of anything and anyone I’ve heard and seen I guess. Mostly unknowingly. But everything inspires. Sometimes the most un-inspirational artist can generate ideas. When it comes to House music definitely Holy Noise, Joey Beltram, Marc Acardipane and many others.

Would you describe your first DJ gig?
My first DJ gig was pretty scary I gotta admit. The biggest concern was to not let the needle skip. But luckily the first gig was a great success which got me a residency at the club the same night!

What was your favorite party you’ve ever played? Why?
There are multiple. I’ve had many wild gigs in The Netherlands, but later on the gigs abroad seem to stick more, because you never know what to expect and not only is the gig special, so is the environment and the people that you meet. It’s always exciting to explore new territory and other cultures.

What was the funniest moment during any of your performances?
I have to dig deep for that one. There were many, many funny moments. Also some really bizarre moments that sometimes turn into funny moments when you look back at them..

What important changes have you witnessed from the time you got into the scene, until now?
People are talking bpm’s more than music sometimes. There are also more genres than DJ’s that play them. But it all got far more professional than it ever was I think. I mean, the events are smooth and there are more jobs in this industry now than one could ever imagine.

Did you ever think you would be touring the United States? What do you think the Trauma Tour will be like?
I’ve only been doing stuff on the East Coast, so thank you Trauma for getting me some vitamin D. I’m having high expectations. I can’t wait to have a good time with everyone.

What made you want to start producing Hardcore music?
Well, the Deformer stuff is mostly filed under Breakcore, but Hardcore to me was always a challenge and it still is. Most outsiders that are not necessarily fans of the genre will mostly leave the studio with much respect when they see what effort goes into making the music.

What is your favorite track that you have produced?
That’s a hard one. ‘The Possessor’, ‘Slasher’, ‘Freaqks’ and ‘Gamecore’ are somewhere in there, but I’m still working on my favorite track…

What advice would you give to up and coming Hardcore producers?
Keep breaking down barriers!

Have any of the other artists on the Trauma tour ever inspired your work?
Definitely. The line-up is incredible and most of them have come a long way.

What are your top 3 favorite tracks of all time?

I can’t name a top three. This varies each day and with each mood-swing…

What was your favorite track of 2015 (that wasn’t your own)?
Omg, give me some time for this one..

Are there any exciting projects or gigs coming up you want our readers to know about?
Yeah, there is a release in the pipeline with The DJ Producer, Predator, N-Vitral and others. I’m currently also writing new lyrics for various artists, and check out my latest project Voodoom. This is a collaboration with Bong-Ra. Madness…

What artists would you like to collaborate with that you haven’t already?
I like to work with artists that dare to step out of their comfort zone and are passionate about their craft. The collaboration with Public Enemy was a dream come true as well as Chino XL. It was amazing to have collaborated with legendary filmstudio Full Moon Features. Working with Paul Elstak is always great. Rotterdam Terror Corps and maybe even a Metal band..

If there’s anything we haven’t asked, what else would you like to say to the readers of The Hard Data?
Don’t party by genre, have fun as much as you can and never stop exploring! The time is now, party on!!

https://en.wikipedia.org/wiki/Mike_Redman

Articles, Events, Interviews

Rob GEE Interviewed! The Trauma Harder Styles Tour 2016

February 7, 2016 Brandon Caballero 2 Comments

Rob GEE, you’re playing at ALL stops on the Trauma Harder Styles Tour- Edmonton, San Fransisco, Los Angeles, Mesa, AZ, Denver, CO, Pittsburgh, PA and Brooklyn, NY! That’s going to be almost 1 month straight of spreading your crazy style across North America, are you excited? What can people who’ve never seen you before expect?

I am very very very excited. Everybody should just expect 1,000,000% Pure EnerGEE 😉 Let’s see who sweats harder 😀

Have you ever done anything like this before? What other experiences stand out in your mind?

Well, I have done full tours throughout Europe and Australia with my Hardcore peers, but I have really only done one-offs in the USA. The only thing that comes close to this are the times when I was on tour with Hatebreed, Biohazard, Slipknot, and System Of A Down, so this will be very be awesome to tour my country with my Hardcore and Hardstyle peers.

How have you seen the scene change over the years and how have you had to adapt your style?

The scene is constantly changing, and production keeps getting better and better. The more technology grows, the sky is the limit with what you can do. Besides my solo productions, I have had the honor and pleasure of working with the generations that came after me like Adaro, AniMe, The BeatKrusher, Furyan, Mad Dog, & Noize Suppressor. In the past I used to save my voice for my productions, but I have opened my mind and I’m glad I did. We have a mutual respect for one another and we always have fun. That’s important, and I love the result.

And of course, I have made the switch from Vinyl to CDs to USB and I might be moving onto Media Card as well. I’m sure one day we will be able to just think the music and project to the crowd. lol

As you said, you’ve worked with a handful of international artist for collabs in the past (Neophyte, Adaro, Mad Dog, and Anime just to name a few), what will it be like playing alongside some of the biggest names overseas here in North America? Any future collabs we should be watching for?

Well, I play along side them already in Europe all the time, but this will be nice because it’s my homebase.

Future collabs for 2016 include-

Hardcore wise: be on the lookout for Brutale & Rob GEE, The Sickest Squad & Rob GEE, Art Of Fighters & Rob GEE, PartyRaiser, DJ Paul & Rob GEE, Dr Peacock & Rob GEE, Motordogs, F-Noize, & Rob GEE, and more with Noize Suppressor & Rob GEE, Mad Dog & Rob GEE.

For Hardstyle and Rawstyle : The Prophet & Rob GEE, Adaro & Rob GEE, and Gunz For Hire & Rob GEE.

Right now go check out Chem D, The Mastery, Da Mouth Of Madnes & Rob GEE “Old Dog New Tricks” off my brother Da Mouth Of Madness‘ new album “Old Dog New TriXX”

Also 2016 marks the 20 years anniversary of my hit “You Got What I Need” : There will be special remixes from the Art Of Fighters, The Sickest Squad, F-Zoize, and Dr. Rude to name a few, but I will also be launching a remix contest for up and coming producers to take a shot at this classic. The winner’s remix will be released commercially.

Hardcore is generally a particularly brutal genre, can you explain what inspires your #PositivianVibes concept?

The beats might be brutal, but the message is positive. Life is too short. I choose to lift people up. We all have our bad days, but at the end of day I believe we all want to be happy with the least amount stress. Sometime that is hard, but we must be strong. I have no time for negativity and hate.

Lastly (See our interview with Lenny Dee here to see what Lenny said) who would win in a pie eating contest between you and Lenny Dee?

From my size you would probably think me, but Lenny can eat. I think we should just actually do it. lol

Thank you so much for taking the time to interview with us Rob, it was a pleasure to hear from you and we’ll catch you at ALL the stops along the Trauma Tour!

Connect with Rob here:

https://www.facebook.com/TheRealRobGEE/

www.ReverbNation.com/RobGEE

www.twitter.com/THEREALROBGEE

www.twitter.com/THEPOSITIVIANS

www.MySpace.com/RobGEEADAMWorldWide